Every month, I bring you dedicated readers my favorite TV shows of the moment. And while I love reporting on the latest and greatest in TV Land, what is also just as important to me are the dozens of shows that were canceled before their time.

Whether the ratings were bad or the shows were too expensive, many of TV’s best and brightest have been taken off the air before they have a chance to flourish. But while these shows had their untimely demise, these articles should hopefully resurrect them, at least in the form of you watching them and thinking they’re awesome.

Moonlight

So the reviews weren’t great and the show only lasted a season. But had Moonlight premiered a year or two later, it would have been a smash hit. Why? Because it’s all about vampires, and whether it’s TV, movies, or books, vampires are the hottest thing in media right now.  And while competing with HBO’s hit True Blood and CW’s mediocre The Vampire Diaries wouldn’t be easy, it would have at least stood a chance.

Canceled after 2008′s Writers Guild of America strike, Moonlight centered around Mick St. John, who turned vampire after being bitten by his bride on their wedding night. Years later he works as a P.I., protecting humans while hunting down the vampires who harm them. The show feels like a cross between Veronica Mars and Supernatural, while still being as focused on romance as the shows that have followed it.

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There’s a lot of great writers in Hollywood and Aaron Sorkin is definitely one of them. Responsible for such great shows as Sports Night, The West Wing, and Studio 60 on the Sunset Strip Sorkin has brought us some incredible television. While his last series, Studio 60 was unfortunately canceled in its first season it thankfully hasn’t deterred Sorkin from returning to television.

So what is Sorkin’s new series going to be about? Well, television seems like a natural choice, “It’s going to be what turns out to be the third in the trilogy of TV shows that take place behind the scenes of a TV show, but this will be a different kind of TV show. That’s all I can let out of the bag right now.”

Now, don’t get me wrong, I’m fully on board for anything Sorkin is doing but do we need another behind the scenes television show? I say this only because I think part of the reason Studio 60 didn’t get any traction is because many TV viewers had a hard time relating to those involved in the entertainment industry. Even I, a Sorkin fanboy, found it difficult to care for actors who, while living a very indulgent lifestyle, waxed poetic about how hard their respective lives were. Furthermore, is Sorkin ready to go head-to-head against 30 Rock again, the show that ultimately beat out Studio 60 in the long run?

Alright, my little rant aside, there’s still some promise here. Sorkin himself states the show “will be different” so maybe he recognizes what went wrong with Studio 60 and will avoid those mistakes in the new show. Only time will tell given he didn’t provide any other details.

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David Fincher, director of such diverse and entertaining films as Fight Club, Seven, Zodiac and the recent The Curious Case of Benjamin Button is apparently about to add yet another film to his diverse roster of credits. According to Variety, Fincher is in what the showbiz folks refer to as “advanced talks” to take on the directing chores of Arron Sorkin’s latest writing project The Social Network.

The film, which will focus on the evolution of Facebook from its 2004 creation on the Harvard campus by sophomore Mark Zuckerberg to a juggernaut with more than 200 million members, is being produced by Scott Rudin, Michael De Luca and Trigger Street. Columbia Pictures is the studio. According to the article, the studio hopes to start production later this year.

If this turns out to be Fincher’s next film, I gotta say I’m now way more interested in the story of Facebook than I was before. Sure, its very interesting how the site went from obscurity to become what it is today. But I’m not sure I would want to see a movie about it.

Now, if Fincher ends up being in charge, I do. The next question is, who will play Zuckerberg? My vote? Topher Grace.

There are few television shows that hold my interest past the pilot episode. When they do, they usually get cancelled because most networks can’t seem to identify quality programs without the help of their woefully misguided Neilsen system. In rare instances, such as the Family Guy and Futurama resurrections, a fantastic show gets canceled, then does so well on DVD, the network is forced to place it’s tail squarely between its legs and bring the show back to life. Sports Night was not one of these shows.

The year is 1998. ABC has Home Improvement, NYPD Blue, Ellen, Dharma and Drew. On Tuesday September 22, they premiere a little show-within-a-show called Sports Night.  The ensemble cast includes a few heavyweights, and several actors who earned their street cred long after Sports Night was running on Comedy Central at 3am.

The show centers around the cast and crew of a sports broadcasting program on a cable sports network. The anchors, Casey McCall (Peter Krause, Six Feet Under) and Dan Rydell (Josh Charles, S.W.A.T.) are lovable, damaged sports fans, who, with humility and humor, suffer the outrageous fortune of being immersed in all things sports on a daily basis.

Executive Producer Dana Whittaker (Felicity Huffman, Desperate Housewives) is the feisty, woman-in-a-man’s-world leader with a heart of gold that keeps the show on track, and with the help of Jeremy Goodwin (Joshua Malina, The West Wing) and Natalie Hurley (Sabrina Lloyd, Num3ers) keep the big boss Isaac Jaffe (Robert Guillaume, Benson) happy and the antagonistic network executives at bay.

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