Everyone knows that Wednesday is new comic book day. While picking up your new issues consider looking at some of the trade paperbacks and hard covers of past issues and story lines. But which ones should you choose?

That’s why every Tuesday, The Flickcast will recommend a collection of comics that are just as good, if not better, than the issues you are currently buying. Books that deserve to be read, and bought the next time you walk into your local comic book store.

“This is not how the world ends.” – S.H.I.E.L.D #1

When most people think of S.H.I.E.L.D., they think of the secret spy organization that is lead by the one-eyed Nick Fury. This book is about the secret and ancient history behind the founding of that organization. Before you run away, spouting some nonsense saying that you don’t want to read a continuity heavy Marvel Universe story, let me assure you. There are little to no references to the Marvel Universe in this book.

S.H.I.E.L.D. is a historical mystery about a secret organization that we never knew existed starring figures from our past. Leonardo DaVinci? Check. Issac Newton? He’s here too. This book is a who’s who of scientific history.

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Not many comic books improve with their second issue. Generally, writers and artists put everything they got into the first. First issues want to catch the readers with their debut so that they stay around. Most of the time the second issue of a comic book series is all setup. It’s usually the quiet reprieve from the action before the build-up to the climax that is still a couple issues to come. Atomic Robo is not like that at all. In fact, Atomic Robo: The Ghost of Station X #2 is better than the first issue!

In my review of the first issue, I was very positive of the entire series of Atomic Robo, and for good reason. Atomic Robo is rarely a book that you can predict. Generally, it fires at all cylinders at all times, throwing jokes, action scenes, and crazy science concepts at you that make you re-read pages over and over. That’s exactly what this second issue does.

Atomic Robo: The Ghost of Station X #2 begins right where the first issue left off. Robo just got a face full of explosion, he’s unconscious, and he’s beginning to fall to the Earth. Hats off to the writer and artist team of Brian Clevinger and Scott Wegener for crafting one of the most exciting comic sequences I have seen in a long time. The pacing of Robo’s fall through the atmosphere is pure brilliance.

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Everyone knows that Wednesday is new comic book day. While picking up your new issues consider looking at some of the trade paperbacks and hard covers of past issues and story lines. But which ones should you choose?

That’s why every Tuesday, The Flickcast will recommend a collection of comics that are just as good, if not better, than the issues you are currently buying. Books that deserve to be read, and bought the next time you walk into your local comic book store.

“When I was a kid growing up, I never could decide what I wanted to be when I grew up.”  - Green Lantern #75

Some heroes are born, and others are made.

In the mid-90s, Green Lantern wasn’t selling well. So DC Comics did the unthinkable, they created a storyline where Hal Jordan went crazy, became a super villain named Parallax, and destroyed the Green Lantern Corps. While that story line was pretty bad, the issues that followed were pure gold.

We were introduced to Hal’s replacement, Kyle Rayner, a twenty-something graphic artist who couldn’t hold a steady job, and flirted with all the ladies, a screw-up. Kyle received his ring not because of his ability to overcome fear, but because he was in the right place at the right time. Kyle was more creative with his ring than any other Green Lantern because of his artistic mind. The only trouble was with no Green Lantern Corp around anymore, Kyle had no training. Here was Kyle Rayner, a screw up, in possession of the most powerful weapon in the universe, and he has no idea what to do with it.

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There was a time when anything Geoff Johns wrote was gold especially if it had Green Lantern in the title. This was the man that gave us an amazing 100 issue run on JSA, redeemed and redefined Hal Jordan as a character in Green Lantern: Rebirth, and was one of the architects of the brilliant weekly series 52.

Somewhere around the time of Blackest Night, Geoff Johns became stale for me. Whereas once his plots were epic and revolutionary, now the plots are stale, and do little but set up his next event. Green Lantern #2 does little to change my opinion.

Hal Jordan is no longer Green Lantern following the events of the War of the Green Lanterns. Sinestro has been granted Hal’s ring, and he shows up on Hal’s doorstep offering to give it back to him. Like any deal with the devil, there is price.

Most of the issue is a simple conversation between Hal and Sinestro. Sinestro plays the role of over-bearing arrogant mother by spending the issue insulting Hal by saying he never really changed the Earth, he just used the ring to show-off. Hal spends most of the issue filling his role as petty brat constantly yelling at Sinestro, and saying, “Gimmie my ring back!”

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Everyone knows that Wednesday is new comic book day. While picking up your new issues consider looking at some of the trade paperbacks and hard covers of past issues and story lines. But which ones should you choose?

That’s why every Tuesday, The Flickcast will recommend a collection of comics that are just as good, if not better, than the issues you are currently buying. Books that deserve to be read, and bought the next time you walk into your local comic book store.

The trade paperback you should check out this week is Locke & Key: Welcome to Lovecraft by IDW Comics. Locke & Key is one part horror, one part mystery, and ten parts of intrigue. It is a book that immediately after you finish reading it, your first thought will be, “Why haven’t I read this before?”

Locke & Key is the story of the three young Locke children, and what happens to them after their father is murdered. Their uncle invites the kids and their mother to move to Lovecraft, Massachusetts, where the home of the Locke family mansion also known as the Key house resides.

Everything seems to be settling back to normal for the kids until the youngest Locke boy finds a key with a skull on it, and when he inserts it into a certain door, he becomes a ghost. That one single turn of the key leads the three Locke children into a bigger mystery about the true nature of the house, its multiple special keys and doors, and the secret of what exactly is in the well out back.

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Stormwatch has the potential to be the best book of the DC Comics New 52 Relaunch. It combines the old school superheroes of the DC Universe with the crazy, forward thinking concepts of the Wildstorm Universe into one book. Members of Stormwatch have powers like the ability to talk to and control cities, and the ability to mold and control all media. Its brilliant ideas like that mixed with Martian Manhunter that makes this book rock. It is also its greatest weakness.

Stormwatch #2 picks up right where the last issue left off. Midnighter is trying to recruit Apollo to join him, and not Stormwatch. The Swordsman fights the moon, who wants to attack the Earth.

Yes, you heard me right; the moon is the enemy in this book. We learn that team leader Adam One was born at the beginning of time at old age, and has been aging backwards. While Martian Manhunter proves himself a badass in what I will name his greatest character moment in his entire history.

It’s all these moments and more that make Stormwatch so much fun to read. So many concepts explode in these pages that it boggles the mind. It’s almost too much. Paul Cornell, the writer, is a veteran of Doctor Who, a television show that confuses and delights in one hour more than most shows do in an entire season. So you can see where his writing style comes from. Sadly, what works well in an hour television show, doesn’t work as well in twenty pages of sequential storytelling.

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If one year ago you told me that DC Comics would take Superman back to his roots in the 1930′s and it would turn out to be the most modern and relevant take on the character, I would have called you crazy. But that is exactly what Grant Morrison has done to the character of Superman, and this comic is refreshing, exciting, and meaningful.

Action Comics #2 begins shortly after the end of last issue. The government has captured the being known as Superman, and under a task force led by Lex Luthor, they are experimenting and testing his powers. This is a Superman that can bleed; he is not the all-powerful god that he will become later. Superman breaks free, holds Luthor in a choke hold, and gets to meet Lois Lane for the first time.

Each and every beat of this book has a joy and energy that a Superman story hasn’t had in a long time. The issue ends with the readers discovering the true being that Luthor is working for. (Hint: It’s a classic Superman villain that has teamed with Luthor before.)

Part of the reason that this book works is the pure essence of motion instilled into every panel by Rags Morales. Last issue, his art came off as rushed. Well, Mr. Morales must have had a chance to catch up, because the art on this issue is fantastic. His Superman is always moving, has a smile on his face, and shows power in every shot.

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People who complain that DC Comics reboot their universe too many times needs to take a look at Marvel Comics Ultimate Universe line.

Founded in 2000 with the debut of Ultimate Spider-Man, the Ultimate universe was always intended as a continuity free entry point into the Marvel Universe. Characters and origins were updated to feel as if they were created in the 2000′s, and many of the movie properties of Marvel took several ideas and storylines from the Ultimate Marvel universe. Unfortunately, somewhere along the way, the Ultimate Universe became confusing and has been rebooted not once, but twice in ten years! Let me say that again, twice in ten years. Even with all the odds stacked against it, Ultimate Comics X-Men #1 turns out to be a decent issue.

Peter Parker, the Spider-Man, is dead. Wolverine, Cyclops, Professor X, and Magneto are also in the ground. This ain’t your papa’s Marvel Universe. The issue begins with a scene that could have been ripped out of an X-Men movie. Karen Grant a.k.a. Jean Grey, who has changed her name for safety reasons, visits the parents of a little girl who has just discovered she is a mutant. Karen discusses options with the mother while the father of the little girl is upstairs with her.

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To boldly be published in comic book format!

Star Trek #1 is an ongoing series by IDW Publishing. The new comic book series is based on J.J. Abrams’ 2009 Star Trek while telling stories that are “re-imaginings” of the adventures of the 1960′s classic Star Trek TV show. Basically, take the fun, hip crew you liked from the 2009 film, mix them with the classic, brilliant drama of the 1960′s TV show, and you have an intriguing concept that appeals to new and old Star Trek fans alike.

Based on the original series episode titled Where No Man Has Gone Before, Star Trek #1 begins with the Enterprise finding the distress beacon from the Valiant, a vessel thought to be lost. After crossing the galactic barrier, Enterprise crewman and one of Kirk’s best friends, Gary Mitchell gets sick and begins to display psychic and telekinetic powers. Gary is now temparmental and angry. Captain Kirk has decide what to do about his good friend before he harms himself or worse, the Enterprise.

The issue follows the same basic first act of the episode it is based on with minor changes. Spock and Uhura are still dating like in the movie, and Kirk is still very new to command. Gary Mitchell even makes a joke about how he was ahead of Kirk in the Academy, and now Kirk is his superior officer. Robert Orci, one of the screenwriters for the 2009 Star Trek, is listed as creative consultant on the issue which I believe is the reason why the story feels fresh and modern even though it’s based on an episode over 40 years old.

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There’s an old adage that says, “If it ain’t broke, don’t fix it.” If there was any character in the DC Universe that didn’t need a reboot, it was Batman. Batman had been strong before the reboot.

He fought Darkseid, traveled through time, discovered his lost son, Damian, and founded Batman Inc., an international corporation devoted to stopping crime funded by his alter ego, Bruce Wayne. The stories and characters of the Batman mythos did not need a reboot.

So how is Batman in the New 52 DC Universe?

I’m pleased to report that he is still awesome. In fact, Batman hasn’t changed much at all post-reboot. His costume is different, but every detail of his story is exactly the same as it was before the relaunch.

Batman #1 is truly meant for old comic fans, and people who have never read a comic before but know who Batman is. Although, the writer could have spent a little more time explaining who the various Robins were; the book does use a clever exposition device that gives you their name, their current code name, and their relation to Batman.

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Yesterday, we brought you our first batch review of DC’s newest line of rebooted books, and today, we’re finishing up on the massive 15 books that were released.

Hawk and Dove #1

Written by Sterling Gates | Art by Rob Liefeld

Hawk and Dove #1 is the worst book of the DC ‘New 52″ week one. The plot is a mess as it mentions and references things specific to old DCU continuity. The art is only good if you like to see characters constantly grit their teeth in every panel.

Seriously, how is Rob Liefeld still getting work? Unless you have read Brightest Day, this story will not make any sense. Do not buy this book.

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The first week of DC Comics New 52 has past. Following the release of Justice League #1, last Wednesday DC released its first week of full comic releases of the new relaunch. Excitement has never been higher for DC Comics, and one single question has been asked by comic fans, new and old, everywhere.

Are the books any good?

That’s what the DC Comics ‘New 52′ report card is here to answer! Each and every week, I will read and review each and every book of the ‘New 52.’ Letting you, the reader, know exactly which ones to buy, which ones you should avoid, and which ones you should give to your friend that has never read comics before.

So let’s get started. This week’s books are Action Comics, Animal Man, Batgirl, Batwing, Detective Comics, Green Arrow. All books will be graded on a scale of A to F. Check in tomorrow morning for our second half of last week’s comics. Withoutt further adieu, let’s get started with our first book: Action Comics #1.

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