Exceptional writing, solid acting performances, and a refreshingly original premise elevate A Horrible Way To Die to the short list of must-sees from Fantastic Fest 2010. For a movie lover, there is nothing better than discovering a hidden gem in its pure state, before all the packaging and marketing sully the original vision.

Such was the case with this movie, which immediately emerged as one of my personal festival favorites. Writer Simon Barrett mines fresh territory in the serial killer genre by positing an intriguing premise; how would you move on with your life if your ex- boyfriend was a serial killer?

The story unfolds in a non-linear fashion, partially told in flashbacks. Sarah (played by Amy Seimetz) is a dental hygienist who is haunted by memories of her ex, who ended up being a Ted Bundy type serial killer. Understandably, she is crippled by self-doubt and insecurity because of her past, which makes a new relationship almost unthinkable. She regularly attends AA meetings.

Enter Kevin (Joe Swanberg), a sweetly awkward fellow addict who asks Sarah out. She tenuously accepts his invitation, and the two strike up a romance of sorts. Meanwhile, her ex escapes from prison during a routine transfer, and Sarah must come to grips with the fact that the man may be pursuing her. How will she share her dark secret with Kevin?

It’s a delicious spin on the whole serial killer sub-genre. The film slowly builds tension and lets us become familiar with the characters, so that when the twisty final act rolls around, it’s a real punch to the gut. Charismatic AJ Bowen (who also appeared in Hatchet 2, another Fantastic Fest movie) plays Sarah’s ex-boyfriend Garrick.

Like Mickey and Mallory in Natural Born Killers, Garrick has a rabid fan base that treats him like a celebrity. He gets fan mail and love letters when he is in prison and he has a facebook page and multiple websites dedicated to him.

It’s a chilling commentary on our current state of pop culture worship and our moral decline as a society. After all, we’ve already seen this type of behavior with Ted Bundy and multiple other serial killers; it’s hardly a far-fetched idea.

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Fantastic Fest 2010 was host to the first public screening of  I Spit on Your Grave: Unrated (2010.) The film is a remake of the shocking, iconic 1978 movie sometimes known as Day of the Woman.

A lot of people argue that there was no need to remake the film, which to this day is considered one of the most disturbing movies of all time.

So, does the update do the original justice? Quite simply, it does, and then some.

(Female) producer Lisa Hansen came out to introduce the film to the audience, and she also participated in a Q & A session following the film.

She indicated that over 100 cuts had been made to the movie to try to placate the MPAA, but finally distributor Anchor Bay threw in the towel and decided to release the movie as unrated. This is a ballsy movie nowadays, as many large chains won’t even book an unrated film, so that may be why you have a hard time finding the film in a theater near you. Kudos to Anchor Bay for sticking to their guns, and director Steven R. Monroe’s vision.

The premise of the movie has remained almost identical to the original. A fresh scrubbed writer type from the big city has sought out the peace and quiet of an isolated cabin in the woods, hoping to get a jump on writing her second novel.

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By Jane Almirall and Shannon Hood

Day three of the festival we got some screenings in, a few interviews, and lots of shorts.

I Saw The Devil Directed by Ji-woon Kim.  Starring Byung-hun Lee (The Good the Bad, the Weird) and Min-sik Choi (Oldboy, Lady Vengeance.)

Shannon:  I seriously contemplated not attending this screening, because it was so early, and because it was subtitled, and it was 2 and 1/2 hours long.

I am so glad I decided to attend.  This Korean revenge movie blew me away, and is my favorite movie of the festival thus far.

I Saw The Devil is a beautiful, brutal, and horrifying revenge tale.  It has the most chilling sociopathic villain I have seen in any movie since Hannibal Lector. The 2 and 1/2 hour running time flies by.  Full review forthcoming.

Interview: Simon Rumley (director; Red, White, and Blue.)  Simon is from London, but directed his film entirely in the Austin area, and even hosted a pub crawl to the various venues that he used in the movie.  He talked about the taboos he broke in the movie, the jarring musical score, and how influential pal Tim League helped him with the movie.  Full interview forthcoming.

We Are What We Are Directed by Jorge Michel Grau.  Starring Adrián Aguirre, Miriam Balderas, Francisco Barreiro, and Carmen Beato. Summary:  When the patriarch of the family passes away, the teenage children must take responsibility for the family chores: the preparation of the rituals…

This was a bit of a mixed bag, about a mexican family of cannibals who must make do after the patriarch of the family passes away unexpectedly.

What’s surprising is that cannibals are usually depicted as redneck backwards ass families.  This is, by all appearances, a normal family.

They eat humans for “the ritual,”  but the movie never really explains what the ritual is.  I wish we would have found out more about their motivations for the cannibalism.  I’m kind of in the middle on this one.

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Given the current spate of advances in genetic engineering, Splice seems eerily prescient. After all, we have already seen the rapid evolution of cloning. Supermarkets now carry cloned produce, and mammals are routinely and successfully cloned as well. Is it really unreasonable to assume we will see a human-animal hybrid in our lifetime? Who’s to say one doesn’t already exist?

It is hard to believe that director Vincenzo Natali (Cube) first conceived the idea for Splice almost 15 years ago, all because he was intrigued by the shocking image of the Vacanti mouse, that little white mouse that had a human ear growing out of its back. The result is this chilling sci-fi/horror hybrid that is teeming with the ethical and moral implications of genetic research.

Elsa (Sarah Polley, The Sweet Hereafter) and Clive (Adrien Brody, The Pianist) are gifted young genetic bio-engineers, who have successfully spliced the genetic material of different animals into a hybrid. A pharmaceutical company has sponsored them, in the hopes of developing new medications.

Frustrated, Elsa chomps at the bit to add a little human DNA to the next experiment, but the company shoots her down, deeming it too risky, not to mention illegal.

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Warning: This review contains mild spoilers and contains disturbing subject matter. Read at your own risk.

Tom Six is one sick bastard, and that isn’t necessarily an insult. The Danish filmmaker wrote and directed The Human Centipede (First Sequence), one of the most visually disturbing films I have ever seen. I almost had to take a break while watching it, and that has never really happened to me before.

The Human Centipede takes place in Germany. Dr. Heiter is a maniacal ex-surgeon who became world renowned for separating Siamese twins. Now he is obsessed with connecting things, and his first experiments are on his three Rottweilers. A tombstone on his property is engraved with “My sweet 3 dog,” a foreboding sign of things to come.

He is ready to start experimenting on humans, and much to his delight, two unwitting victims literally come knocking on his door. American tourists Jenny and Lindsay get lost on their way to go clubbing, then get a flat tire. While they are trying to decide what to do, they are approached by a gentleman in a Mercedes, who doesn’t speak English and starts making lewd gestures toward the gals.

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When Platinum Dunes announced plans to remake the original Nightmare on Elm Street, I had mixed feelings. I was a fan of the original series, and watched all seven movies. I even watched that dreadful Friday night program Freddy’s Nightmares. I guess you could say I have a soft spot for the film series.

However, when Jackie Earle Haley was announced as the new Freddy Krueger, he was fresh off an electrifying performance as Rorschach in Watchmen, and I was officially on board with the remake. I couldn’t think of anyone better to step into the role previously played by Robert Englund.

So while watching the remake, I was surprised at how odd it was to see someone else play the role. I didn’t dislike Jackie Earle Haley’s performance (though I do wish he hadn’t sounded exactly like Rorshach), but I guess I didn’t realize that Robert Englund had become synonymous with Freddy Krueger in my mind.

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Remember the first time you saw Henry: Portrait of a Serial Killer? If you were like me, you felt a bit dirty by the end for watching it, and a little sick to your stomach due to its disturbing realistic violence.  At the conclusion of Red, White, and Blue I had that same mix of shame and disgust, and I wasn’t exactly excited about an upcoming lunch of shredded beef burritos, if you know what I mean.  It takes quite a bit to conjure up such a visceral reaction in me, so kudos to director Simon Rumley (The Living and the Dead) for pushing all the right buttons.

The movie begins with a bang (or two, or three) of the sexual variety. Erica is the type of woman who looks like she was rode hard and put away wet.  She recklessly scours the bars of Austin on a nightly basis and picks up different men that she  sleeps with.

To demonstrate the emotional disconnect her character has, she promptly tells a suitor who is going to make her breakfast:  ”I don’t stay  over, I don’t fall in love , and I don’t  f*&% the same guy twice.” She’s clearly damaged goods. One night she has a foursome with three guys that are in a band, who come into play later in the movie.

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As I was watching the new Eclipse trailer, out of sheer boredom and a hint of curiosity, I found myself wondering why in the world two super-powered boys would fight it out over a girl clad in American Apparel who’s a hell of a downer.

How is there an entire film series devoted to one girl’s delusional obsessions of a fairy tale ending with a born-again killer? Sparkely vampires want to kill you, strapping werewolf shape-shifters want to keep you safe.

Do these Edward fans have a death wish and a yearning for abandonment? Is Bella Swan so heavily marketed as mesmerizing that it erases the history of the brazen blonde that came before her?

A long time ago, otherwise known as the 90’s, there was a series called Buffy the Vampire Slayer where a feisty girl from the southland slayed Urban Outfitted demons. This legendary show paved the way for multi-tasking girls who cheer by day, slay by night, and every once in a while hook-up with a tormented blood sucker.

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About a week ago a colleague of mine asked why in the world I wanted to go see The Box. I explained that I found the premise fascinating. What if you were told that if you pushed a certain button, you would get a million dollars, but there is a catch. When you push the button, somebody you do not know will die. What would you do?

Therein lies the premise of The Box. This is the third film by Richard Kelly, who garnered cult-like status with Donnie Darko (2001), then wide ridicule for his follow up Southland Tales (2006). Lots of movie types were looking toward this movie to determine whether Kelly is a gifted director, or a one hit wonder. I’m sorry to tell you after viewing this convoluted mess, it seems like a case of the director having no clothes. It’s one thing to be a little avant-garde  with your vision, another entirely to just throw weird crap in your movie and hope that it sticks.

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House of the Devil is now playing in limited release. You can also access it on demand through many cable providers, and it is available to rent on Amazon.com.  So, just in time for Halloween, I give you this review.

If you are a fan of 80′s horror movies, you’ll probably be delighted by this movie. I fear that today’s fickle horror fan, who is accustomed to frenetic stylings à la the Saw franchise, will be bored to tears by this very deliberately paced thriller. College student Samantha (perfectly cast Jocelin Donahue) is desperate to get an apartment in order to get away from her slutty dorm roommate who feels free to have sex in their room all the time.  She finds an apartment, and a kindly landlady (scream queen Dee Wallace) who requires a modest deposit.

Samantha answers a dubious ad for a babysitter in order to make some cash. When her best friend Megan drives her out to the isolated mansion, Megan is immediately creeped out, and begs Sam to reconsider. Reluctantly, Megan leaves Sam and promises to return later to give her a ride home.

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Not in the mood to throw on a costume and run around from bar to party to candy-giving front door this year? Why not sit at home with a stack of haunting flicks to get your Halloween jollies off, or better yet, hit the theaters IN COSTUME!

Over the past month, we’ve put together quite a compilation of horror reviews for you to pick and choose what to watch during your Halloweekend, and why not start tonight, on All Hallow’s Eve?

Take a look at our list of Horror Reviews below, from things like Zombieland, which you can currently see in the theaters, to movies like Dance of the Dead, which you could run out and grab at any DVD outlet. Put together your favorite scary movie queue from these titles for a guaranteed haunting Halloween marathon!

In Theaters:

• Paranormal Activity

• Zombieland

• The Stepfather

• Saw VI

• House of the Devil

On DVD:

• The Hills Run Red

• Trick R’ Treat

• Dance of The Dead

• Dark Floors

• Evil Dead 2

• Child’s Play

• Friday The 13th

A father, concerned for his autistic daughter’s health, sees her immediate removal from the hospital as her only option. An elevator break-down prevents a smooth exit and renders them trapped with others. This is only the beginning of their descent into hell. When the doors finally open, the hospital appears mysteriously deserted. As mutilated bodies are found, creatures from a dark world start a frightening attack. It soon becomes clear that the survival of the group may rest solely on the little girl.

The one thing that needs to be known before watching Dark Floors is that this film is primarily a showcase for the Finnish metal band Lordi. Those unfamiliar with the band should consider them like Rob Zombie meets GWAR. The international subtitle for the film is even “The Lordi Motion Picture”. The band, along with the leader Mr. Lordi, came up with the idea for the film, and star as all of the “monsters” in the film (in quotes because if you see a picture of the band, you know that this is what they normally look like, professional makeup and all).

The members of the band are essentially playing themselves in the film. Sadly, this is probably the coolest part of the film. The plot takes itself a little too seriously, and with a weak and confusing resolution at the end, it really should have just been about the band members.

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