Drunk History is back on the web, but this time they’re showing the holiday spirit with guest stars Ryan Gosling, Eva Mendes, and Jim Carrey.

The mother of all video game fan films has arrived as the Left 4 Dead flick hits the web. Be sure to stick around till the end for some awesome gaming cameos.

Speaking of fan films, we stumbled across the best real life gaming adaptation in the history of the web. Say hello to Battlefield 3 In Real Life.

It’s Christmas time everywhere in the world (well, almost everywhere), even in Arkham City. But instead of visits from a man in red, they get a famous caped crusader.

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The nominations for the 2012 Film Independent Spirit Awards are out. These awards highlight the best in independent cinema and have often helped Academy Awards voters who don’t see indie films realie there’e more to life than what they get at the local multi-plex. Not that Academy Awards voters actually ever go to a multi-plex either.

Looking over the list we can guess what you’re thinking: where’s Michael Fassbender’s nomination for Shame? We don’t know either. We are, however, very happy to see Ryan Gosling, Nicolas Winding Refn and Albert Brooks get nods for their work on Drive. Great movie and great performances.

Here’s all the nominees:

BEST FEATURE
50/50 Producers: Evan Goldberg, Ben Karlin, Seth Rogen
Beginners Producers: Miranda de Pencier, Lars Knudsen, Leslie Urdang, Dean Vanech, Jay Van Hoy
Drive Producers: Michel Litvak, John Palermo, Marc Platt, Gigi Pritzker, Adam Siegel
Take Shelter Producers: Tyler Davidson, Sophia Lin
The Artist Producer: Thomas Langmann
The Descendants Producers: Jim Burke, Alexander Payne, Jim Taylor

BEST DIRECTOR
Michel Hazanavicius The Artist
Mike Mills Beginners
Jeff Nichols Take Shelter
Alexander Payne The Descendants
Nicolas Winding Refn Drive

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Director Nicolas Winding Refn’s Drive is a film I enjoyed very much. It’s stylish, almost absurdly violent and immensely entertaining.

It’s what movies should be. Well, it’s what drama/action movies should be at the very least, Don’t get me wrong, it’s also got a brain.

But what makes this movie so cool are the visuals and the anti-hero played by Gosling. He’s a man of few words who lets his actions speak for him.

In the film Gosling plays “Driver,” a Hollywood stunt performer who moonlights as a wheelman that will take any job and not ask questions. All is well until that fateful day he discovers a contract has been put on him after a heist goes wrong. And oh boy does it go wrong.

Because I enjoyed it so much I want to do whatever I can to help get the word out. Like we’ve already done. Now, We’ve got even more from the film to share with you.

This time around it’s a bunch of videos including some behind-the-scenes stuff as well as a few scenes from the film itself. You can check them out after the break.

In addition to Gosling, Drive stars Carey Mulligan, Bryan Cranston, Christina Hendricks, Ron Perlman, Oscar Isaac, and Albert Brooks. It hits theaters this Friday. See it.

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Drive is an interesting film. I have not seen it yet, but I can tell that by its trailers, promotional one-sheets and now its score. The music strikes a very interesting tone that fits in with the minimalistic, and down right retro style we have seen from the movie thus far.

The film features a score by Cliff Martinez, an early Steven Soderbergh collaborator who has since developed an interesting filmography. The Martinez portion of this score is pretty solid across the board. I enjoy the retro, almost electronic sound the score boasts.

It is almost like a minimalist version of the Tron: Legacy score, My only reservation of his music is that it is pretty one note. I don’t know that I could pick one track from another if I wasn’t looking at a track list.

The other major portion of this soundtrack is a selection of tracks by several different artists. This portion of the sound track was very enjoyable during the first couple tracks, but became mildly repetitive as it moved along. Really shining a light on the real problem on this who soundtrack, repetitiveness. I love the general sonic landscape this score is selling, but as an album I don’t know if it stands well on it’s own.

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Voting season is creeping up on us, which means we’re in store for a few “Oscar grab” political thrillers in which some of Hollywood’s elite take on a few stories ripped from the headlines or a topical political book. Who’s the man for the job? Clooney, of course.

The film focuses on several big names in H-Wood’s current “top 100″ list, including Clooney, Philip Seymour Hoffman, Paul Giamatti, Marisa Tomei, and Ryan Gosling. Here’s the film’s premise.

The Ides of March takes place during the frantic last days before a heavily contested Ohio presidential primary, when an up-and-coming campaign press secretary (Ryan Gosling) finds himself involved in a political scandal that threatens to upend his candidate’s shot at the presidency.

Yes, you can expect a face-off between Clooney and Gosling. Anyone else find it strange that Clooney manages to work his way into a film with whoever the current rising star is? Coincidence? We think not.

Take a look at the official clip, titled “My Name is Molly”, after the jump, and catch The Ides of March in theaters on October 7th.

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Based on the cast (Steve Carell and Julianne Moore as a married couple Cal and Emily—how perfect) and a promising trailer, I went into Crazy, Stupid, Love fully expecting to love it. I didn’t, but I did leave loving the young couple (a surprisingly funny Ryan Gosling as Jacob and Emma Stone as Hannah). They had everything going for them—charm, chemistry and perfect timing. Emma Stone is darling and hilarious and deserves every bit of the praise and buzz she’s receiving.

They’re no mere insanely pretty faces, either. Both Gosling and Stone have smarts and personality that shine through, despite the screenplay’s sometimes ridiculous shortcomings. Yes, the screenplay. Who the heck greenlit this thing? With all the money they must’ve had, they couldn’t have hired someone to perk this thing up?

The clichés, oh the clichés. This is one of those movies where the crowd acts as one simple-minded, one-minded body. You know what I’m talking about. Everyone in the office pokes their heads above their cubicles at once and claps. Everyone stands outside and with the exact same judgmental expression watches the hero’s meltdown in the school parking lot. Stuff a normal group of individuals would never do. It’s the equivalent of a laugh track in a dumb sit-com. But that’s not all.

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Intense, political films are a staple in Hollywood. They provide fodder for good drama and also allow the filmmakers to say a little something about the political climate and their feelings about the government and how its run.

A new film trying to fit into that mold is George Clooney’s upcoming The Ides of March. The film, about cutthroat political politics and based on the play by Beau Willimon, has a new trailer out today and we’ve got it for you right here.

The Sony Pictures released features a great cast, including Clooney himself, such as Ryan Gosling, Philip Seymour Hoffman and Paul Giamatti. Clooney has done a pretty good job with his previous outing as director so it will be interesting to see this new one once it arrives.

Check out the trailer after the break. The Ides of March will open the Venice Film Festival this year with a release sure to follow.

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In spite of its surface similarities to another recent series of movies about a guy who drives for a living and doesn’t ask questions, the upcoming Drive from director Nicolas Winding Refn looks pretty damn good. So good, in fact, we feel compelled to bring you a trailer for it right now

In case you’re not familiar with Drive, it stars Ryan Gosling as “Driver,” a Hollywood stunt performer who moonlights as a wheelman that will take any job and not ask questions. However, as is sometimes the case, he discovers that a contract has been put on him after a heist goes wrong.

The film also features a great supporting cast including Carey Mulligan, Bryan Cranston, Christina Hendricks, Ron Perlman, Oscar isaac, and Albert Brooks. Oh, forgot to mention that Winding Refn also won the Best Director award at the 2011 Cannes Film Festival. That, the cast and the trailer should be enough to sell you on Drive. If not, I’ve got nothing more for you.

Check out the video below. Drive hits theaters September 16, 2011.

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Breaking news coming in today as Ryan Gosling is currently finalizing the deal with Warner Bros. to take the lead in the upcoming remake of the 1976 classic Sci-Fi thriller Logan’s Run.

Rumors have been abound for years on this project and who will take the lead, but it looks like the Warners and producer Joel Silver have found their Logan 5. From Deadline.

Warner Bros is finalizing a deal with Ryan Gosling to reunite with his Drive director Nicolas Winding Refn on Logan’s Run, the remake of the 1976 futuristic drama about a man who tries to outrun a mandatory death sentence that awaits  all 30-year old’s. After a distinguished run in mostly independent films, Gosling’s making the jump to a studio tent pole. Production starts in the fall.

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The true meaning of that quote is fully realized in this haunting anti-love story. Blue Valentine is a stark, quiet film that packs an emotional punch you won’t soon forget. Featuring terrific performances by Michelle Williams and Ryan Gosling, the film examines the demise of a once promising relationship.

As the movie starts out, it is obvious that Cindy (Williams) and Dean (Gosling) have seen happier days.  Cindy seems to be quietly simmering with hatred when she interacts with Dean.  She’s utterly defeated, and when Dean tries to use his boyish charm to engage her, she won’t succumb.

Cindy mentally checked out of the marriage long, long ago. By the time Dean actually realizes that, we see him make some feeble attempts to salvage what they once had.

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I was surprised at how much trouble I had narrowing down my top ten movies this year.  My top 20 were all very close, but here are the movies that I ultimately enjoyed the most. I readily admit that I did not see near as many foreign films as I would have liked, but by the time I cover most of the mainstream fare, there is simply no time left.

Honorable Mentions: Fair Game, Tiny Furniture, Greenberg, Cyrus, The Tillman Story, The American, Mother and Child, Scott Pilgrim.

10. Waiting for Superman
This Documentary was equal parts frustrating, inspirational, and heartbreaking. Director Davis Guggenheim (No End in Sight) sheds light on the dismal state of our public school system. He follows the plight of several children who live in various geographic regions who are placing all of their hope for an decent education into lottery systems for charter or private schools. Guggenheim relies on their compelling stories for a narrative, while interspersing lots of graphics and cartoons illuminating some pretty harrowing statistics.

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There has been plenty of heat on the MPAA as of late. Cult horror director Adam Green (Hatchet, Frozen) recently had trouble with the organization giving his sequel to Hatchet an NC-17 rating, which is the financial kiss of death at the box office. They did the same with an upcoming Weinstein film starring Ryan Gosling titled Blue Valentine.

Upon receiving the NC-17 rating, The Weinstein Company filed litigation against the organization for an appeal to get their film down to an R-rating. This was a classic tale of Davey (a small studio) going up against the MPAA’s Goliath. The good news? They won.

News has just been released that TWC has won the appeal against the MPAA and the rating of Blue Valentine will get modified back down to a standard R. This is pretty historic for the industry, considering that nobody ever goes up against the MPAA and lives to tell the tale. It looks like the brothers Weinstein are now the exception to that rule.

This could very well change the face of how MPAA does things, as indie directors like Adam Green now have a case against the way the organization runs things. Consider this an official turning of the tide.

Check out the details in the full press release after the jump. Blue Valentine is expected to hit limited theaters on December 31st.

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