Well, here we are, a couple of episodes into the final season of Chuck. I predict this season there will be a lot of Subway sandwiches eaten, a choice Jeffster performance, and a plethora of geeky references. The training wheels are off, as Chuck has lost the intersect and Morgan is the new ace in the hole. The spy in tennis shoes and his team of rogue spies aren’t out for the count yet, though.

Read on, as the cast gives some parting words on their super secret missions on the mean streets of Burbank.

The Flickast: Chuck’s brother-in-law, Devon, has the nickname “Captain Awesome”. On a scale of 1 to 10, how awesome are you?

Ryan McPartlin: 10 being the most awesome? We have to clarify. (TF: Yes, 10 being the most awesome). It depends on what we’re talking about, like I feel I’m a really awesome dad and husband, so I’m a 10 at that area. But, there’s a lot of things that I can’t dedicate my time to that I think I could be really awesome at, like for instance, golf.

TF: What does Casey think of teaching the spy tricks of the trade all over again, this time to Morgan?

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I don’t know about you but it seemed like I used to have several Barnes & Noble stores in my neighborhood and now I need to drive quite far to find one. Not that that really means anything. Amazon doesn’t have any stores at all and they’re doing pretty well.

The above only goes to illustrate that you don’t necessarily need a solid business model to launch a tablet these days. Heck, look at Motorola and RIM, they did it. So, if follows that Barnes & Noble, a company that already has eReaders and such like Amazon does, would try their hand at a full tablet as well.

In fact, they just announced one today. And, judging from the specs and the early word on the street, they seem to have done a pretty good job. The company took the wraps off of said Nook Tablet during a press event in New York City this morning. Here’s the major specs:

• Screen: 1024 x 600 “laminated, no-air” 7-inch IPS LCD
• Weight: 14.1 ounces
• Processor: 1GHz dual-core TI Omap 4
• Platform: Customized version of Android 2.3 (Gingerbread)
• Internal memory: 16GB
• microSD card expansion slot: up to 32GB cards
• Integrated microphone
• Battery life: 11 hours reading, 8-9 hours video (with wireless off)
• Price: $249
• Availability: Pre-order now, ships November 17

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With Call of Duty: Modern Warfare 3 , hitting this week the anticipation is almost palpabile. People across the internet are clamoring for just about any information available to the game. We know we at The Flickcast are anxiously looking forward to tonight at midnight to get our hands on it. But, until then, we are going to share this behind the scenes video from our friends at Activision that explains both the Facebook and Elite integration in to the game.

Call of Duty: Modern Warfare 3 will tie directly in to player’s Facebook friends list. This is the first triple A title to allow for this level of social networking communication that will allow players to look directly at their friends list from the game browser and hop in to games using their Facebook friends. This is going to be a great resource as not a lot of people post their gamer tag to Facebook but almost certainly everyone on Call of Duty: Modern Warfare 3 multiplayer is going to link their game to their Facebook so they can partied up that much easier with all their friends.

We also get to take a look further into the three pillars of Elite with Connect, Compete and Improve. One of the most drastic improvements looks to be the 100 person clan structure which has been added to the game. Clans can take on Clan Operations and level up the entire clan as a whole. Competition looks to heat up as well with the inclusion of both real and digital prizes in Call of Duty: Modern Warfare 3.

Keep your eyes peeled for any last minute news before Call of Duty: Modern Warfare 3′s midnight release tonight and check out the full behind the scenes video below.

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Even Eddie Murphy and his band of not-so-ready for Ocean’s 11 players couldn’t knock Antonio Banderas and his animated counterpart “Puss” from their place on the box office mountain top this week. Whether that’s a good thing, or a bad thing, we’re not entirely sure.

That’s right, Dreamworks’ Puss in Boots managed to steal another weekend with an estimate of $33 Million and a total of $75 Million overall. Universal’s Tower Heist was able to come in second, however, with $25 Million. Not very good, considering the film cost upward of $75 Million to make.

Also hitting theaters this weekend, Warner’s A Very Harold & Kumar 3D Christmas opened to a small $13 Million, which makes sense, seeing as how Halloween was less than a week ago!

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Great balls of tinsel, this third installment in the Harold & Kumar franchise starts off with a bang. The primary objective seems to be justifying its 3D incarnation, which it gets down to immediately, mostly by floating billows of marijuana cumulus and cirrus into the audience, as well as candy canes, Christmas ornaments, feces and other effluvia.

This being Harold & Kumar, the racial and religious slurs and gross-out humor come just as thick and fast. It’s enough to offend nearly every affinity group on the planet, and disgust anyone who’s left. If you thought that scene in A Christmas Story with the tongue stuck on the pole was horrible, this movie has got a frozen treat for you.

Seven years have elapsed since Harold and Kumar’s misadventures in Guantanamo Bay, during which the two once-BFFs have gone their separate ways. Harold has returned to his former rule-following, high-achieving ways, while Kumar has been expelled from his medical studies for failing a drug test and descended into a slovenly life of perpetual stonerdom.

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Often times a filmmaker and a composer find a shared voice, a common approach that allows both to make the project they share truly remarkable. One of the highest profile partnerships is that of Steven Spielberg and John Williams, arguably the two greatest artist in their chosen fields. This winter brings us not one, but two brand new collaborations between these two heavyweights, and today we are going to dig into the first of the two, War Horse.

I was extremely excited when I began listening to this music, every time Williams composes music for a Spielberg film there is a good chance he is crafting something remarkable. The first 25 seconds of the War Horse score immediately let me know this music would be no exception. The score is classic Williams, with a somberness that is just subtle enough to be noticed, but not get in the way of the idealistic sheen that Williams uses so well.

The main theme of War Horse is beautiful, Williams is the greatest theme writer in the history of ever and some how he manages to still do it to this day. The theme is simple, but evocative of early 20th century hopes and dreams as well as the nobility of the soliders fighting in the first two world wars. Which makes sense due to the fact that the film is about the incredible journey of a boy, too young to enlist going to the war torn trenches in France to save his friend, the titular horse. 

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Last night, those in the Los Angeles area were treated to a nice surprise. The hip folks over at Cinefamily’s Silent Movie Theater premiered the full miniseries of Adult Swim’s newest live action comedy, The Heart, She Holler. Opening to a packed house, the show definitely hit it big with this audience, incest jokes and all.

The show comes from the Vernon Chatman, the brilliantly twisted mind behind shows like Wonder Showzen and Xavier Renegade Angel. If you think you know anything about how Adult Swim picks their new content, you don’t know anything about this show. Here’s a brief synopsis that does little-to-no justice to the madness of the show.

Boss Hoss Heartshe owns 98.5% of Heartshe Holler and keeps the other 1.5% in a hidey hole.  Upon his death, the hole is opened to reveal a secret son, Hurlan. Watch as his blood grubbing heirs Hurshe, the coquettish daughter closest to Hoss’ heart and nether regions and Hambrosia, Hoss’ other only child with a fearsome ability to scorch eyeballs with her mental powers, wrestle for every sort of supremacy that power provides. Their miseries and mysteries collide in this first-ever Adult Swim six night miniseries event.

Think Twin Peaks meets Passions with a really sick spin.

We got the chance to sit down with comedy-flavored renaissance man and star of the show, Patton Oswalt, about what to expect from the show, who he doesn’t want to watch the miniseries, and what his problem with DC Entertainment is. Take a look at what he had to say after the jump.

Catch the premiere of The Heart, She Holler on Adult Swim Sunday, November 6th at 12:30am, followed by new episodes every night next week, and repeating every day this month.

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“I work hard at my job, Inspector. I won’t stop trying to expose the corruption of Metropolis. If that makes me an outside or a freak, I’m fine with that.”  - Clark Kent, Action Comics #3

It’s month three of the New 52 Superman. No longer is he an ultra-powerful god that worries about being lonely. Now, he is a social crusader that can leap tall buildings and wears jeans. Did writer Grant Morrison continue the forward momentum and the fresh take on the character that made the first issue so successful? The short answer is yes, and the longer answer is that he did it in a way that I did not expect.

The issue begins with a flashback to the destruction of Krypton, beautifully illustrated by guest artist Gene Ha. Ha handles all the art on the Krypton sequences while series artist Rags Morales continues art on the rest of the issue. While the re-designs of Superman’s doomed planet are great, I was really bored with this sequence. Don’t get me wrong, I was excited by the new inclusion of Brainiac into the destruction of Krypton. (Something that was done first by Bruce Timm’s Superman: The Animated Series over ten years ago).

Parts of these pages have been seen over and over again by anyone that has ever read a Superman comic. Grant Morrison, himself, skipped over Krypton’s destruction by only letting it have two panels in his Superman epic All-Star Superman. In that book, he simply wrote, “Desperate scientists, doomed planet,” and that was all we needed to know. Thankfully, the book doesn’t dwell on Krypton for too long, and focuses on what makes this book excellent.

Superman makes only one tiny appearance in this book. Then who is the star, you might ask. Let me tell you. It’s Clark Kent, and Clark Kent is awesome in this book. No longer the meek, clumsy, nerd he was in the Christopher Reeve movies. This Clark Kent writes articles about corruption in every aspect of society: the police, businesses, and politicians.

He angers people with his articles, and gets beat up for it regularly. The police even search his apartment to get him to stop writing! This is a Clark Kent that matters. His articles and words fight for justice just as hard as Superman does.

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Freddie Mercury is a musical genius. If you ever doubt that fact go watch Highlander and enjoy a fantastic film that is made nigh classic by its soundtrack from Mercury’s band Queen. His loss ranks amongst the most tragic music industry passings, and he remains an icon to this day.

Bear McCreary, composer of such classic TV shows as Battlestar Galactica and The Walking Dead, has teamed up with his brother Brendon and Metalacolypse creator Brendon Small to honor the late rock icon. In a tribute show benefiting the AIDS Project LA the three musicians will take the stage together and put on a show.

There are often really cool things to do when you live in Los Angeles, but I have to say this event might out do them all. I implore anyone and everyone who lives in the LA area to check this out. Not only are you assured of getting a great show, but you also are contributing to a worthy cause. My fingers are crossed that they rock out to an epic version of Princes of the Universe.

Full details on the event after the jump.

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The world of video games and the world of toys have always had an interesting dynamic. Many people will remember the main outlet for purchasing their original NES games was from the cage at Toys R Us. Then, as gaming evolved and players matured along with the content of the titles, video games began getting their own stores and found their way into electronics superstores like Best Buy.

As that happened, many people began their arguments that video games were a form of art and not just simple boys. But… why can’t we have both? Skylanders: Spyro’s Adventure works behind the concept of “Bring Your Toys To Life” where players blur the lines between their collectible figures and their gaming console experiences.

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Some of the biggest controversy in TV over the past few years also happens to be tied to one of the best shows we’ve seen on American TV in a while. That controversy surrounds the STARZ original series Spartacus. The first season, titled Blood and Sand, was one of the cable networks highest rated series of all time, so it was natural that it would get a second season.

Due to the main star, Andy Whitfield, getting diagnosed with cancer, the show went on hiatus, and then continued on with a prequel season without Whitfield. Sadly, the star passed away earlier this year, leaving the showrunner, Steven S. DeKnight, without a star, and a network looking to continue the franchise.

Reluctantly, they recast their Spartacus, and the team planned out Spartacus: Vengeance, which will continue in the Spartacus universe. It looks like the network is now ready for the show’s January premiere. From Deadline:

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The best performance in Tower Heist comes not from its most bankable stars Ben Stiller and Eddie Murphy, rather it’s the nervously underplayed schlub Mr. Fitzhugh, an out-of-work stockbroker played by Matthew Broderick, who’s channeling parts of Bob Newhart and parts of Bert Lahr’s Cowardly Lion. Director Brett Ratner (Rush Hour) tends toward broad comedy, but the funniest bits by far are Broderick’s subtle squeaks of concern.

There’s a scene early on when he’s being evicted from his apartment. The living room is completely empty save for two tents. Broderick explains to the building manager that he’s sold all the furniture. “I told the kids we’re going green,” he gives a resigned shrug, “my kids aren’t very smart.”

The manager is Josh Kovacs (Ben Stiller), who’s been working at the building for years and is the golden boy of its owner Arthur Shaw (Alan Alda), a Madoff-inspired Wall Streeter who, we learn, has taken the employees’ pensions and either stolen them or made some really bad investments (the movie never really makes it clear, but since he’s rich, he’s automatically bad, I guess). The Feds, led by the sexy Claire Denham (Tea Leoni) naturally swoop in to cart off Shaw for some SEC violations, leaving little hope for the tower employees to recover their life savings.

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