NBC’s The Munsters reboot Mockingbird Lane is looking to score Eddie Izzard (The Riches, Ocean’s Thirteen) as part of the cast. Eddie Izzard is in final negotiations to star in and produce the series.

Izzard will be the first actor cast in the pilot, which was written by Bryan Fuller and is set to be directed by Bryan Singer (Superman Returns, X2). Mockingbird Lane is described as a re-imagining of the 1960s sitcom about a family of monsters. We can expect that the show will have striking visuals in the vein of Fuller’s ABC dramedy Pushing Daisies and his FOX comedy Wonderfalls.

Izzard will play Grandpa, the Munster family patriarch. Unlike the 1960′s original, Izzard’s Grandpa will be a powerful, ancient vampire with a suave, sexy womanizer type of personality. On top of your standard vampire powers, he will be able to shape-shift into rats, wolves, and other creatures at will.

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Bryan Singer is finally sticking to what fans love by continuing to direct films in the fantasy genre. Sure, he may have burned a few bridges with his love letter to Richard Donner and Christopher Reeve in Superman Returns, but now he’s coming back with an all new twist on Jack the Giant Killer.

Along the same vein of Hunger Games and some of the new sexy “classics” done to a cool score, this flick will make you forget any of the stories done before it. Here’s the synopsis.

“Jack the Giant Killer” tells the story of an ancient war that is reignited when a young farmhand unwittingly opens a gateway between our world and a fearsome race of giants. Unleashed on the Earth for the first time in centuries, the giants strive to reclaim the land they once lost, forcing the young man, Jack, into the battle of his life to stop them.

Fighting for a kingdom, its people, and the love of a brave princess, he comes face to face with the unstoppable warriors he thought only existed in legend–and gets the chance to become a legend himself.

You can check out the trailer for the film after the jump. Catch Jack the Giant Killer in theaters on June 15th.

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Bryan Singer is determined to relaunch a classic show from his youth. First, he was connected with attempts to bring Star Trek back to television, and more recently he has talked about rebooting Battlestar Galactica as a feature film. Well, third time seems to be the charm as a Singer directed Munsters pilot has been ordered by NBC.

The Hollywood Reporter reports:

“[The Munsters] is billed as an imaginative reinvention of the classic comedy series as a visually spectacular one-hour drama.

Singer will executive produce alongside Bryan Fuller (Dead Like Me, Pushing Daisies), who also is writing the Universal Television-produced project.

Fuller and NBC first made an attempt to revive the 1960s CBS sitcom last year, with the network ultimately passing. His newer version is said to be an edgier and slightly darker take exploring origins of Herman and Lily Munster (originally played by Fred Gwynne and Yvonne De Carlo) and how they arrived at the famed 1313 Mockingbird Lane address.”

Singer does have good experience in the TV world, he also executive produced and directed the pilot of the hit show House. However, it is the other executive producer that inspires the most intrigue from us. Bryan Fuller’s Pushing Daises was an incredible show, packed with larger than life characters and situations. If anyone can turn The Munsters into a “visually spectacular one-hour drama,” odds are Fuller is that man.

Welcome to another edition of On the Radar where we delve into all corners of the entertainment, tech and geek Internets for news, views and whatnot that may have escaped our regular coverage during the week. Let is know if we missed something interesting.

• It looks like Bryan Singer’s upcoming Battlestar Galactica movie is becoming more of a reality as Universal is seconds away from inking a deal with a writer.

• In more “things that need to be made” news, Sony has green lit an Assassin’s Creed film. Let’s hope 90% of it is just building-jumping

• Speaking of games-soon-to-be-movies, here is 6 minutes of Harrison Ford playing Uncharted 3. Why? Because why not.

• For a simple $50, you too can own an exclusive Chewbacca statue made purely of chewing tobacco (Chewbacco?). The only question left is: why would you?

• What happens when the Sin City trailer is set to a cast of characters from the Disney universe? Pure amazement.

• Love The Walking Dead? Then you’ll love The Walken Dead about a billion times more. Trust us.

• Speaking of things we love, what would happen if Joss Whedon’s The Avengers trailer only had a budget of $16? This is the product of that question.

• Nerdy, cuddly things are kind of the best. At least, that’s how we’re able to justify a plush version of Portal’s turret gun.

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While DC is currently scratching their collective heads to figure out how to beat out Marvel Studios and their plan for world domination, they’ve had a few busts of recent history. Films like Green Lantern and Jonah Hex were pretty big flops, but nowhere near as much as the critically panned reboot/sequel hybrid Superman Returns from X-Men director Bryan Singer.

The film was panned by most fans, made some money, and did absolutely nothing for the franchise (unless you consider calling for yet another reboot a few years later “progress”). After a few years, it turns out there are still a few secrets that have yet to be uncovered about the film.

As it turns out, there was a $10 million opening sequence for the film that was shot and rendered in which Routh’s Kal-El returns to a dead Krypton to see if there is any semblance of life from his once lively home planet. Short answer: there isn’t.

No dialogue, lots of slow shots of deep space, and Routh looking all sweaty. Overall, it’s probably a good thing this scene wasn’t in the film, but the fact that Singer and his team once thought this was a good idea should remind us that this film was probably no good from the get-go.

Take a look at the 5-minute long opening after the jump, and let’s hope this trend doesn’t continue with Zack Snyder’s upcoming Man of Steel reboot.

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I am conflicted. On one hand this fan opening credits sequence is visually stunning. The 60′s Saul Bass-ian style animation fits so well with the X-Men universe in the 60s. It is detailed, lovingly crafted and clever to boot.

On the other hand it features the single worst variation of the classic 90′s X-Men animated theme ever. I have heard hip-hop versions, death metal versions, even a trendy house music version and nothing compares to the nut kick to the ears that this video presents.

Not only is the song just horrible to listen to, it is also wrong for the tone and style of the visuals. The music needs to be fast, upbeat, jazzy and most of all flow and sync with the visuals. I suggest going to you tube and playing the normal version of the 90′s X-Theme while watching this sequence in mute.

And you should watch this sequence, it is awesome. From a strictly visual standpoint this opening sequence gets everything right. I have a metric ton of hope for this film, and fan produced projects like this only re-affirms my feelings. The 60s are the foundation for everything the X-Men have become, and to get that encapsulated in a film should be high watermark for the genre.

Check out Joe D’s excellent title sequence after the jump.

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Look, up in the sky! It’s a bird, it’s a plane, no it’s…a definitive blu-ray collection of Superman movies?

2011 is a year filled to the brim with superhero cinema and the folks over at Warner Home Video think that now is the perfect time to roll out the most comprehensive high-definition collection of Superman films of all time. Combining all four movies with Christopher Reeve and 2006′s reboot-ish Superman Returns, this set promises to be the ultimate collection of Superman’s first cinematic era.

Boasting both Donner extended cuts of the first two films and over 20 hours of special features, this release is as stacked as could possibly be. There is a lot of similarity in this Blu-Ray’s feature list and the Ultimate Collector’s DVD set that came out in 2006, however, several of the key features have been converted to HD, including the Donner cuts and the wonderful Look, Up in the Sky! documentary.

A full list of features and the Blu-Ray anthology’s trailer can be found after the jump.

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Not to say that Matthew Vaughn’s upcoming prequel, X-Men: First Class won’t be a fine piece of cinema, but we’ve been burned before. As we all remember, the gigantic mess that was X-Men: The Last Stand was enough to leave a bad taste in the mouths of many fanboys across the globe.

Fox and Vaughn are hoping to erase that film from our minds, however, as they’re forcing us to remember when the film franchise was good and pure with moments of the original 2001 film.

In these new posters, we get a glimpse of the young Charles Xavier (James McAvoy) and Magneto (Michael Fassbender) with a perfectly placed reflection showing the men we remember from the film, namely Ian McKellan and Patrick Stewart. A bit on the nose, but it works.

Check out the posters in full size after the jump and catch X-Men: First Class in theaters on June 3rd.

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Were you as upset as the rest of us when we sat through all of the commercials on Super Bowl Sunday and didn’t get a single glimpse at Fox’s upcoming X-Men: First Class? Well good news! If you have Facebook, then Fox is making it up to you!

Starting later today, 20th Century Fox is rewarding anyone who like their X-Men Movies fan page over at Facebook.com/XMenMovies by giving them the first exclusive look at X-Men: First Class. That’s right, all you have to do is like them. Sounds simple, right?

For those of you who aren’t caught up to speed on the film itself, here’s a tidbit.

X-MEN: FIRST CLASS charts the epic beginning of the X-Men saga, and reveals a secret history of famous global events.  Before mutants had revealed themselves to the world, and before Charles Xavier and Erik Lehnsherr took the names Professor X and Magneto, they were two young men discovering their powers for the first time.

Not archenemies, they were instead at first the closest of friends, working together with other Mutants (some familiar, some new), to prevent nuclear Armageddon.  In the process, a grave rift between them opened, which began the eternal war between Magneto’s Brotherhood and Professor X’s X-Men.

X-Men: First Class is set to hit theaters on June 3rd.

One of the big problems with Marvel’s super hero franchises being split up among several Hollywood studios is that continuity and lore goes out of the knowing hands of Marvel and into several different hands, most of which never communicate. So when rumors started floating around that Hugh Jackman was making a cameo appearance as Wolverine in the upcoming X-Men: First Class film, you could imagine the complaints fans had.

Not only does this story take place in the 1960′s, well before Wolverine comes across Weapon X, Adamantium, or anything to do with Xavier’s mutants, but they would have to shoehorn Jackman into a world that he clearly doesn’t fit in. In a recent chat with Coventry Telegraph, Bryan Singer spigave us more of a look into this new take on the classic team of mutants.

Asked about the First Class storyline, Singer explained: “It’s about how Xavier – if you know X-Men universe – how Professor Xavier and Magneto kind of met and became friends and how that friendship turned into something else.

“It takes place in the early 60s and it incorporates some characters I was able to bring back in time that are familiar, as well as some new characters, new mutants.

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This week on The Flickcast Chris and Matt take on a whole bunch of new topics. Some of these include the box office success and relative merit of movies like The American, Machete and Takers as well as new trailers for films like Let Me In and Hobo with a Shotgun.

They also discussed more Expendables 2 and X-Men 4 rumors, casting news and all manner of other showbiz-related topics. Plus, the boys talked all-things Call of Duty: Black Ops.

Chris and Matt also made some pics this week including Matt’s pick of the game Dead Rising 2: Case Zero and Chris’ pick of the campy yet fun Machete.

As always, if you have comments, questions, critiques, offers of sponsorship or whatever, feel free to hit us up in the comments, on Twitter, at Facebook and MySpace or via email.

Following tons of casting and recasting news, X-Men: First Class producer Bryan Singer contacted AICN and revealed tons of juicy tidbits about the highly anticipated film. Of course, we’re going to share them with you right here to save you the trouble of clicking that link.

The film will take place in the fitting time of the 1960′s, with civil rights being of high concern at the time and the obvious parallels between the racial and mutant struggles. In addition, Singer implied that Vaughn will also be utilizing James Bond type technology from that era in the film.

X-Men: First Class will follow the young Charles Xavier (James McAvoy) and Eric Lehnsherr (Michael Fassbender)as they plan the futures of mutant kind.  Xavier will not be in a wheelchair in the beginning of the film, but we will witness him losing the use of his legs.

The antagonists of the film will be the Hellfire Club which will include Kevin Bacon as Sebastian Shaw and January Jones as Emma Frost. On a surprising note, he stated that we will not be seeing Jean Grey or Cyclops. Unsurprisingly, he announced that we can expect tons more casting news in the next couple of days.

Singer also explained that even though the costumes in the film will be more “comic booky” than previous films, the film is shying away from the story written in the comic after which the film is named.

Do you think that it’s the right move to delve deep into little known comic book characters, while not utilizing the pre-existing lore? Can an X-men story exist without Jean Grey and Cyclops?