Just when you thought DC would calm down after the backlash of their drastic logo change earlier this month, they’re here to alter more of your childhood favorites by bringing us a series of prequels to Alan Moore’s epic Watchmen series from decades ago with their Before Watchmen line of books.

Catchy name, right? That’s about the caliber of originality you can expect to see with these books, with the major saving grace being the talent that DC has gathered for the event. Here’s what they had to say.

Stepping up to the challenge is a group of the comic book industry’s most iconoclastic writers and artists – including Brian Azzarello (100 BULLETS), Lee Bermejo (JOKER), Amanda Conner (POWER GIRL), Darwyn Cooke (JUSTICE LEAGUE: NEW FRONTIER), John Higgins (WATCHMEN), Adam Hughes (CATWOMAN), J.G. Jones (FINAL CRISIS), Andy Kubert (FLASHPOINT), Joe Kubert (SGT. ROCK), Jae Lee (BATMAN: JEKYLL AND HYDE), J. Michael Straczynski (SUPERMAN: EARTH ONE) and Len Wein (SWAMP THING).

BEFORE WATCHMEN includes:

• RORSCHACH (4 issues) – Writer: Brian Azzarello. Artist: Lee Bermejo
• MINUTEMEN (6 issues) – Writer/Artist: Darwyn Cooke
• COMEDIAN (6 issues) – Writer: Brian Azzarello. Artist: J.G. Jones
• DR. MANHATTAN (4 issues) – Writer: J. Michael Straczynski. Artist: Adam Hughes
• NITE OWL (4 issues) – Writer: J. Michael Straczynski. Artists: Andy and Joe Kubert
• OZYMANDIAS (6 issues) – Writer: Len Wein. Artist: Jae Lee
• SILK SPECTRE (4 issues) – Writer: Darwyn Cooke. Artist: Amanda Conner

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Need proof that major comic book publishers fear that print comics are a dying commodity? News from DC’s camp may just be that. Word has recently come in that the megapublisher will be changing all current comics that are priced at $3.99 to be slashed down to $2.99 starting in January of 2011.

From a DC press release:

“As Co-Publishers, we listened to our fans and to our partners in the retail community who told us that a $3.99 price point for 32 pages was too expensive. Fans were becoming increasingly reluctant to sample new titles and long term fans were beginning to abandon titles and characters that they’d collected for years.” said Dan DiDio, DC Comics Co-Publisher.

“We needed a progressive pricing strategy that supports our existing business model and, more importantly, allows this creative industry to thrive for years to come. With the exceptions of oversized comic books, like annuals and specials, we are committed to a $2.99 price point.”

When taking into account mini-series, annuals and specials, more than 80% of DC’s comic books will be priced at $2.99.

This effects many of the major titles and ongoing stories such as American Vampire, Batman: The Dark Knight, Green Lantern: Emerald Warriors, and JSA All-Stars as well as many licensed titles like Gears of War, God of War, Kane & Lynch, and Ratchet & Clank. All of those titles will now be slashed down to $2.99.

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I’ve always loved history. Discovering what happened in the past is always a great way to make sure things go smoothly in the present and in the future. I also love comics. So, when these two things meet, you can imagine how happy that makes me.

Case in point is the new documentary about the history of DC comics called Secret Origin: The Story of DC Comics. In it you get to see a whole bunch of great current and former DC artists and writers discuss the formation and history of one of the greatest media companies ever. Narrated by Ryan Reynolds, the documentary features interviews and commentary by Neal Adams, Karen Berger, Dan DiDio, Neil Gaiman, Geoff Johns, Jim Lee, Dwayne McDuffie, Grant Morrison, Dennis O’Neil, Paul Pope, Louise Simonson, Mark Waid, Len Wein, and Marv Wolfman. Yes, that’s lot of amazing people.

“From the bans to the breakthroughs, from humble pulp beginnings to the literary rise of the graphic novel, the story of DC Comics holds a mirror to an ever-evolving enterprise and the society reflected in its comic book pages,” said Diane Nelson, President, DC Entertainment. “It’s a true American story – Secret Origin: The Story of DC Comics is a riveting, exciting, surprising revelation of that fascinating history and the men and women who forged it.”

I’ll bet money that that’s completely true. In fact, no bet necessary, I’ll be buying this when it comes out because I know it’s going to be fascinating.

Check out the trailer for the documentary after the jump. Secret Origin arrives on DVD November 9th.

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Good news for comics and Sci-Fi fans: Babylon 5 creator J. Michael Straczynski, who’s no stranger to the world of comics having penned several titles for Marvel, will be taking over DC Comics’ Superman and Wonder Woman titles on an ongoing basis, starting in July.

According to the DC Comics Blog:

Starting in July with SUPERMAN #701 and WONDER WOMAN #601, superstar writer J. Michael Straczynski—a man who’s created layered and compelling characters and worlds on the big screen, on television and across the comic book spectrum—dives head-first into the DC Universe by taking the ongoing writing reins for two-thirds of the fabled DCU trinity.

Straczynski himself is very excited to take on these two iconic characters. According to the writer:

“For as long as I’ve been doing conventions (starting in the early Cretaceous period, when it was just me and a handful of pterosaurs on a panel debating whether or not mammals with opposable thumbs were really necessary to the writing of quality comics, a point still hotly debated today), there has always been the same question from folks in the audience: “Is there any one character who is your dream character to write for?” The answer has always been the same: Superman.

When I first came over to DC, that dream was realized in part by Dan DiDio’s gracious invitation to write the first of potentially many Superman original graphic novels. Now the dream has come fully true with the opportunity to write for the mainstream title, in a story that returns Superman to his roots in a way that will have the whole country talking about him in ways that we haven’t seen in a long time.

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Looks like changes are underway and DC Entertainment is finally moving forward with its plans and getting things in order. Today, DC Comics announced changes to its executive management structure including the promotions of Editor-In-Chief Dan Didio to Co-Publisher with Jim Lee as well as naming Geoff Johns to the position of Chief Creative Officer. This announcement follows the departure of publisher Paul Levitz, who stepped down in September of 2009.

The full details from a press release posted on DC’s The Source blog are reprinted below.

Jim Lee and Dan DiDio Named Co-Publishers DC Comics
Geoff Johns to Serve as Chief Creative Officer

John Rood Named EVP, Sales, Marketing and Business Development

Patrick Caldon Named EVP, Finance and Administration

(February 18, 2010 – New York, NY and Burbank, CA) DC Entertainment, founded in September 2009 to unleash the power of the DC Comics library of characters across all media platforms, has named its executive management team, including new co-publishers of DC Comics and a Chief Creative Officer, as well as heads of Sales/Marketing/Business Development and Finance/Administration. Diane Nelson, President, DC Entertainment, made the announcement today.

The new senior executive team includes Jim Lee and Dan DiDio, who have been named Co-Publishers of DC Comics, and Geoff Johns, who will serve as Chief Creative Officer of DC Entertainment. Additionally, John Rood has been named Executive Vice President, Sales, Marketing and Business Development, and Patrick Caldon will serve as Executive Vice President, Finance and Administration. Each of these executives will report directly to Nelson.

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Welcome to another edition of The Pull List Comic Reviews! The fall of the Hulks begins, Mogo dishes out his brand of justice and both Geo-Force and the Sentry lose their marbles. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Dark Avengers #13
Marvel Comics – $3.99 US
Writer: Brian Michael Bendis
Artist: Mike Deodato
Score: 8.5/10

The Marvel Universe has seen better days. While the disassembling of Earth’s mightiest heroes led to the breakout of a civil war, a secret invasion became the catalyst to Norman Osborn’s dark reign, and with the siege of Asgard on the horizon, surely things couldn’t get worse (see what I did there?), could it? The Sentry’s true origin is revealed, answering once and for all that, yes, things can get worse…much worse.

Just when I thought all the pieces were on the table, Brian Michael Bendis takes the much-maligned Sentry and turns him loose. With this latest revelation of how the Sentry came to be – not to mention how he’s more unstable than anyone thought – Bendis has taken a tragic figure and made him the definitive x-factor for the Siege event. Whether or not the character winds up saving the day or becoming the most dangerous player is still up in the air, and that’s just a tad frightening.

This issue is all about the eyes. Artist Mike Deodato nailed every beat of this issue by letting the eyes of the characters tell the story, which really focused on the horror of what resides within the Sentry’s mind. From the Sentry, the Sentry’s wife, Lindy and even Osborn himself, the eyes served notice that something wicked this way comes. For even more justification, take a gander at that last page.

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Welcome to the first edition of The Pull List Comic Reviews for 2010! This week both Blackest Night and Siege took center stage with numerous titles, but don’t worry as the Caped Crusader and the Wall Crawler make appearances, too. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Blackest Night #6 [of 8]
DC Comics – $3.99 US
Writer: Geoff Johns
Artist: Ivan Reis
Score: 9/10

When we last saw our heroes, well… let’s just say that some of them were no longer heroes. As black rings zoomed towards the Flash and Green Lantern, their friends and allies who had suddenly switched sides surrounded them. Superman. Wonder Woman. Green Arrow. And so on. With the universe slipping precariously into a never-ending pool of black, a new group of Lanterns have risen to the cause, and you won’t believe your eyes when you see who they are.

I’m starting to think that Geoff Johns should have been a major league pitcher as opposed to a writer, just with the sheer number of curve balls he’s thrown at readers throughout this series so far. Clearly outdoing himself, Johns put together a new group of Lanterns consisting of some of the most inspiring choices to date. The story beats keep pumping along, making the rapidly approaching ending all the more bittersweet.

Artist Ivan Reis continues to weave his magic in this series. Classic speedster moments? Check. Glorious double-page spreads? You bet. Jaw-dropping panels for significant moments? Of course! All this, and a slew of costume re-designs for the new Lanterns, just in case you didn’t know that Reis is drawing at a level that’s almost peerless. The art in this issue, and the series overall, can be summed up in one word: unparalleled.

The fifth installment of this mini-series received a Pull of the Week and a spot on the Best of 2009 list, so I wasn’t expecting an encore performance with this latest chapter. Shame on me. Both Johns and Reis raise the bar once again, and let the record show that, if this upward trend continues, I might not survive the series in its entirety. For sheer comic brilliance – and Lex Luthor! – this was easily the Pull of the Week.

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With 2009 coming to a close, the challenge was to pick and rank the 10 best comics from the entire year. I’ve estimated reading approximately 1,500+ issues over that time frame, so obviously it wasn’t the easiest task to complete. Still, after much deliberation, these are my picks for the 10 best comics of 2009.

1. Jonah Hex #50
DC Comics
Writers: Justin Gray, Jimmy Palmiotti
Artist: Darwyn Cooke
Originally reviewed on December 3, 2009

Perfection. Defined as the highest degree of proficiency, skill or excellence, perfection is near impossible to achieve, especially when every comic ever printed is subjective in nature. You know, “beauty is in the eye of the beholder” and all that jazz. Still, when I thought about all the comics I’ve read this past year, this issue of Jonah Hex kept coming back to me. While not perfect (frankly, what is?), it’s pretty close.

A wonderful done-in-one tale following our “hero” as he diligently goes about his day job, in this specific case while hunting down 50 various bad guys who had it coming to them. A fine story on it’s own. Now add a dash of romance – or the bounty hunter’s version of it – to the mix, sprinkle in a little personal vengeance, and top it off with a jolting reminder of how cruel life can be, and you’re left with a portrait of a man who makes no excuses for who he is or what he does, life expectations be damned.

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