After 3 decades of having a pretty solid streak in the realm of science fiction, Steven Spielberg has finally hit a dud with his very expensive show Terra Nova. Fox has decided to not renew the sci-fi series about a civilization that saves their future by going to the past, or an alternate universe…we’ll never find out.

THR says that while the show may be over on Fox, there still may be hope on a different network.

The news comes as Fox has an increased roster of hourlong dramas, including J.J. Abrams’ Alcatraz and Kiefer Sutherland-Tim Kring’s Touch, and heavy hype surrounding its drama development. Given Terra Nova’s international appeal, however, its studio, 20th Century Fox TV, will attempt to shop the big-budget series to other networks.

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The name Ralph McQuarrie is one that should be a household name. He was the very first person to be hired by George Lucas to bring his idea Star Wars to the big screen. His conceptual paintings for all three original Star Wars films helped shaped the imaginations of an entire generation and every one since.

Saturday, March 3rd 2012 we lost that amazing mind at the age of 82. McQuarrie’s biggest impact on the world will be his work on the Star Wars films, but we would be remiss of we didn’t acknowledge some of his other conceptual works, including Back to the Future and the failed reboot of the original Star Trek, Phase II.

His early designs for the original Star Wars have grown a cult life of their own, with action figures, art prints and even Halloween costumes devoted to his earliest concepts. This is rarefied air in the world of conceptual art, as the very nature of the job is that your work will be twisted and changed for the final product.

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After an arduous search for the actor who could play John McClane’s son in the newest installment of the Die Hard franchise, 20th Century Fox has finally settled on Jai Courtney.

Courtney is best known for playing Varro in the Starz series Spartacus: Blood And Sand. In the series, Courtney played a close friend and confidante of Spartacus until they were forced into a battle to the death. Courtney has had a bit of a big screen surge as he will next be seen starring opposite Tom Cruise in Paramount’s One Shot, the Christopher McQuarrie directed adaptation of the Lee Child bestseller. He is also attached to star opposite Aaron Eckhart in I, Frankenstein.

A Good Day To Die Hard, the fifth installment of the Die Hard franchise, puts McClane on unfamiliar ground, taking the hard-ass  New York City cop to the streets of Moscow. The flick introduces McClane’s estranged son Jack (Courtney). The McClane’s butt heads due to their similar personalities. Despite their differences, they must work together to keep each other alive and keep the world safe for democracy. This film positions Courtney to become a recurring character alongside Willis, and possibly take over for Willis as the lead as the sequels continue.

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Those of you who caught last year’s break-out superhero film, X-Men: First Class, most likely developed a totally normal man-crush for a certain featured actor in the film. Believe it or not, it wasn’t for former heartthrobs James McAvoy or Kevin Bacon. The standout role in the film clearly went to Michael Fassbender, who played Eric “Call me Magneto” Lensherr.

Fassbender was slightly less known before the role, and is quickly becoming a big player in the competition for leading man in Hollywood. It seems that even First Class scribe Simon Kinberg agrees, and plans on expanding Fassbender’s story a bit more for the proposed sequel which he’s working on now. From MTV.

What’s what was so cool about the first one and what we want to continue. Magneto becomes the villain ultimately of the franchise but he’s a much more complicated character as a young man. He’s someone you sympathize with, you care about you root for even though might not necessarily agree with his methods, you understand his philosophy.

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The line that got the biggest laugh at my screening of This Means War was not in the film. It was uttered by colleague Pete Sobczynski. The print cut out two minutes in on the line “Remember: This is a covert mission,” immediate cut to black, cue Pete shouting out, “Oh come on! It can’t be that covert!” At which point Chicago Film Critics Association President Dann Gire nominated Pete for the Roger Ebert Award for Best Witticism. He deserves to win.

So what does this moderate digression have to do with This Means War? It was one of two times I laughed – the other was a throwaway gag where one character asks why the love interest (Reese Witherspoon) is talking to that old man (Chelsea Handler).

This Means War tries to mash two genres and succeeds in making both of them boring. The first is the dreaded rom-com. In this case, a love triangle between two men and one woman. The second is action-spy-thriller, as the two men work together for the CIA. That they’re all but suspended from duty in the first five minutes of the movie is not a good sign.

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Chuck is back! Well, actually, it’s not really Chuck, sorry. It’s actually the actor who played him, Zachary Levi.

Sorry fans, Levi won’t be back as your favorite reluctant spy. Unless, of course, they decide to do a Chuck movie. Fingers crossed on that one.

Until then, the much sought-after actor has jumped into a new pilot for Fox called Let It Go. The script was written by DJ Nash who will be executive producing with Peter Tolan and Michael Wimer.

Levi will play the male lead of the ensamble comedy which concerns a married man (Levi) and his wife, his best friend and her sister “as they try to navigate, negotiate and sometimes manipulate society’s unspoken rules.” Hmm, sounds good. After all, “unspoken rules” are the most fun to break, right?

No word yet on other casting for the pilot and when or if it will be picked up as a series. However, as we’re big fans of Mr. Levi around here (and writer DJ Nash, who’s a talented so and so), you can bet we’ll be keeping tabs on this one.

This may come as news to some of you. In addition to being President during one of the most tumultuous times in US history, Abraham Lincoln was secretly also a vampire hunter.

Well, at least that’s how history goes in the upcoming film Abraham Lincoln: Vampire Hunter. Produced by Tim Burton and directed by Timur Bekmambetov, the film is an adaptation of the Seth Grahame-Smith book about Lincoln and his quest to destroy the undead after his mother is killed by bloodsucking vampires.

We’ve got the first trailer for the film to share with you today. To be honest, we weren’t expecting much from this but it’s nice to be pleasantly surprised once in awhile. The pic, at least from this trailer, actually looks pretty good. You will, of course, have to judge for yourselves.

Check out the trailer after the break. Look for Abraham Lincoln: Vampire Hunter, which stars Benjamin Walker, Rufus Sewell, and Dominic Cooper to hit theaters on June 22.

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If there is one thing George Lucas has mastered over the past few decades, it’s reminding us that the first three Star Wars films were a fluke. Between pre-teen Darth Vader, Jar Jar, and a ridiculous dance sequence in Jedi, we have all come to the realization that the phenomena of Episodes 4-6 should be untouched and never tainted by the hands of its creator.

With that in mind, Lucas is (kind of) backpedaling from a drastic change to A New Hope that had fans up in arms when the Remastered version was released. In it, the famous scene where Han Solo kills Greedo was brought into question. The original had Han shoot first, killing Greedo before he gets a chance to fire. In the new version, Lucas changed history (Long Time Ago, etc etc) by having Greedo shoot first and miss, allowing Solo to shoot to kill.

Turns out, Lucas never changed anything, he just pulled the camera out a bit. Yeah.

The controversy over who shot first, Greedo or Han Solo, in Episode IV, what I did was try to clean up the confusion, but obviously it upset people because they wanted Solo [who seemed to be the one who shot first in the original] to be a cold-blooded killer, but he actually isn’t.

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Note: If you have any interest at all in seeing this film, I firmly advise that you go in completely cold and don’t read this until after you’ve seen it.

I don’t know if Chronicle is the first found-footage superhero film, but I’m certain it’s the best—and will remain so for a very long time. I had no idea what the film was about, and when it opened with a shot of a gloomy teenager filming the door to his bedroom while his drunk father angrily shouts to let him in, I groaned.

Goddammit, another one of those movies. When the kid said he was going to start filming everything, I groaned again. Dying mother? Ugh. Ugly kid clad in black? Blarg. By the time the kid started filming his cousin driving him to school and brought up Schopenhauer, I was about ready to check out.

Then it took a turn from the typical High-School-Sucks Movie into Horror, and I started to get interested. Then it took another turn into the Jackass realm. And just when I thought it would settle on Superhero Film, it just lingered on having a lot of fun with superpowers. But the best twists are saved until the end. Needless to say, when one character threw a baseball at another and it stopped dead in midair, I was hooked.

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In case you missed it in theatres (and chances are you did), the sci-fi thriller In Time, starring Justin Timberlake and Amanda Seyfried, comes to Blu-Ray and DVD* today.

The first thing you might notice about In Time is how good-looking it is. Of course, being an Andrew Niccol (Gattaca, Lord of War) joint, the film is stylish and immaculate, but that’s not what I mean. I am referring to the film’s entire cast being comprised of gorgeous young actors. With the exception of two young children, every character in the film is 25 years old.

No matter how many years they have behind them, everyone from grandmothers to mob heavies are played by actors in their mid-twenties to early-thirties. Combine that with Hollywood’s natural trend towards beauty, and the effect creates what can only be described as a “model” future.

You see, in In Time‘s vision of the future, genetics have been altered to give everyone’s life a predetermined length. At 25 years old, bodies stop aging but start counting down. Everyone gets a year, but time can be earned, traded, gambled, or stolen. It is, in fact, the only currency humanity has left.

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First, Chronicle‘s trailer goes viral, attracting over 8 million views on Youtube. Then they try to capture lightning in a bottle by releasing “flying men” in NYC. That’s right, taking a page straight out of the marketing of Skyline, the studio sent out a few cameramen with Thinkmodo to make the people of New York City experience what it would be like to see some flying heroes in action.

Attaching a camera to a few custom RC planes shaped like people may not sound like a whole lot of fun, but it certainly looked cool. We’ve got to hand it to the marketing team for Chronicle. Between the trailer and this plan, they seem to know exactly who their audience is, and how it is to reach out to them.

To that point, Fox hosted a contest yesterday for a college to get a special screening of the film before it hits theaters. For those that don’t go to one of the lucky schools, here’s a little something to tide you over until opening day. Youtube sensation DeStorm, along with MysteryGuitarMan, has made a video answering Fox’s question, “What would YOU do with telekinesis?” See DeStorm’s answer HERE.

Chronicle, the found footage thriller about a trio of high school students who gain super powers, opens in theatres everywhere February 3rd. Check out the “viral” campaign to convince New Yorkers that men can fly after the jump.

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I think George Lucas deserves some credit where it’s due, and say what you will about the prequels, the opening to Revenge of the Sith, with the dogfight over the planet was pretty awe-inspiring. So when the trailer for Red Tails came out, I was excited to see a Lucasfilm production that focused mainly on one of the strengths he still had.

And I’m pleased to say that he’s still got it. The dogfights in Red Tails look good, give a good sense of whose plane is whose (with the exception of the opening battle), further the plot, and build on each other. You can see the Lucas touch of following one plane during its flight then latching on to another.

In one sequence, a group (squadron?) take down a train, with one pilot taking it head on. Another shows how the under-equipped planes of the heroes are able to fight with lightning-fast German jets.

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