Welcome to another edition of The Pull List Comic Reviews! This week Jonah Hex takes top billing, a couple more Blackest Night mini-series debuts and a slew of over-sized annuals and one-shots invade your pull list. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Jonah Hex #50
DC Comics – $3.99 US
Writers: Justin Gray, Jimmy Palmiotti
Artist: Darwyn Cooke
Score: 9.5

The landmark 50th issue of Jonah Hex hits the stands, featuring a done-in-one tale of the scarred bounty hunter’s latest task: to locate and dispose of 50 various bad guys. The cost of victory, however, may prove to be too much to bear…

Jonah Hex is no stranger to violence. We’ve been exposed to his brand of “justice” for decades now, so it’s very easy to forget that, under all of that hatred, this killing machine does have a heart. Thankfully, writing team Justin Gray and Jimmy Palmiotti weave a story that is sure to please the loyal Hex fans with plenty of merciless vengeance, while injecting a tragedy that goes to great lengths to humanize the central character.

Darwyn Cooke handles the art chores on this commemorative issue, further cementing how incredible a read this was. Gorgeous pencils accompany the artist’s usual cinematic flair, with numerous examples of how to kill a man mixed in with a few touching moments, and a final page that speaks volumes without the aid of dialogue. With the holidays around the corner, I’d gladly accept this final page in all of its original glory as a nifty Christmas gift.

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Welcome to another edition of The Pull List Comic Reviews! This week, the Blackest Night event takes center stage, Bendis and Oeming make a triumphant comeback and Archie gets married (again). As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Blackest Night #5 [of 8]
DC Comics – $3.99 US
Writer: Geoff Johns
Artist: Ivan Reis
Score: 9.0

The mastermind behind the dead rising stands revealed as the Blackest Night prophecy inches towards becoming true, but will the unified heroes of the world have enough to stop it? Not if a late dinner guest bearing gifts has anything to say about it.

Geoff Johns welcomes you all to hell. How could he not? In the thirty plus years that I’ve been reading comics, I can’t remember a time when things looked so grim in a story thanks to this issue. The big guns of the Justice League arrive in time to assist the Flashes – Barry Allen and Wally West – in confronting Nekron as the Black Lanterns’ power battery reaches full charge. Fast forward to the end of the issue and only two heroes remain standing while the rest are chomping at the bit, dying to feast on some good, old fashioned heart muscle. And this is only the fifth issue in an eight-issue series?!? Wow.

Johns, along with artist Ivan Reis, are obviously toying with us and giggling madly along the way. The re-emergence of “Bruce Wayne” – his name was in quotations in the issue as well – signaled that the next phase was about to begin, but what he did to heroes like Superman, Wonder Woman, Green Arrow, etc I don’t think anyone saw coming, characters and readers alike. The sixth issue cannot get here fast enough, if you ask me.

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Welcome to another edition of The Pull List Comic Reviews! An incredibly solid week as we’ve got three Blackest Night tie-ins, some speedster action and a particularly “horrible” tale, but only one issue each week tops the “list.” Be sure to let us know what you thought of these issues, we’re always interested to hear from you, the readers. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Dark Reign: The List – Amazing Spider-Man One-Shot – Marvel Comics – $3.99 US
Writer: Dan Slott
Artist: Adam Kubert
Score: 9.5

Norman Osborn made a list and he’s checking it more than twice as certain thorns in his side have gotten his full attention. Everyone from the X-Men to the Avengers have had to deal with him, and by now you’ve heard of how the Punisher went to pieces over his clash with the H.A.M.M.E.R. Director, so how will Spider-Man do? Hint: Spidey doesn’t win this one.

I’ll start with Dan Slott’s writing in this issue, and simply state that he crushed it. There’s no other way to say it, really. Sure, an argument could be made that Spidey should have done something by now, especially considering his history with Stormin’ Norman. Put that aside, if you ever wanted to see Peter Parker triumph at anything – he’s had a ridiculously long losing streak since “Brand New Day” – then this is the issue for you.

It’s been a few months since artist Adam Kubert penciled some pages, but with that amount of lead-time you knew this issue would be stunning. He failed to disappoint. Crammed with gorgeous visuals, the entire one-shot was a treat, even when the action had decidedly died down for the last act. One look at the very first page is all you need to know in regards to how good the art is.

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When the idea for a book called 1000 Comic Books You Must Read came about, I’d imagine that picking an author for the project would be almost as difficult as picking which 1000 comic books to focus on. Luckily for Krause Publications they had just the person right under their noses: Tony Isabella.

For those of you who aren’t familiar with Isabella’s accomplishments, and more importantly (in this case), credentials, allow me to fill in the blanks for you. He’s been a writer and/or editor for both Marvel Comics and DC Comics – along with a smattering of other publishers – for over 30 years. He’s reviewed and written about comics and comics-related items for Comic Buyer’s Guide – produced each month by F+W Media, which is also affiliated with Krause Publications – in his “Tony’s Tips” column for almost the same period of time.

He’s arguably read more comics than most of us comic aficionados hope to read in our lifetimes. While judging comics always comes with the usual “how it’s interpreted” hang-up, having Tony Isabella at the helm is definitely a step in the right direction.

So how’s the book? For starters, neglecting the urge to rank said comics was probably the best decision the powers that be ever made in regards to this project. All ranked lists do nothing but fuel debate, which the seemingly endless Internet trolls love to argue and spit vitriol over. Instead, the book is broken up into sections spotlighting the various decades, ranging from the forties to the current decade.

There are two notable exceptions to the breakdown: a section for Superman’s first appearance and early issues as well as a section where Isabella talks about his pick for “the greatest comic book of all time” for an extended period. I won’t tell you which issue stood out for Isabella but I will say he makes some interesting points – both professionally and personally – as to why it was chosen.

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DreamWorks Studios, with plans for a Fright Night remake, have signed Mad Men writer-producer Marti Noxon to write the script about a horror-obsessed teen who thinks his neighbor means something altogether different when sipping some red.

Noxon, no stranger to vampires herself since she was a writer-producer for both Buffy the Vampire Slayer and it’s spin-off Angel, will keep the comedy/horror vibe the original had when it was released in 1985, according to The Hollywood Reporter. The film went on to be a surprise box office hit, trailing only A Nightmare on Elm Street 2: Freddy’s Revenge in the horror department that summer.

Producers Michael De Luca, Michael Gaeta and Alison Rosenzweig had signed onto the project back in May of this year, while overseeing the project for DreamWorks will be co-president of production Mark Sourian. No word on a potential release date or casting as of yet, but we’ll keep you posted.

Welcome to another edition of The Pull List Comic Reviews! We’ve got a lot off good issues to get through, so let’s get to it. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

S.W.O.R.D. #1 – Marvel Comics – $3.99 US
Writer: Kieron Gillen
Artists: Steven Sanders, Jamie McKelvie
Score: 9.0

Spinning out of Joss Whedon and John Cassaday’s seminal Astonishing X-Men run, S.W.O.R.D. is the new title focusing on the organization entrusted to ensure that alien invasions are kept to a minimum. The Sentient World Observation and Response Department’s co-commander, Abigail Brand, has enough on her plate as it is, but having Henry Peter Gyrich – yes, THAT guy – as your co-commander simply can’t be a good thing.

After making a name for himself with the critically acclaimed Phonogram series, Marvel thought that writer Kieron Gillen would be able to handle the launch of a new, ongoing series that has a lot of ties to it, and boy were they right. The juggling parallels between what Agent Brand must endure and the various plot threads that Gillen must keep going wasn’t lost on me; in fact, I’d say it only added to the story’s flow. Imagine Men In Black done up right.

So new that he could be considered a rookie, artist Steven Sanders is anything but. Sharp, clean pencils fill this issue from cover to cover, and while his interpretation of how Beast looks takes a little getting used to, ultimately it’s nit picking on an otherwise near-perfect comic. His rendition of Gyrich, especially, should be noted, as the character has never looked more dick-ish.

About as entertaining as an issue can be, this first issue manages to draw you in with quirky moments – Beast’s lovesick commentary, Lockheed’s binge drinking – and stunning revelations – hello, Kitty! – made this an incredibly easy selection for our Pull of the Week.

OTHER PULLS:

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Welcome to The Pull List Comic Reviews! First off, a huge thanks to John Carle for covering the column last week, he did a fantastic job. Make sure you check out The Flickcast’s podcast this week where he was also a guest-host! The dude’s everywhere. Okay, on with the comics. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Lobo: Highway to Hell #1 (of 2) – DC Comics – $6.99 US
Writer: Scott Ian Artist: Sam Keith
Score: 8.5

You’re sitting there, asking yourself “How in all that is holy is Lobo: Highway to Hell the Pull of the Week?” Believe me, I’m asking myself that very same question. You see I’ve never dug Lobo. I’ve read a good chunk of his various issues over the years and I’ve never seen the attraction to the character, but seeing as variety is the spice of life, I figured I’d give this a shot. The premise sounded interesting enough…

Lobo’s chillin’ at home when he receives a message – in the form of slain dolphins – from the big bad himself: the Devil. Even though the Main Man has been banished from Hell for quite awhile now, he figures it’s time to go on a road trip and pay a not-so-friendly visit to his old pal, Beelzebub. Along the way everyone’s favorite Czarnian runs into more violence, mayhem, booze and floozy “women” than he can shake a stick at, but what happens when he finally comes face to face with the cutest evil… waitaminute… CUTE?!?

He hasn’t had a starring role since 2007’s Batman/Lobo: Deadly Serious, so when DC Comics dusted the mothballs off of the character, they decided to get a fresh take on him. Enter Scott Ian, the guitarist for the band Anthrax. Ian’s first foray into comic writing is pretty decent, but it’s how he handles the title character that blew me away. There was just enough here to add weight to the usual aloofness that the character normally projects, which clicked beautifully. While the big payoff will be next issue’s finale, so far this has been a very enjoyable ride.

The Maxx creator Sam Keith, who had both writing and artistic duties on the aforementioned 2007 mini-series, makes his return to the character. Bringing his distinctive style that is every bit as manic as Lobo is, the art looks great, even while juggling different levels of detail throughout the issue. From what I could tell, the creative team looked like they catered to each other’s strengths, culminating in a fun romp that became our Pull of the Week.

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Welcome to The Pull List Comic Reviews! It was a great week for comics as every issue got a really good score, including a surprising (for me, anyway) Pull of the Week. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Sugarshock – Dark Horse Comics – $3.50 US
Writer: Joss Whedon Artist: Fábio Moon
Score: 9.5

Being the lead singer and guitarist of a band can require quite the juggling act, but what if one of those tasks involved saving the Earth? Luckily for us Earthlings, Dandelion has it all under control… somewhat. You see, her band, Sugarshock, has been requested in a battle of the bands, except there are no bands, and they’ll be battling to the death with the planet’s future on the line. Will they save the day or fall between the cracks into obscurity, or worse?

This isn’t your ordinary band, however. The drummer goes by Wade, who also happens to be an alien princess who looks human and can’t say “no” to groupies. Her “mystically enhanced bodyguard,” L’lihdra, doubles as the band’s other guitarist and the bassist is Robot Phil, which pretty much says it all. If there ever was a more rag-tag team of misfits, I’ve yet to see it.

I don’t know where to even begin with this issue. Originally appearing on MySpace’s Dark Horse Presents anthology in 2007, the three-part story is collected here along with Fábio Moon’s sketchbook and Editor Scott Allie’s notations, making for a nice, complete package. In other words, this is as close to perfect as I’ve seen since I started writing the Pull List Comic Reviews. Joss Whedon, who has always had a firm grip on female leads, inflects his usual witty banter but ups it to a whole new level. His characters are, in some cases, out of this world, and you can’t help but fall in love with every single one of them.

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In what could very well be the next step in comic book storytelling, Marvel entered the motion comics arena with Spider-Woman, based off of the recently launched series written by Brian Michael Bendis with art by Alex Maleev. Available on iTunes, each episode is $1.99 US each or $8.99 US for the entire series with a total runtime of 53:46. Are we witnessing evolution, or merely a fad? And how is the story itself? Pouring through all five episodes, the answers may surprise you.

Starting with the story, Jessica Drew, aka Spider-Woman, finds herself lost in a world she doesn’t recognize. No, she’s still on Earth, but she was replaced by Veranke the Skrull Queen during the Secret Invasion storyline and has only recently returned to the playing field. Making matters worse, at one point Jessica was an agent of practically anything you can be an agent of in the Marvel Universe – all simultaneously – so it’s no wonder she’s a little out of sorts these days.

When SWORD Agent Abigail Brand tracks her down and offers an outlet for that pent up frustration, Jessica feels that she may find herself and knock a few heads in the process, so she sets off to the island of Madripoor. As the story unfolds, Jessica winds up in a whirlwind of activity as local authorities, Skrulls, the Thunderbolts and the New Avengers try to insert themselves into her booked-solid dance card. Once the dust settles, it’s the decisions going forth that has Jessica’s full attention as she continues to find her rightful place in the world.

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Welcome to The Pull List Comic Reviews! Get comfy as a few titles elected to go with short stories this week, meaning we’ve got a lot to cover. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Deadpool #900 – Marvel Comics – $4.99 US
Writers: Jason Aaron, Fred Van Lente, Mike Benson, Joe Kelly, Duane Swierczynski, Victor Gischler, Charlie Huston Artists: Chris Staggs, Dalibor Talajic, Damion Scott, Rob Liefeld, Shawn Crystal, Sanford Greene, Kyle Baker
Score: 9.0

Has there been a hotter commodity in recent times than Deadpool? Hard to argue, but looking back you’ll find that the first issue of this title was launched last year amid much fanfare. Fast-forward twelve months and the character has starred in a one-shot (Deadpool: Games of Death), a mini-series (Deadpool: Suicide Kings), a second ongoing series (Deadpool: Merc With a Mouth) and an upcoming third ongoing (Deadpool Team-Up). What better way to hammer home his arrival in the spotlight – yeah, there was a Marvel Spotlight issue, too – than to give him a #900 issue, a first for comics?

The line-up of creators that contributed to this issue is ridiculous, so it’s no surprise that these seven short stories completely shine in their own right. Not a single dud in the mix. How could there be? He fights mimes in one short while staging a Vegas CSI scene in another, both with cataclysmic results. He gets abducted by aliens (poor aliens!) and spends quality time with his shrink (poor shrink!). He even puts the blinders on as he aims to collect on a childhood bet! Obviously, there’s no limits where ‘Pool is concerned.

Fourth walls be damned, in one memorable short he has a philosophical debate with his other inner-voices to determine which came first, the chicken or the egg. Accompanied by Kyle Baker’s visually trippy art, said short doesn’t end well for one reader, and bodes nothing but ill tidings to the rest of the readers out there, yourself included. But fear not as Deadpool embarks on a vacation cruise, systematically infuriating the entire crew and guests, and ultimately settling his differences with a fierce battle against Doc Ock… in ping pong.

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It started innocently enough on TMZ, then gained speed through Entertainment Weekly’s Hollywood Insider, and is now all over the Internet: a source close to the people behind Macy’s annual Thanksgiving Day Parade has confirmed that NBC instructed the parade organizers to rescind an offer made to the cast of Fox’s Glee to perform.

Orlando Veras, a spokesperson for Macy’s, released a statement saying, “As with any live event, the talent booking process is a fluid one subject to frequent updates or changes. Due to this fact, we don’t confirm talent appearances for the Macy’s Thanksgiving Day Parade until early November when the final line-up is determined.”

The parade has showcased numerous talent from various competing networks in the past, but sources feel that spotlighting the entire cast of the hit television show might lead to outright promotion of a rival network. Surely this is not the last we’ve heard of this…

At the Pusan International Film Festival held in South Korea, director Bryan Singer had most fanboys’ ears perking up when he mentioned: “I’m still looking to possibly returning to the X-Men franchise. I’ve been talking to Fox about it.” Singer was the director for both X-Men and X2: X-Men United, but decided to pass on what would eventually be X-Men: The Last Stand so that he could helm Superman Returns instead.

Rush Hour director Brett Ratner handled the third mutant installment while Rendition director Gavin Hood oversaw the spin-off X-Men Origins: Wolverine in Singer’s absence; the latter of which will birth another spin-off revolving around Ryan Reynolds’ character, Deadpool. Box office success was never a problem with these comic-themed movies, but both X3 and the Superman reboot didn’t stand up critically to some other feature films from the same genre.

According to The Hollywood Reporter, Singer likes to “trick audiences into thinking they’re seeing fireworks, but they’re learning about themselves and listening to what I have to say.” He further stated: “The excitement about working in science fiction and fantasy is – the stories, if they are good, are about human condition.” This, combined with how the first two X-Men chapters were received, would seem to indicate that Singer has a good grasp of what the backbone of Marvel’s mutant population is all about, but at this time there has been no announcement or confirmation of Singer telling Wolverine what to do.