Overall, it was a pretty quiet weekend at the box office for Hollywood. Invictus and The Princess and the Frog were new releases vying for the top spot, and Disney’s Princess easily won. Princess made about $25 Million on 3400+ screens.  This is good news for fans of hand drawn animation, as this is the first time Disney returned to the method since 2004, when Home on the Range was released.

It’s been all computer generated ever since. I haven’t seen Princess, but people I’ve talked to really liked the look of the movie, and said it looked like the older Disney movies. The Blind Side also continues to impress, and came in at number two with $15.4 Million.

In its fourth week of release, it only dropped 22% from last week. It now has a domestic gross of over $150 Million. With a budget of around $30M, this movie is shaping up to be one of the biggest hits this year.

Invictus made a paltry $9 Million over the weekend. Considering the star power (Matt Damon, Morgan Freeman) and the director (Clint Eastwood), I think everyone expected this movie to perform better. Critical and audience feedback has been positive, so perhaps it will pick up a bit.

The Twilight Saga: New Moon placed fourth, with about $8 Million, bringing its domestic total to over $267 Million. In fifth place, A Christmas Carol only dropped 11% from last weekend, and made about $6.8 Milion. Now in its sixth week of release, the movie continues to perform , but it has not yet recouped its budget of $200 Million.

Holdovers Brothers, 2012, Old Dogs, Armored, and Ninja Assasin rounded out the top ten. Outside of the top ten, Up In The Air also did very well, making $2.4 Million on only 72 screens for an average of $34,000 per screen. The film will roll out more theaters next weekend.

The Blind Side pulled off a pretty nifty feat this weekend. After three weeks in wide release, it finally nabbed the top spot at the weekend box office, making about $20 Million and standing at about a $129 Million cumulative total. It is on track to become the highest grossing movie of Sandra Bullock’s career.

In second place, New Moon looks like it is finally cooling off a bit. In its third week, the movie made about $15.7 Million, and dropped another 63% (after a steep drop off of 70% last week.) Domestically, it crossed the $250 Million mark.

Newcomer Brothers made a modest $9.7 Million. Starring Natalie Portman, Jake Gyllenhal, and Tobey Maguire, I thought the movie about an Iraq War veteran returning home would fare better. Holdover A Christmas Carol hung in for the number four spot, and made an additional $7.2 Million.  Its cumulative take now stands at about $115 Million. Old Dogs managed to land the fifth spot in the top  five.

Star-laden Everybody’s Fine (Robert De Niro, Sam Rockwell, Drew Barrymore, and Kate Beckinsdale star) failed to find an audience, and brought in an anemic $4 Million. George Clooney’s critically hailed Up In The Air only played on 15 screens. but made over $1.1 Million, for an impressive $79,000 per screen average.

As far as I know, Paramount is testing the waters for this film, and they should be pleased with the weekend performance. Hopefully they will go ahead and open wide now rather than roll it out slowly. Overall, it was a soft weekend, which is typical of the after-Thanksgiving weekend box office.

This week we will be looking at the weekend box office as well as the 5-day holiday, which includes totals for Wednesday through Sunday. There were some interesting developments regarding the international box office scene as well, so this will be a jumbo sized report. New releases barely made a blip, it was the holdovers that led this weekend to the highest grossing Thanksgiving weekend ever.

The Twilight Saga:  New Moon continued to dominate on the domestic and international side. Playing on over 4,000 screens, it grossed $42.5 Million domestically. Over the five day stretch, it grossed $66 Million. No matter your thoughts on the movie, you have to admit we are witnessing a cultural phenomenon unfold in real-time.  Its domestic cumulative take for 10 days now stands at $230.7 Million.

Nipping at the heels of New Moon was The Blind Side. The movie grossed $40.1 Million for the weekend, and $57.5 Million for the five day, with that weekend total being higher than its opening weekend total of $34 Million. Wide releases rarely see an increase in ticket sales from one weekend to the next so this is unusual. This movie is getting exceptionally positive word of mouth, which is bringing more people into the theaters — a topic we discussed on the most recent edition of The Flickcast podcast.

The Blind Side drove over the $100 Million mark as well. Not too shabby for a family friendly film made for around $30 Million. I’m also starting to hear the “O” word casually mentioned regarding this film, as in Oscar. Sandra Bullock seems to be edging her way into consideration for best actress.

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Last week I mentally predicted that New Moon would come in around the $80 Million mark. Obviously, there is a reason that I am not in the business of box office predictions. New Moon grossed over $140 Million during its opening weekend, and broke a few records along the way. Fangirls (and a few fanboys) showed that they are an emerging force to be reckoned with, as New Moon ($72.7 Million) broke the opening day record previously held by The Dark Knight ($67.2 Million.)

According to Entertainment Weekly, over 80% of the ticket sales were from women, a truly rare occurrence. Although the film was critically drummed, (currently 29% on Rotten Tomatoes) audiences gave it an A- cinemascore, indicating that they were very happy with the film. The film opened on a massive 4,000+ screens, and averaged over $34,900 per screen. There was a drop off from Friday to Saturday of about 40%.

Also of note: New Moon now has the 3rd biggest opening weekend ever behind The Dark Knight and Spiderman 3. Its midnight screening averages on Friday morning garnered over $26M, setting a new record for that. The world box office take was over $258 Million. Director Chris Weitz must feel vindicated after the disastrous box office performance of The Golden Compass, his last directorial effort.

Early estimates show that The Blind Side had an opening weekend gross of $34.5 Million, which is nothing to sneeze at. This marks the best opening ever for Sandra Bullock, just behind last summer’s The Proposal. The film also got a remarkable A+ cinemascore, which means it will start getting some seriously good word of mouth. Expect it to remain in the top ten for a long time.

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Roland Emmerich’s epic disaster flick 2012 easily destroyed the competition this weekend. Since there were no other wide new releases, 2012 handily made over $65 Million, which isn’t really all that impressive, but factor in the international box office take ($160 Million) and you get an opening weekend gross of $225 Million. Looks like the film will make back its budget (upwards of $200 Million) and then some. Playing on over 3,400 screens, the per-screen was just over $19,000.

Crowds are beginning to warm up to Disney’s A Christmas Carol, which took in $22.3 Million, and only dropped off  25% from opening weekend. This is a very good sign for the movie, indicating it will stick around a bit, particularly with Christmas coming up.

The Men Who Stared At Goats dropped an even 50%, for $6.2 Million and third place. Precious continues to be a big story. A small expansion put it in 174 theaters, for $6 Million. What’s astonishing is that the per-screen average was $35,000. Compare that to The Men Who Stare at Goats, which only had a per-screen average of $2,500. Precious will roll out a wider opening next weekend.

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Sure, technically Jim Carrey and company won the weekend with the 3D animated adventure A Christmas Carol, but the real reason everyone’s talking about this weekend’s box office is because of another movie’s totals.

Remember a few weeks ago when I was talking about how unbelievable it was that Paranormal Activity had a per screen average of $44,000? Well a little indie called Precious came in and mopped the floor with those totals. Precious played in just 18 theaters and grossed $1.8 million. Folks, that’s a $100,000 per screen average. To put that in perspective, if A Christmas Carol had the same per screen average, it would have grossed over $360 million (instead of $31 million).

This indicates a high degree of interest in the movie, and this weekend’s total will only add to that. Additionally, some people have been throwing around the “O” word, as in Oscar.  It received a standing ovation at Cannes, and an audience award at Sundance. It will slowly be rolling out over the next few weeks, and is definitely one to keep an eye on.

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