Happy New Year and welcome to another year of your favorite films here at Monday Picks. This week’s feature to ring in the New Year is the 1972 Spanish horror classic Horror Express a.k.a. Panic on the Trans-Siberian Express. The film stars both Hammer Films greats Peter Cushing and Christopher Lee who battle an alien life form which has existed on Earth for millions of years.

The film opens in 1906 Manchuria where English naturalist and explorer Alexander Saxton (Lee) has discovered an ape-like creature that has been frozen for thousands of years. Convinced he has found the missing link, Saxton and his party crate up the fossil and prepare to transport the cargo by train to Moscow, Russia.

While in Shanghai, Saxton encounters his fellow Royal Society member Doctor Wells (Cushing) who also plans to board the train bound for Moscow. While under guard, Saxton’s crate is picked by a thief who turns up dead on the station platform, his eyes turned white. A crazed monk and spiritual advisor to a Polish Count believes Saxton’s cargo is unholy. Saxton dismisses the monk’s ranting as spiritual nonsense.

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This week’s pick goes behind the lines of World War II France with the 1967 release of Robert Aldrich’s The Dirty Dozen. The film stars the legendary Lee Marvin as Major John Reisman, an American OSS (pre C.I.A.) operative chosen by Allied command to recruit, train, and drop twelve convicted American military prisoners into France before the Normandy invasion to wipe out a chateau full of German brass. Aldrich adapts E.M. Nathanson’s novel to bring one of the 1960s most successful war movies to the screen.

The cast is a who’s who of some of Hollywood’s best talent. Ernest Borgnine (Maj. Gen. Worden), Charles Bronson (Joseph Wladislaw), Jim Brown (Robert T. Jefferson), John Cassavetes (Victor R. Franko), Richard Jaeckel (Sgt. Clyde Bowren), George Kennedy (Maj. Max Armbruster), Ralph Meeker (Capt. Stuart Kinder), Robert Ryan (Col. Everett Dasher Breed), Telly Savalas (Archer J. Maggott), Donald Sutherland (Vernon L. Pinkley), Clint Walker (Samson Posey), and Robert Webber (Brig. Gen. Denton).

Major Reisman is selected for this mission due to his illustrious reputation for behind the lines action, but he is also well known for exceeding his orders and showing borderline insubordination for his superiors. Both General Worden and Denton tell Reisman that the twelve men have a temporary stay of their sentences for the mission.

Reisman knows fully well that it’s a suicide mission and asks the Generals to reconsider and that the only way for these men to go along with such a deal, is to pardon them for their crimes and that they be returned to active duty at their former ranks. It’s a tough sell, but Gen. Worden agrees and Reisman has just a few short months to train these convicts and turn them into an elite commando unit.

Most of the twelve men are serving long prison sentences, but five (Franko, Jefferson, Maggott, Posey and Wladislaw) are to be hung for murder. Reisman sells the promise of amnesty to these five, because they are the ones with the most to lose. Reisman tells them all that they are dependent of one another and that if any try to escape, fail to add up, or quit, they will all be sent back to prison.

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Battle of the Bulge (1965) was an Anglo-American production directed by Ken Annakin (The Longest Day).  The film debuted at the Cinerama Dome Theater in Hollywood on December 16, 1965, which was the twenty first anniversary of when the battle began. Filmed in ultra Panavision 70mm, the film also boasts a cast which includes Dana Andrews (Col. Pritchard), Charles Bronson (Major Wolinski), Henry Fonda (Lt. col. Kiley), Robert Ryan (Gen. Grey), Telly Savalas (Sgt. Guffy), and Robert Shaw (Col. Hessler).

Even though the film was made with an expensive budget and tried to convey the essence of the battle and its effects on the beginning of the end of the war in Europe, the film failed to bring realism to the screen. Battle of the Bulge for me is a guilty pleasure film because it has a great cast, great battle sequences, and a great score, but the film does make me laugh at certain aspects for instance, trying to pass off the Spanish desert as the the snow covered wilderness of northern Europe, or passing off American Patton tanks painted grey like German Tiger Tanks. These were major gripes from veterans who were astounded that the filmmakers could overlook such important details.

That would be like trying to recreate George Washington’s famous crossing of the Delaware River to capture the Hessian garrison while doing so on landing craft. In those days, it was hard to film on actual battlefield locations, or try to acquire many armaments, so the production designers had to do whatever was necessary. In my opinion, they should have tried a little harder for realistic landscapes and suitable German tanks.

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Kelly’s Heroes is a war film that has all the great elements of an old fashion, rousing epic that keeps your attention all the way through. Set in the late summer of 1944 as the allies swept across occupied France, Kelly (played by the ever cool Clint Eastwood) and his squad of screwball infantry men find out that the Germans are holding over sixteen million dollars worth of gold bars in a bank thirty miles behind enemy lines.

Tired of the politics of infantry life and the gross inefficiency of their Captain, Kelly and the rest of the squad run by tough sergeant ‘Big Joe’ (Telly Savalas), cook up a scheme to go behind the lines with three M-4 Sherman tanks to rob the bank. As the movie poster states: “They set out to rob a bank and damn near won a war instead.”

With Kelly’s Heroes, Eastwood began his second collaboration with director Brian G. Hutton, who had directed him a year earlier in the highly successful Where Eagles Dare (1969) — a movie which solidified Eastwood’s status as a major box office star. What makes Kelly’s Heroes such an interesting film is the fact that it was made in 1970 as the U.S. was beginning to downsize its presence in Vietnam.

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