This week’s pick is legendary filmmaker and pioneer of balletic death scenes Sam Peckinpah’s 1977 production of Cross of Iron. The film stars James Coburn (in one of his finest performances, and as one of Peckinpah’s go-to-actors) as Sgt. Rolf Steiner, a tough German soldier stationed on the Eastern Front in 1943 as the German army was being pushed back by the advancing Soviets.

Steiner is in command of a small squad who are attached to the main German column who are retreating from the Taman peninsula on the Black Sea coast following the German defeat at Stalingrad (one year earlier), which turned the tide of the war in the east. The story is that of conflict between Steiner and a new company commander Captain Stransky (Maximilian Schell), a Prussian aristocrat who covets the famed Iron Cross which is one of the highest awards given to a German soldier.

Cross of Iron was Peckinpah’s only war film that shows the audience the kind of war that was being fought on the Eastern Front, and that it was the last place a German soldier wanted to go. Steiner (Coburn) is tired of war and has very little respect for those in charge. When Stransky reports to his new commander, Colonel Brandt (played by veteran British actor James Mason), he tells the Colonel that he applied for a transfer from occupied France to the Eastern Front in order to win the Iron Cross.

The Colonel’s adjutant, Captain Kiesel (the great character actor David Warner) who is also sick of war and military politics, scoffs at Stransky and his naive outlook. Steiner is introduced to Stransky who is told of his exploits. Stransky promotes Steiner to Staff Sgt. in order to curry favor. Steiner shows overt contempt and little appreciation for Stransky as a German officer. To Steiner, Stransky is the real enemy with false notions of heroism and bravery.

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One of the most visually stunning, action packed, clever and suspenseful of all Alfred Hitchcock movies, his 1959 masterpiece North By Northwest finally gets the Blu-ray treatment it deserves. Featuring a terrific remastering with lots of great supplemental material and beautiful packaging the movie really shines and Warner Bros. has clearly pulled out all the tops to bring this classic film to a new generation of audiences.

Just in case you’re not familiar with this Hitchcock masterpiece, it stars Cary Grant, Eva Marie Saint, James Mason and a young Martin Landau in a story featuring one of Hitchcock’s signature conceits: the wrong man. Grant’s Roger Thornhill, mistaken for superspy George Kaplan by a group of sinister agents led by James Mason’s Phillip Vandamm, is taken to a county house, forceably intoxicated and almost murdered. He barely manages to escape with his life, mostly due to his high tolerance for alcohol after years in the advertising business, but this sets in motion a series of events culminating in one of the most exciting and visually stunning climaxes ever filmed, at least up to that time.

Cary Grant is funny and cool as Thornhill and the rest of the cast take on their roles brilliantly. The script by Ernest Lehman is funny, action packed, dramatic and tight as a drum and, of course, the direction by the “master of suspense” Alfred Hitchcock is outstanding, making this, if not his best work, at least in the top three right along with Psycho and Rear Window.

Mention must also be made of the stunningly exciting action sequence involving Cary Grant, a deserted county road and a crop dusting plane. For the times, this action sequence was considered the pinnacle of cinematic achievement and even today, due to its quality and innovative direction and editing, its still ranks high. Of course, now that filmmakers have almost anything imaginable at their fingertips through the use of CGI, this action sequence may seem tame to some.

However, knowing when it was filmed and how, and also taking into consideration when it appears in the film, you have already been drawn into the world of this amazing film and completely go along with whatever happens. In short, it just works. And works exceptionally well.

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