Fans everywhere who were grinding their teeth during the reboot of the classic Clash of the Titans back in 2010 will finally have another reason to have the studio system as the trailer for Wrath of the Titans has hit the web.

Sure, it had a bad wrap the moment we found out a reboot to such a classic was even getting made, but the trailer doesn’t do much to show us otherwise. Here’s the unnecessarily massive synopsis, so you don’t get lost.

A decade after his heroic defeat of the monstrous Kraken, Perseus (Worthington) –the demigod son of Zeus (Neeson)–is attempting to live a quieter life as a village fisherman and the sole parent to his 10-year old son, Helius. Meanwhile, a struggle for supremacy rages between the gods and the Titans.

Dangerously weakened by humanity’s lack of devotion, the gods are losing control of the imprisoned Titans and their ferocious leader, Kronos, father of the long-ruling brothers Zeus, Hades (Fiennes) and Poseidon (Danny Huston). The triumvirate had overthrown their powerful father long ago, leaving him to rot in the gloomy abyss of Tartarus, a dungeon that lies deep within the cavernous underworld.

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Those who saw French director Louis Leterrier’s remake of the classic film Clash of the Titans were split straight down the middle on those who absolutely loved the film, and those who thought it was total schlock.

Not unlike the response to the original film, this has left a bad taste in the mouths of fans, to the point where talk of a sequel would only anger them. That’s where this bit of news should change some folks’ minds. It seems that the Brothers Warner will be planning two sequels to the film. The good news? Good writers are on the way. From THR.

Dan Mazeau and David Leslie Johnson, who co-wrote Wrath’s screenplay with Steven Knight and also share story credit with Greg Berlanti, have been enlisted to develop and write a treatment for the threequel, which would continue the adventures of Perseus, played by Sam Worthington.

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If you haven’t been watching HBO’s Game of Thrones, an adaptation of the novels by George R.R. Martin, you’re really missing out. It’s a great show full of amazing characters, action, drama, sex, violence and more all in a world that’s fully realized and seems all to real. Even with the show on hiatus until next season that hasn’t stopped the producers from adding new cast members to the show.

The latest major casting announcement is that Irish actor Liam Cunningham has been been set for the part of Davos Seaworth for the show’s second season. In case you’re not familiar with the actors’s work, check out the recent series Camelot on Starz and the Clash of the Titans remake. He was one of the many actors that was much better than Sam Worthington.

In the books, Davos is a former smuggler. He earned the nickname “The Onion Knight” after successfully getting food into Stannis Baratheon’s besieged castle during the war that put Robert Baratheon on the Iron Throne. In season two, Stannis enlists Davos to help him seize the Iron Throne from the punk King Joffrey.

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It’s that time of year again. The time when actors and actresses are honored for all the hard work they piled together in the 12 months leading up to one moment of pay off and a tiny little statue. We’re speaking, of course, about the Razzie Awards. These are the awards given out on the eve of Oscar night to those actors, actresses, and fimlmmakers who have produced some of the worst film projects to hit theaters in the past year.

Many remember last year’s big Worst Actress winner being Sandra Bullock, who went on the very next night to win an Oscar for a role in a completely different film. This year’s potentials could have the same luck, but we doubt it. Here’s the shortlist of actors from LA Times.

Among movies and actors shortlisted for the Razzies are Jessica Alba, who is eligible for worst supporting actress for four films (“The Killer Inside Me,” “Little Fockers,” “Machete” and “Valentine’s Day”), and Emily Blunt, eligible in the same category for her work in “The Wolfman” and “Gulliver’s Travels.”

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There have been some pretty big hits in the box office this year, and some expected whales, but overall this has been a great year for the worldwide box office, and here’s the proof you need. From THR.

10. Clash of the Titans, $493.2 million worldwide
9. How to Train Your Dragon, $494.9 worldwide
8. Despicable Me, $539.9 million
7. Iron Man 2, $582.2 million
6. Twilight Saga: Eclipse, $693.5 million
5. Shrek Forever After: $739.8 million
4. Harry Potter and the Deathly Hallows, Part 1. $824.1
3. Inception, $825.4
2. Alice in Wonderland, $1 billion
1. Toy Story 3, $1.1 billion

There are a few genuine good films on the list, like Iron Man 2 and Inception. Some big surprises, considering how bad the reviews were for films like Shrek Forever After, Clash of the Titans, and Alice in Wonderland. And even a few expectations like Twilight, Harry Potter, and How to Train Your Dragon.

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Even though his film Battle: Los Angeles hasn’t even been released yet, director Jonathan Liebesman has apparently already lined up his next job. That job? Director of the sequel to Clash of the Titans which, at this moment, is cleverly entitled Clash of the Titans 2.

According to Deadline, the director was in talks for the film over the weekend and through yesterday but those negotiations stalled because of, you guessed it, money. But now it seems all is well and they’ve been able to reach an agreement to make a sequel to a film that most people, including a majority of critics, had nothing but bad things to say about.

Unfortunately, the sequel was inevitable considering both of the film’s leads (Sam Worthington and Gemma Aterton) survived and the movie, in spite of its negative reviews and terrible conversion to 3D, made a crap load of money worldwide. I’m hopeful the studio will do better this time and am encouraged by at least one other fact that’s come out during this dealmaking process: They will shoot the film in 3D instead of converting it later.

That alone should improve things considerably. Now if we could just do something about the lame story, wooden acting and uninspired direction . . . then we’d really be onto something. Too snarky? I can never tell.

The Disappearance of Alice Creed is a twisty, provocative British thriller featuring a breakout performance from Gemma Arterton. You may have caught her in the recent popcorn flicks Prince of Persia or Clash of the Titans, two movies in which she is largely relegated to arm candy for the leading men.

It is refreshing to see the sultry actress show us the  range of her acting prowess. As Alice Creed, she gives a gritty, brave performance  that you won’t soon forget.

The film begins with two men meticulously preparing a room to serve as a temporary housing for a kidnapping victim.  It seems that every tiny detail has been addressed.  The room is soundproofed and padded, the bed is bolted to the floor, and the room has been stripped bare of anything that could be used as weaponry.

The two men don masks and drive an outfitted van to their victim, a one Alice Creed.  Soon, she is shackled to the bed and stripped naked.  It’s a difficult scene to watch, and horribly degrading.

It would be very easy to write off the movie at this early juncture as being yet another torture-porn genre film, but don’t be so quick to judge.  That graphic and frightening scene sets up some interesting plot points for later, and makes better sense after you have the context  of the whole movie behind it.

Fortunately, it is quickly apparent that the men have no interest in Alice sexually.  They cloth her in a jogging suit they provide, and don’t seem to have much interest in actually harming her.  Instead, they want to extort some money from her wealthy father, by making him pay a kidnap ransom.

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Welcome to this week’s On the Radar where we delve into all corners of the entertainment, tech and geek Internets for news, views and whatnot that may have escaped our regular coverage this week. Let is know if we missed something.

The Last Airbender may be another M. Night letdown, but at least it will have cool looking creatures.

Time to high five the 13 year old you, the lightsaber is finally real.

Andy Leipzig is a nerd like us. The difference is he uses it in some really cool art.

Guillermo Del Toro walked away from The Hobbit. Why? Because he totally digs vampires.

Remember the oil spill episode of Saved By The Bell? If not, here are the things you should remember. Maybe they’ll help us today.

Talk about life after death, it seems that Conan’s upcoming stint on TBS may be better than his NBC days ever were.

Who wouldn’t want to see a Japanese remake of Ghost? Oh….everybody.

Will Smith is already pimping Men in Black 3D, reminding us that parents still just don’t understand.

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At  the time of this writing, the Tina Fey/Steve Carell comedy Date Night is reported to have narrowly won the box office.  However, The Clash of the Titans was so close behind that it is possible adjusted totals may flip the positions of the two movies. Box Office Mojo is reporting that  Date Night made around $27.1 Million, while Clash made $26.7 Million, a tight margin of victory, to be sure.

This was the biggest opening weekend of Tina Fey’s career thus far, although Carell has had larger openings before.  The $27 Million take is quite good for a comedy.

Clash of the Titans dropped about 56% from opening weekend, which is higher than usual. Most films see about a 30% drop. The larger drop signals that interest for the movie may be waning quickly.

Good thing the flick had a big opening weekend. Clash has now made a total of $110 Million after two weekends, and looks like it will recoup its $125 Million budget. Incidentally, it looks like about 40% of that total was from 3D screens, meaning more than half came from 2D screenings.

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This week on The Flickcast Chris and Matt are back and celebrate a little milestone: the 50th episode. This week sees a slew of new topics including Clash of the Titans, the iPad, The Walking Dead casting, Smallville and Superman rumors, what it means to be a movie star and the inexplicable success of Sam Worthington.

Chris and Matt also made some picks this week, as they usually do, including Matt’s pick of  The Lord of the Rings Trilogy on Blu-ray and Chris’ pick of the ABC show Castle starring Nathan Fillion and Stana Katic.

Finally, in this episode Chris and Matt introduced a new feature, The Flickcast Mailbag. If you have questions for our team about pretty much anything, shoot an email to mailbag [at] the flickcast dot com and if we answer your question on the air, you can win a great prize. This week it’s a code to download the COD Modern Warfare 2 Stimulus Pack for free. Cool right?

As always, if you have comments, questions, critiques, offers of sponsorship or whatever, feel free to hit us up in the comments, on Twitter, at Facebook and MySpace or via email.

Well, there wasn’t much of a box office battle this weekend as Clash of the Titans easily slayed the competition with a total weekend haul of $61.4 Million. Some weekend totals are reflecting Thursday night earnings as well, which brings the total closer to $64 Million.

Despite the fact that most critics were horrified by the look of the post-production 3D of the movie, and practically begged audiences to see the 2D instead, it seems that roughly half of the weekend revenue was from 3D screenings (LA Times.) The 3D money train marches on, at least for another weekend.

It is of interest to note that the movie did drop almost 20% from Friday to Saturday, which can be a direct result of bad word of mouth.

Tyler Perry pulled out yet another surprise as Why Did I Get Married Tooearned $30 Million. Perry has an an unconventional marketing strategy-he never pre-screens his movies for critics. His movies always enjoy an opening day unfettered by any reviews, positive or negative.

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The original Clash of the Titans (1981) was cheesy and offered substandard special effects, but it had a certain inherent charm, making it almost irresistible on cable television. I can’t recall a time when I stumbled across the movie and changed the channel. It’s an iconic fantasy film, and embraced for its intentions, despite the fact it failed at many of those intensions. At least it meant well.

Clash of the Titans (2010) is going to become the whipping boy for the anti-3D conversion crowd, with good reason. This is the second major release (after Alice in Wonderland) that has been converted to 3D post production, and the 3D is truly awful. There was absolutely no reason for this movie to be 3D, aside from trying to squeeze some extra money out of gullible ticket purchasers.

I can’t believe people are actually going to shell out an extra 5 bucks for an “enhancement” that is distracting, annoying and intolerable. Characters are out of focus,with tracers dancing about them. The 3D would detract from even the best of films, but this movie doesn’t even merit a “mediocre.” It’s crap, with a cherry on top, only that cherry is rotten and renders the whole mess unpalatable. What a disappointment.

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