When I first heard about writer/director Oren Peli’s first person video camera horror film Paranormal Activity, I have to admit I was skeptical. Seeing some of the advertising and hearing the buzz from various sources, this film seemed to be yet another cheap video production still hoping to cash in on the “magic” generated by The Blair Witch Project. Fortunately, after seeing the film at a sold-out midnight screening during Austin’s Fantastic Fest, I can thankfully say my first impressions of the film were completely wrong . . . mostly.
The premise of the film is simplicity itself. A young couple have lived together for a few years and gradually there have been strange and unexplained sounds and the woman (Katie Featherston) it is revealed has been experiencing this type of “activity” since she was a young girl. Her boyfriend, the annoyingly overconfident Micah (Micah Sloat), is determined to get to the bottom of these phenomenons and so begins his quest to videotape the couple’s activities 24 hours a day in order to catch the ghosts in action and ultimately, to take care of the situation and get them to stop.
One of the film’s biggest strengths is that it follows the Hitchcock tradition of not showing everything. Instead, during several scenes, the camera stays in one place as the couple goes off to investigates a noise or other disturbance and the audience is left only able to hear what’s happening, their imagination filling in the blanks. This conceit serves the film far more effectively than an outlandish display of gore or other visual effects would have. This technique is used very effectively in Paranormal Activity, much more than it has been lately in films like Cloverfield or Quarantine.
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