The second stretch of filming for the two-part Hobbit adaptation is set to begin later this month. Even though there has already been over one hundred days of shooting, the final roles are still being cast for parts in the later portions of movie two.

Deadline is reporting that the great Billy Connolly has been cast as Dain Ironfoot, the leader of a fierce band of Dwarf warriors and cousin to Thorin Oakenshield:

We could not think of a more fitting actor to play Dain Ironfoot, the staunchest and toughest of Dwarves, than Billy Connolly, the Big Yin himself. With Billy stepping into this role, the cast of The Hobbit is now complete. We can’t wait to see him on the Battlefield!

It is hard to call this perfect casting before we see Connolly in action, but if it is possible we here at The Flickcast are somehow now even more excited for the final Hobbit film. The next two years are going to be very big for Billy Connolly who has yet to really break out here in the states.

Aside from his role in 2013′s Hobbit finale he will also be providing a pivotal voice in the next Pixar film, Brave.

At last, the film adaptation for Anne Rice’s fourth installment of  The Vampire Chronicles is currently under development as a feature film. Ron Howard and Brian Grazer’s production company, Image Entertainment, has taken an interest in the project.

The company has optioned the rights to the book in which popular anti-hero Lestat de Lioncourt has chosen to temporarily trade bodies with a human psychic for another chance at feeling human. Unfortunately, the deal goes South when the human doesn’t want to trade back and Lestat must track down his former body in order to regain his immortality.

The production is working in partnership Alex Kurtzman and Roberto Orci (Star Trek, Eagle Eye) and Lee Patterson,
an upcomming writer who will be writing the screenplay. The film will be treated as though main character Lestat has not been previously been introduced to audiences. The producers hope to present the script to studios within a month.

Lestat was first introduced to film audiences in 1994′s Interview with the Vampire starring Tom Cruise, Brad Pitt, and Kirsten Dunst. The film was distributed by Warner Bros.

The second installment, Queen of the Damned, featured Stuart Townsend in the role of Lestat and deceased R&B songstress Aaliyah as Akasha (the mother of all vampires).

Now that Marvel has its own movie studio, it’s time for the House of Ideas to try out some fresh ones on the big screen. Sure, we all know the Iron Man and Thor sequels will make a billion dollars, but Marvel needs to think long term and use this opportunity to branch out.

Black Panther has never ranked in readership with Marvel’s flagship titles, but the movie-going audience is more diverse. A superhero film featuring a strong black cast could bring in a whole new audience to comic book movies. And the hardcore fans will always be along for the ride so long as the movie stays true to the source material.

Of course, in order to do that, the studio has to nail the casting.

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Last month we spent time reviewing the Golden Globe nominated film scores, at the time I had only listened to one of them going in so it was a nice way to start award season and catch up on some great scores. Now that the Oscar nominations have been released I was going to do the same thing, only I have already reviewed most of them

Thankfully I spaced out and didn’t review the second of John Williams two nominated scores yet, The Adventures of Tintin, so I can knock out the last of the major nominated scores and be all caught up in time for the big show next month. After this week I will move onto the two films with Oscar nominated songs to spice things up a bit.

The Adventures of Tintin is the second score from Williams this year and in tandem with War Horse showcases the Maestro’s range as a composer, even today. Based on the action/adventure films Williams has composed for in the past, Tintin  marks a bit of a departure as the music is not dominated by specific themes, it is more a collection of classic action music that sets the stage for the impressive animated film.

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The upcoming reboot if the Spider-Man franchise has a larger air of mystery then usual for a tent poll comic book film. This comes from the fact that just a couple years ago the franchise was alive and relativity healthy, but Sony went directly for a reboot instead of riding the Raimi series to an unfortunate end.

Sony recently released the official synopsis for the film which confirms what a lot of people inferred from the trailers and production stories.

“The Amazing Spider-Man” is the story of Peter Parker (Garfield), an outcast high schooler who was abandoned by his parents as a boy, leaving him to be raised by his Uncle Ben (Sheen) and Aunt May (Field). Like most teenagers, Peter is trying to figure out who he is and how he got to be the person he is today. Peter is also finding his way with his first high school crush, Gwen Stacy (Stone), and together, they struggle with love, commitment, and secrets.

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With the recent resurgence of fairy tale themed shows such as NBC’s Grimm and ABC’s own Once Upon a Time, the Disney-owned company is now prepared to launch their second fabled show in the form of a live-action retelling of the children’s classic Beauty and the Beast, originally written by Gabrielle-Suzanne Barbot de Villeneuve.

The pilot will be written by Jonathan E. Steinberg (Human Target, Jericho with Steinberg acting as executive producer with Gary Fleder and Mary Beth Basile. It is also speculated that the series, if picked up, will air after the networks already highly successful Once Upon A Time. This version of the tale is intended as a period piece and will feature a hardboiled princess who develops a connection with a wild beast. No word yet on casting.

As if one Beauty and the Beast show wasn’t enough, the CW has also ordered a reboot of the CBS-produced version which ran on the network from 1987-1989. It starred Ron Pearlman (Hellboy, Sons of Anarchy) as Vincent, a lion-faced creature who wanders the New York sewers and occasionally quotes Shakespeare.

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The legal battle between The Weinstein Company and Relativity is over, and The Crow reboot is looking like a foregone conclusion.

Director F. Javier Gutierrez and writer Jesse Wigutow have signed on to once again adapt the James O’Barr graphic novel about a slain musician resurrected for vengeance.

Gutierrez’s sci-fi debut Before the Fall has garnered him awards from bodies as diverse as the Cinema Writers Circle and Screamfest. He is currently in pre-production on an adaptation of The Monkey’s Paw.

Wigutow wrote the 2003 dramedy It Runs in the Family and the upcoming Irreparable Harm. He has also worked on the adaptations of Eragon and The Ruins.

Casting announcements are expected over the next few days.

On February 13, DOOM is coming to New York City.

Co-presented by MTV Geek and Warner Home Video, the world premiere of JUSTICE LEAGUE: DOOM (check out the trailer here ) will be held on Feb. 13 at the Paley Center for Media in New York City.

The new DC Animated feature, based on the classic Mark Waid story “Tower of Babel”, reunites Justice League‘s Kevin Conroy (Batman), Michael Rosenbaum (Flash), Carl Lumbly (Martian Manhunter), and Susan Eisenberg (Wonder Woman) and also stars Tim Daly (Superman/Batman: Apocalypse) and Nathan Fillion (Green Lantern: Emerald Knights).

We’ve got an exclusive clip for you to take a look at after the jump, featuring a very nasty super villain gang taking down one famed caped crusader. JUSTICE LEAGUE: DOOM premieres on Blu-Ray and DVD February 28.

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Over the past two decades, Neil Gaiman and Terry Pratchett’s Good Omens has almost been made into a movie several times. Monty Python alum Terry Gilliam tried for years to put the comic fantasy on film, but the infamously unlucky auteur (see the wonderful doc Lost in La Mancha) could never make it happen.

There has been talk lately of a possible TV miniseries, but many of the book’s fans still hold out hope for a feature. But who could bring Good Omens‘s outrageous characters to life?

Take a look at our picks after the jump.

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The fourth installment of the Underworld franchise tried to bring the series back to it’s bread and butter, Kate Beckinsale in skin-tight leather. That was seemingly all you need as the film bounced back from the disappointing third installment and stands tall with a similar start to that of the first two movies.

The estimated twenty-five and a half million dollar haul puts Awakening on pace to top the over all totals of the first and third movies, whether or not it can catch the series peak, set by Evolution, will depend on it’s hold next weekend. The per theater average and total screen numbers are comparable to the second film which performed the best up to this point in the series.

Coming in at an impressive nineteen million is Red Tails, the Lucasfilm tale of the famed Tuskegee Airman. The movie surpassed many expectations and out paced other fighter pilot films by a solid margin. Much like Underworld: Awakening, the critical reception of Red Tails has not been kind, so it will need strong word of mouth to maintain momentum into next weekend.

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Next week sees the return of Spartacus, the Starz original series chronicling the life of the titular slave who rebelled against his Roman oppressors. The show’s official second season, called Spartacus: Vengeance, has been long in coming, and brings with it many questions in the wake of the tragic death of the first seasons’ star, Andy Whitfield.

The Flickcast recently partook in a discussion with series creator/exec. producer Steven S. DeKnight where, among other things, he talked about the transition from his original star to new Spartacus Liam McIntyre (check out our interview with the actor here), where the show is going from here and working with Joss Whedon.

On Liam capturing the essence of Andy Whitfield’s Spartacus -

…that’s really what drew us to Liam is that we didn’t want to try to duplicate (Andy). I mean, that will never happen. He was such a singular, amazing talent. But we wanted to find somebody that had the same base qualities of compassion. And I told all the actors when they auditioned that even though Spartacus may fly into a rage now and then, he never comes from a place of anger, it’s always from a place of a wounded heart. And we really felt like Liam captured that essence.

On no character being safe on the show - 

…on this show characters literally get the ax. I think really ultimately for me it’s always – it comes from the story is how is the story best served by a character death. I don’t ever want somebody to just die. It needs to have ramifications either emotionally or towards the plot. So that’s always the number one driving force of – on who do I kill.

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It’s no surprise that one of the more anticipated games of 2012 for The Flickcast is Prototype 2. Since getting a peek at San Diego Comic-Con and getting hands on at NYCC, we are counting down to Prototype 2′s April 24th release date. Also looking forward to the release are the folks at Dark Horse Comics. Starting February 15th, Dark Horse will be launching an all digital three part web series focusing on filling in the events of what transpired between the first game and Prototype 2.

The first entry, “The Anchor,” illustrated by Paco Díaz, continues the story of Alex Mercer, the protagonist from the first game, while the second story, “The Survivors,” illustrated by Chris Staggs, follows a small group of residents of New York trying to escape the city after it has been transformed into NYZ with the outbreak of the Blacklight virus. The third and final story, illustrated by Victor Drujiniu, is “The Labyrinth” and provides fans a deeper look into the backstory of PROTOTYPE 2′s new protagonist, Sgt. James Heller.

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