According to Variety, Syfy has decided to give its freshmen drama/comedy Warehouse 13 a second season. The show, which films in Vancouver and will stay there for season 2, concerns a male/female team of Secret Service agents who investigate missing and newly found supernatural objects.
According to the trade, its the most-watched show in Syfy’s 17-year history, averaging 3.7 million viewers a week.
“We took a look at doing 20 episodes, but for logistic and financial reasons, it didn’t make sense to do that right now, but I wouldn’t rule it out,” Syfy president Dave Howe told Daily Variety.
Apparently, thirteen episodes have been ordered for season two but as with Battlestar Galactica, that number could go up in subsequent seasons. This is good news for fans of Warehouse 13, a show which since its debut has been getting better and better. I look forward to seeing what happens in season 2.
Warehouse 13, which features Eddie McClintock, Joanne Kelly and Saul Rubinek, airs Tuesdays at 9/8C on SyFy.
Louis C.K. might not be a name that many people know, but he may just be one of the more innovative, and possibly best comedians of our time. You might know his face from several small roles in films like Role Models and TV shows like Home Movies, or his writing on such shows as Saturday Night Live and Late Night with Conan O’Brien. You may soon know both his name and face more as the FX network has picked up a show based on him simply titled Louie as well as a second series titled The League.
Some may remember the brief 13-episode run of Lucky Louie on HBO, but the new Louie is said to be done in a different vain. According to Variety:
“Louie” is based on the star’s life and will blend standup material with what Landgraf described as “extended vignettes” depicting moments from his offstage experiences. Louis CK is exec producer, writer and helmer of the series.
Meanwhile, The League seems to still be on the comedic side, but won’t be as much about the comedian:
FX Networks president John Landgraf described “League” as a kind of suburban-set “Sex and the City” for men. The semi-improv show revolves around the lives of a group of college friends as they’re forced to take on more responsibilities as husbands and fathers.
These two half-hour comedies will be added to FX’s growing comedy line up along with It’s Always Sunny in Philadelphia, which has already become a big hit both on the air, and on DVD. To get a hint at what the new series will be showcasing, check out a famous rant Louis C.K. had on Conan O’Brien a few years back after the jump. Both shows are expected to start next year.
We got a chance to speak with horror master Rob Zombie and his wife this week in New York and while we plan to have plenty of coverage for his new film Halloween 2 next week, this week we have a new look at his first animated project, The Haunted World of El Superbeasto.
The film, which we brought you news of previously when its release status changed, is based on the comic by Zombie and concerns a retired Mexican-American luchador who takes on the charge of fighting evil alongside his sister Suzi-X. Together they set forth on an adventure and inevitably take on the residents of Monsterland and their ruler, Dr. Satan.
The film features the voices of Paul Giamatti, Brian Posehn, Tom Papa, Danny Trejo, Rosario Dawson, and Sheri Moon Zombie and hits DVD and Blu-Ray on September 22nd.
You can check out the slightly Not Safe For Work red band trailer after the jump.
Director Bryan Singer, not content to remake and/or reboot one potential franchise in Battlestar Galactica, is now taking on yet another reboot project. This time around, he’s set his sights on John Boorman’s excellent 1981 film Excalibur, whichintroduced actors such as Helen Mirren, Liam Neeson, Gabriel Byrne, Patrick Stewart and Ciaran Hinds.
According to the report, Singer and Warner Bros. have closed a deal to remake the film with Singer producing and developing the picture as a potential directing vehicle. Inspired by Sir Thomas Malory’s 15th century work, and scripted by Rospo Pallenberg and Boorman, the original Excalibur “explores the myth of King Arthur, complete with the Knights of the Round Table, Merlin the wizard and the quest for the Holy Grail to save Arthur’s life.” Singer hasn’t set a writer yet for the project.
For many years I’ve been wondering why nobody ever took a fresh look at this movie and story. Its themes are timeless and it sports lots of great sword fighting, magic and romance so it should provide more than enough material for a brand new film — or even a franchise. Really, I would much prefer Singer do this film instead on taking on Battlestar Galactica. Or, he could do Logan’s Run or even X-Men: First Class, which he’s been supposedly interested in based on his reaction to a script by Josh Schwartz. Any of those would be fine Bryan — just keep yer mits off of BSG.
With Quentin Tarantino’s self-proclaimed “masterpiece” hitting theaters across the country today, we felt it was only necessary to bring you an appropriate fan film to celebrate it. Our pals over at GamerVision put this little film together, which is a shot-for-shot remake of the Inglourious Basterds trailer.
Only this time, it’s done with the cast of The Super Mario Brothers. It’s pretty funny, and clever.
Don’t let the cover fool you, that’s not Zombie Deadpool’s head that Tombstone is holding. That guy’s only appearing in Deadpool: Merc with a Mouth for now. Instead of guest starring Z-pool, this issue picks up with the guest starring Spider-Man as he and Deadpool square off against the Wrecking Crew. (Side note: One small favor for writers working on the Wrecking Crew going forward, please have them stop mentioning they have fought Thor in every book they appear in. It just gets lame and repetitive, especially after everyone they say it to who isn’t a Norse god kicks their butts. ‘Kay. Thanks. End rant.)
Obviously physically undermatched to take on villains who have tangled with Thor, Spider-Man and Deadpool take a different approach and get by with a little help from the Punisher who has taken using past villains weapons to the extreme in this issue. As ridiculous as the Punisher looks in this issue, it somehow fits with the overall Deadpool tone. Deadpool takes off ahead of Spider-Man and Punisher to face off with Tombstone where he ends up getting his hand bit off Hannibal-style by Tombstone’s viscious pet pigs. From there, Deadpool sets out to prove why he called Tombstone a “Punkass gangsta wannabe”.
This book does a fantastic job of capturing just what people love about the Deadpool character. It is filled with his stereotypical wisecracks and uses the thought balloon conversations he has with himself in happy moderation. There isn’t any overkill from any of the style jokes that sometimes are unbalanced. One of the best “breaking the 4th wall” jokes of the past few years comes in this issue as it isn’t even Deadpool commenting to the reader but instead a reader being told to come down for dinner before it gets too cold. Deadpool also isn’t treated as a complete joke in the issue as well. He shows how intelligent and skilled a fighter he is and doesn’t depend on his wisecracks to get him through the encounter. He proves that he is the second best at what he does to Wolverine.
Though Myspace has become mostly superfluous in the days of Facebook and Twitter, they still have some cool video projects such as Zach Galfiniaikis’ Between Two Ferns and their series Artist on Artist in which an artist in a particular field gets to jam with another. For the most part, the two artists are linked by their most recent project, like Channing Tatum and Sienna Miller, or Adam Sandler and Nick Swardson. With Inglourious Basterds, hitting theaters tomorrow, Director Quentin Tarantino got to sit down with his unofficial protègè Eli Roth.
They inevitably go back to their favorite subject of themselves after a few minutes and a few glasses of wine, but it’s still interesting to see the two gossip about the production of the film, Pitt’s super-stardom, and more. For all the fun, check out the video after the jump.
Also, be sure to check out our review of Tarantino’s Inglorious Basterdsright here, and then hit the theaters for Tarantino’s masterpiece tomorrow.
As we mentioned yesterday, at San Diego Comic Con we had the opportunity to sit down one on one with one of DC’s top creative talents, Marv Wolfman of Crisis of Infinite Earth fame, to discuss his involvement on DC Universe Online. During our time he discusses his involvement in the DC Universe as a writer and the many different mediums it has been a part of, his own video game fandom and
The Flickcast: First off, thank you for taking the time to speak with us about this project.
Marv Wolfman: My pleasure. This is fun.
TF: For the audience who doesn’t know yet, can you explain what your involvment with the project was? I’ve heard your name attached, Jim Lee and Geoff Johns. Can you explain how all that kind of fit together?
MW: Okay. Think of it as a building. Geoff put up the structure. It has all the beams. It has all the floors. I’m coming in now and I’m putting up the walls. I’m putting up the paintings. I’m painting the walls. I’m putting up the rugs. I’m filling it with furniture. Jim is the one who has designed all of that. (Phone call interruption) Geoff came up with an overview concept for the center part of the story.
The one that sort of motivates the entire storyline. I’m coming up with now hundreds of other stories, some of which will lead you to that center story. A lot are what I call just DC stories, stories that don’t center on that big storyline but are the things that characters do normally that you get involved with. So Superman adventures, Batman adventures, Wonder Woman adventures and all the other characters down the line.
According to The Hollywood Reporter, veteran actor and alumni of Deadwood, one of the greatest TV shows of the last decade, and Eastbound and Down, one of the funniest, will be joining the cast of Lost for its final season as a recurring character. Hawkes will play a character called Lennon on the show but according to the trade, the producers of Lost won’t reveal any other information about him.
However, that didn’t stop THR from digging a bit deeper. According to the casting breakdown that went out for the role, Lennon is a “scruffy, edgy and charismatic spokesperson and translator for the president of a foreign corporation who is far more powerful than it seems from his position.”
Well, that does sound interesting and not at all vague. Can you detect my slight sarcasm there? But really, I’m just joking because in our quest to bring you news and information, we sometimes forget that we’re fans of these shows as well so its always a battle between needing to know and wanting to know.
Lost was particularly good this past season so maybe we should just leave it alone and trust them to do the right thing with Hawkes and the last season of the show. Sure, let’s go with that. . . for now.
Lost returns to ABC for its final season in early 2010.
70th Anniversary. 600th issue of Thor. 600th issue of Captain America. 600th Hulk. 600 issues of Amazing Spider-Man. And finally the 500th issue of Daredevil. Marvel sure has a big summer. And of the two milestones, the two best written have been those from Ed Brubaker with Captain America #600 and this issue of Daredevil. This issue of Daredevil continues building upon the deal that Daredevil had made with the Kingpin against the Hand. Though Daredevil suspected Fisk was turning against him, it was a move he was forced to make.
The twists of the story and thought processes of Daredevil during the issue just go to show how awesome a writer Brubaker is. In addition, there is a preview of Dark Reign: The List – Daredevil, a great short story about Daredevil and Bullseye called 3 Jacks, a Pinup and Cover Gallery and of course the reprinting of a past issue of Daredevil, this time choosing #191 from Frank Miller’s run on the series. While normally not a fan of reprinting old materials to fill out the length of an oversized issue, the quality of the two new, original stories are well worth the hefty $4.99 price tag.
It looks like today is Trailer Day, after Fox released the first teaser trailer for Avatar earlier. Now Universal has released the first trailer for their Wolf Man reboot starring Benicio Del Toro. The film, which finished it’s production a few months ago, looks to be a pretty fair reinterpretation of the original Universal Monster movie.
Company favorite Joe Johnston (The Rocketeer, Jurassic Park 3) took the helm for this film, which is the last project he is doing before taking the director’s seat over at Marvel Studios for The First Avenger: Captain America. The writing team consisted of David Self (Road to Perdition) and Andrew Kevin Walker (Se7en).
The film also stars Emily Blunt, Hugo Weaving, Anthony Hopkins, along with Benicio Del Toro, who is doing an American accent for the first time. Check out the brand new trailer, courtesy of Yahoo Movies, after the jump.
Universal’s The Wolf Man hits theaters February 12 of next year.
Quentin Tarantino’s Inglourious Basterds is the WW II movie we’ve needed to see since the war ended. Some might consider it overlong or self-indulgent, but it showcases Tarantino’s filmmmaking skills at their finest and serves as an example of one filmmaker’s singular vision and immense storytelling craft. It is immensely entertaining, and at times brilliant, for its entire running time.
Those going into the film hoping to see lots of bloody action like some of the director’s other films are going to be somewhat disappointed. There is some violence and gore to be sure, but this is a war movie that barely features any of the war. Instead, Tarantino focuses on the people and a very personal story of revenge. This is what Inglourious Basterds is at its core: a revenge film.
From the first scene where we’re introduced to “Jew Hunter” Colonel Landa (brilliantly played by Christoph Waltz) and he lets young Shosanna Dreyfus go instead of killing her as he did with her family, the stage is set for Shoshana’s revenge on the man, and the Nazis, who took everything from her and so many others. This is not just Shoshanna’s personal tale of revenge, however, its the cathartic revenge for all Jews — and by extension all people — who suffered at the hands of the Nazis.