This is the last episode of ABC’s FlashForward we will see until March. Yeah, until MARCH. Can’t say I’m happy about that. Well, at least this episode went out on a bang.

We open on the mystery woman (Shoreh Aghdashloo), who informed Demetri Noh (John Cho) that he will be assassinated. She’s sitting at her desk, her own Mosaic chart laid out on the glass spread like a spider-web with a picture of  Cho with the number value: A561984. She is watching the classic A Christmas Carol.

A plane lands in Hong Kong, on it Benford (Joseph Fiennes) and Cho get off, discussing their plan to track down Aghdashloo.  They twice ignore calls from Wedeck (Courtney B. Vance) only to be met by someone with “Kid N Play” hair, who calls himself Marshall Vogel from the Hong Kong FBI office. Vogel tells the Dynamic Duo to get out.

Fiennes picks up his phone walking away to only get into an argument with Vance about going to Hong Kong. He gets into this argument so that if anyone goes down for disobeying orders it’s him [Fiennes] because Noh needs to keep his gun on him if he’s going to live past March 15.

Vance breaks one of his televisions only to have another one where a press conference is on at National Linear Project [NLAP] as it’s called, where a stooge announces Simcoe (Jack Davenport) who will address the crowd on the experiments he and Monaghan were doing on the day of the black out.  It gets hairy quick when this happens.

In this sequence, Davenport claims responsibility for the blackout and literally raises hell, saying their experiment was to reproduce the energies created by the Big Bang and may have contributed to the cause of the blackout. Total bedlam occurs when he says this: shots are fired, dogs and casts living together, mass hysteria!

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Courtesy of our friends at Marvel, we bring you the fist look at their next upcoming milestone comics event: Siege. This new all-encompassing story arc, written by Brian Bendis with art by Olivier Coipel, involves every major hero and villain in the Marvel U and promises to, according to Marvel, “end the Marvel universe you know.”

But don’t take our word for it, check out all the info, complete with several pages of a preview for Siege issue #1, right here. Also, remember that the first issue of Siege hits stands early next year.

This is the end of the Marvel Universe as you know, but what’s the price of victory? The comic book event seven years in the making begins here as every major Marvel character gets involved in the greatest assembly of heroes and villains you’ve ever seen!

Plus, don’t miss exclusive SIEGE high quality prints available at the Marvel Print Store (http://prints.marvel.com) from superstar artists such as Marko Djurdjevic, Simone Bianchi, Billy Tan and more!

Norman Osborn’s endgame is revealed as the Marvel Universe finds itself irrevocably changed and not everyone survives! No comic book fan can afford to miss SIEGE #1!

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When you hear a title like that, it’s pretty easy to immediately think it’s just a really bad joke, or possibly part of our Fan Film Friday series. Sadly, this new trailer is neither. From Silver Nitrate Films, the brains behind such films as S. Darko and Rob Schneider’s Big Stan comes The 40 Year Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It.

The premise is basically Scary Movie aimed towards anything that has had Judd Apatow’s name on it in the past five years. There are spoofs for things like The 40 Year Old Virgin to Superbad. They are all included. It’s a shame that the parody machine has gotten so out of control that studios are now giving the green light to projects that actually satire…satires. Shouldn’t that open up a black hole somewhere?

The film has got an “all-star” cast including Bryan Callen, who was on the first four seasons of MadTV, and Noureen DeWulf, the star of all three Pulse Films. The movie is set to go straight to DVD, through Twentieth Century, which is good because the title may not actually fit on a movie theater marquee.

Check out the almost NSFW trailer after the jump.

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Just in case you were asleep, out of town, forgot or your Tivo, or other brand of DVR, somehow missed recording one or all of our favorite NBC comedies this week, we’ve got some highlights of what you missed right here. Shows such as 30 Rock, Community, The Office and Parks and Recreation are darn funny comedies that also, in many cases, have continuing storylines that go from episode to episode.

So, its a good idea not to miss one of them or you might be lost the following week. Fortunately, you can catch most of these shows on Hulu if you missed them. Or, you can at least try and keep up with the real funny bits by watching the clips from this week’s shows right here after the jump.

Remember to make sure your DVR is primed and ready to record next week when these shows are on. To make sure, keep in mind that 30 Rock is on Thursdays at 9:30/8:30C, Community is on at 8/7C, The Office at 9/8C and Parks and Rec at 8:30/7:30C. Got that? Good.

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Everybody who has been fretting over Robert De Niro’s career of late can collectively exhale a sigh of relief. After carpet bombing the cinematic landscape with stinkers like The Adventures of Rocky and Bullwinkle, Hide and Seek, Godsend, and Righteous Kill, De Niro finally settles into a nice little film devoid of gimmicks and action. Playing the widowed patriarch of four grown children, De Niro gives a quietly nuanced performance that grounds the film, and makes you remember why you liked him to begin with.

Everybody’s Fine tells the story of a very ordinary family and the events surrounding a holiday gathering. Frank Goode (Robert De Niro) is recently widowed, and has made plans to have all four of his grown children visit him for Christmas. He prepares the house, buys the groceries, purchases a new grill, and awaits their arrival. One by one each child calls and cancels with generic excuses-”something’s come up”, etc.

This is where De Niro first starts to reel you in. His face drops with each phone call, and you just want to go give him a hug, and go give his kids a good tongue-lashing for abandoning their poor, lonely dad on Christmas.  After contemplating the circumstances, he decides to travel to each one of them, against his doctor’s orders (he takes medication for fibrosis of the lung.)

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‘Tis the Season, kids! Which is why we’ve decided to pick this fresh new web video for Fan Film Friday. Though the name insinuates that these are all made by fans, today’s clip kind of walks the line between “pro” and “amateur,” seeing as how it was done by CBS.

For those who are a fan of the CBS sitcom How I Met Your Mother, they more than likely tune in for three names: Neil. Patrick. Harris. The man has won the hearts of nerds everywhere with Dr. Horrible’s Sing-A-Long Blog, and gets us to laugh just about every week as the irreverent best friend Barney on the situation comedy.

Some sly editors over at CBS decided to help promote the show, as well as a special airing of Frosty the Snowman by doing a mash-up of the two, combining NPH’s dialogue from the show with clips from the TV movie. Hence, “Frosty the Inappropriate Snowman.”

Check out the clip after the jump. Be sure to catch Frosty The Snowman on CBS, Friday December 18, at 8PM/7PM Central, and How I Met Your Mother every Monday at 8PM/7PM Central.

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Sarah Silverman is easily considered one of the most popular female comics working today. Unfortunately with that title often comes the inability to score roles as the sexy female lead. You never see Whoopi Goldberg as the sexy girl next door or Paula Poundstone as the attractive school teacher.

Thankfully, that’s exactly what we get with Steve Buscemi’s newest dark comedy, Saint John of Las Vegas. Silverman takes on the role of the attractive, manipulative cubical neighbor to Buscemi, who is later trumped by Emmanuel Chiriqui in the film.

The film stars Buscemi as ex-gambler John, who gets lured back into the sleazy underbelly of the City of Sin by a veteran insurance fraud investigator. The film also stars a few other folks who aren’t strangers to the world of indie comedy. Peter Dinklage (The Station Agent), Tim Blake Neslon (O Brother, Where Art Thou?), and Romany Malco (Weeds).

Take a look at the first trailer after the jump, and catch Saint John of Las Vegas in theaters on January 29.

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Over the past 8 years, Monk has been a front runner for the USA network, earning handfuls of accolades and awards from the Emmys to the Golden Globes. We recently got a chance to sit down with the man behind the neurotic protagonist, Tony Shalhoub, about the finale, his life after Monk, and his eclectic film career.

The Flickcast: What can you tell me about the upcoming series finale?

Tony Shalhoub: Well, I can’t tell you much, because I wouldn’t want to give it away. What I can tell you is that unlike many of our other episodes, this two-parter goes to a really dark place for this character. The show turns into much more of a Drama than a Dramedy.

We know that Monk is sick, and he just goes right to the edge. He realizes he’s going to die, so he becomes fearless in a way. The end is near for him anyway, so he becomes hellbent on his revenge.

TFC: Would you say you were satisfied with how the show ended as a whole?

TS: Absolutely. The finale exceeded my expectations. It really fell like everybody was firing on all cylinders here. The writers really came through for us. Randy Zisk, who’s our director, show-runner, and co-executive producer, directed the episodes, and it’s really his best work. We all loved the script on the page, and it really helps when bringing those words to life.

TFC: 125 episodes of Monk under your belt. Where do you go from here?

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Those who are fans of the British Sci-Fi series Doctor Who know that heartbreak lies ahead. David Tennant, the beloved actor who has taken up the titular mantle as the Tenth Doctor since 2005, will be leaving the show and handing off his TARDIS to newcomer Matt Smith. We’re now receiving word that BBC America will be airing the upcoming episodes mere days after it’s initial broadcast in the UK.

According to BBC America’s press release, they are running the final Tennant episode even sooner that originally anticipated.

BBC AMERICA today announced the U.S. premiere of David Tennant’s final special as the Tenth Doctor. Doctor Who: The End of Time, Part Two, premieres January 2, one week after Part One, on BBC AMERICA. The finale to the era of David Tennant is one of the most eagerly anticipated adventures in the history of Doctor Who. Guest stars include John Simm (Life on Mars) as the Master, Timothy Dalton, Catherine Tate and Bernard Cribbins.

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Welcome to another edition of The Pull List Comic Reviews! This week Jonah Hex takes top billing, a couple more Blackest Night mini-series debuts and a slew of over-sized annuals and one-shots invade your pull list. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Jonah Hex #50
DC Comics – $3.99 US
Writers: Justin Gray, Jimmy Palmiotti
Artist: Darwyn Cooke
Score: 9.5

The landmark 50th issue of Jonah Hex hits the stands, featuring a done-in-one tale of the scarred bounty hunter’s latest task: to locate and dispose of 50 various bad guys. The cost of victory, however, may prove to be too much to bear…

Jonah Hex is no stranger to violence. We’ve been exposed to his brand of “justice” for decades now, so it’s very easy to forget that, under all of that hatred, this killing machine does have a heart. Thankfully, writing team Justin Gray and Jimmy Palmiotti weave a story that is sure to please the loyal Hex fans with plenty of merciless vengeance, while injecting a tragedy that goes to great lengths to humanize the central character.

Darwyn Cooke handles the art chores on this commemorative issue, further cementing how incredible a read this was. Gorgeous pencils accompany the artist’s usual cinematic flair, with numerous examples of how to kill a man mixed in with a few touching moments, and a final page that speaks volumes without the aid of dialogue. With the holidays around the corner, I’d gladly accept this final page in all of its original glory as a nifty Christmas gift.

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Comcast and General Electric announced early today they have made an agreement to combine GE’s NBC Universal with Comcast’s entertainment assets. The new company will be 51% owned, and managed, by Comcast. GE will have 49%. Jeff Zucker, president of NBC U, will become CEO of the new company.

According to the trade, the agreement “creates a new powerhouse with enormous reach in sports and entertainment programming.” It also will allow “GE to contribute NBC U’s businesses valued at $30 billion, including broadcast and cable television, filmed entertainment and theme parks.”

As part of the agreement, Comcast will contribute $6.5 Billion in cash, along with its own cable networks including E!, Versus and the Golf Channel, its 10 regional sports networks, and certain digital media properties collectively valued at $7.25 Billion.

The cable networks, including NBC’s USA, Bravo, Syfy, CNBC and MSNBC, will account for 80% of the new, combined company’s cash flow — which is a good thing. Comcast will create a new division called Comcast Entertainment Group to control its interest in the new venture. Okay, that’s all well and good, but how does the Sheinhardt Wig Company figure in all of this?

Though there is no word whether or not FOX will air the rest of Dollhouse’s second season, we do still have some things coming up to be excited for. This Friday marks the show’s return after being off the air for nearly two months, and it’s coming back with a bang. Two episodes will air this Friday on the network: “The Public Eye” and “The Left Hand.”

According to IMDb, in the first of the two-parter, Echo is sent to Washington, DC to stop Senator Daniel Perrin (guest Alexis Denisof) before he can expose the Dollhouse’s secrets. Adelle and Topher also travel to the Washington DC Dollhouse where they meet its genius programmer, Bennett Halverson (special guest Summer Glau), a woman with a mysterious past connection to Echo.

Following that episode, in “The Left Hand” Echo and Bennett have a shocking confrontation as Adelle goes head-to-head with the ruthless head of the Washington, D.C. Dollhouse. Meanwhile, Topher sees double when he involves Victor in his espionage plans, and Senator Perrin finds a surprising witness to testify against the Rossum Corporation.

This marks the first time that Denisof has worked with Joss Whedon since Angel went off the air in 2004, and the first time Glau has worked with him since 2005′s Serenity. Check out two exclusive clips from “The Left Hand” after the jump. This is the first we’ll see of both Glau and Denisof, so some spoilers ahead.

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