It was an interesting show for the Oscars this year.  From the “Kayne” moment to Sean Penn somewhat proudly proclaiming he’s not part of the Academy.  Sandra Bullock won an Oscar for Best Actress in a Leading Role (The Blind Side) the very same year she accepted a Razzie for Worst Actress (All About Steve).  And, of course, the gross upset of Avatar at the hands of The Hurt Locker.  With 41 million viewers, this year’s Oscars had something for everyone but, perhaps more interestingly, it best reflected the two sides of Hollywood which exist today.

How fitting to have two hosts on the one Oscar night that would truly exemplify both faces of Hollywood.  For so long many have seen Hollywood as one massive, film-making entity but that really isn’t the case.  Now more than ever there’s a division between what I’m calling (for the purposes of this article) “mainstream” Hollywood and “performance” Hollywood.  The names pretty much say it all.

Films in the mainstream category are all the summer blockbusters, tent pole movies studios rely on to turn a healthy profit year over year (e.g. Iron Man, The Dark Knight, Avatar).  In contrast you have the performance pictures, lesser known films with limited release and all too often far less money behind them (e.g. Slumdog Millionaire, No Country for Old Men, The Hurt Locker).  These are two very different types of films, each vying for the attention of movie goers.

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The Winners

Just call her the giant slayer. Kathryn Bigelow and her modest little Iraq War drama The Hurt Locker beat out the behemoth box office champ Avatar for best picture, best director, best original screenplay, best editing, best sound editing, and best sound mixing. Bigelow made history, becoming the first female ever to win the award for directing.

James Cameron and company (Avatar) left with a total of three trophies: best visual effects, best art direction and best cinematography. The cinematography award seemed a little odd. After all, most of this film was computer generated, wasn’t it?

There were no real surprises in the acting categories. Best supporting actress went to Mo’nique for Precious, best supporting actor Christoph Waltz for Inglourious Basterds, best actress was Sandra Bullock for The Blind Side, and Jeff Bridges finally won for Crazy Heart.

Up won best animated feature and best original score, while El Secreto do Sus Ojos (Argentina) won best foreign picture. The Cove won best documentary. For an expanded list of major category winners, scroll to the bottom of the article.

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The 82nd annual Academy Award nominations were announced this morning. This is the first year that the Best Picture category has been expanded to ten films. Here is a list of the major category nominees.

For a complete list of all nominees, visit the official site of the Oscars. The Awards take place on Sunday, March 7 at 8/5P on ABC.

Best Supporting Actress
Penelope Cruz, Nine
Vera Farmiga, Up in the Air
Maggie Gyllenhal, Crazy Heart
Anna Kendrick, Up in the Air
Mo’nique, Precious

Best Supporting Actor
Matt Damon, Invictus
Woody Harrelson, The Messenger
Christopher Plummer, The Last Station
Stanley Tucci, The Lovely Bones
Christoph Waltz, Inglourious Basterds

Best Actress
Sandra Bullock, The Blind Side
Helen Mirren, The Last Station
Carey Mulligan, An Education
Gabourey Sidibie, Precious
Meryl Streep, Julie and Julia

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The 67th annual Golden Globes awards took place last night, and Avatar walked away top honors of  Best Picture and Best Director, fueling speculation that it is gaining momentum going into the Oscar nomination race. Avatar and Crazy Heart picked up two awards each, but there were no lopsided wins this year.

Critical darling The Hurt Locker was shut out and went home empty handed.  The Hurt Locker has been cleaning up top honors at Critic Circle awards nationwide. Up in the Air was nominated for six awards, but only won for Best Screenplay.

Veteran actors Jeff Bridges and Meryl Streep won acting awards, and delivered particularly elegant and classy acceptance speeches.

On the television side, Dexter fared well, with John Lithgow and Michael C. Hall both winning acting awards.  HBO’s film Grey Gardens won two awards as well.  Mad Men won for Best Television Series, Drama and freshman series Glee won for best Television Series, Comedy or Musical.

A complete list of winners follows. Also, be sure to check out our photo gallery of all the winners after the jump.

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Seems that film studios received plenty of holiday cheer this past holiday weekend. Audiences flocked to a myriad of movies, which resulted in the highest grossing domestic box office on record. When the dust had cleared, a massive $278 Million had been earned at the box office, which bested the previous record ($260.8 Million) set by The Dark Knight opening weekend in July 2008. The top three films alone grossed over $190 Million, an astonishing number.

Avatar has many prognosticators eating crow, as it dropped only a few percentage points from its opening total and made about $75 Million, earning a solid first place finish. Its 10 day total now stands at $212 Million, and worldwide, the film has made over $617 Million! At this point, there is little question it will earn its purported $300-$500 Million budget back.  After months of speculation, Fox studio heads can finally exhale a sigh of relief.

Guy Ritchie’s Sherlock Holmes also fared well, and made over $65 Million its opening weekend. Robert Downey Jr. continues to prove he is a major box office draw. Fox also saw Alvin and the Chipmunks: The Squeakquel place in the top three with $50 Million. The adult comedy Its Complicated earned a respectable $22 Million on just under 2,900 screens.

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As expected, James Cameron’s epic 3-D adventure Avatar easily won the weekend with over $73 Million. That’s nothing to sneeze at, but it is hardly the type of money that studio dreams are made of. Take into account that the number is slightly inflated because IMAX tickets cost more than regular tickets, and you come out with a good, but not great, weekend.  The movie didn’t break any records, and came in under many projections.

There is some conjecture that a winter storm that blanketed the East coast might have had a deleterious affect on ticket sales.  Worldwide, the film fared better, and hauled in over $232 Million. The film is enjoying great word of mouth, and received a solid “A” cinemascore  .

Other than that, the weekend before Christmas was silent.  Disney’s holdover The Princess and the Frog dropped 50%, and managed an okay $12 Million, and yep, there was the ever reliable The Blind Side in the number three spot.

Audiences did not want to hear about the Morgans, so the Hugh Grant/Sarah Jessica vehicle Did You Hear About The Morgans? limped in at $7 Million.  The Twilight Saga: New Moon rounded out the top five.

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Overall, it was a pretty quiet weekend at the box office for Hollywood. Invictus and The Princess and the Frog were new releases vying for the top spot, and Disney’s Princess easily won. Princess made about $25 Million on 3400+ screens.  This is good news for fans of hand drawn animation, as this is the first time Disney returned to the method since 2004, when Home on the Range was released.

It’s been all computer generated ever since. I haven’t seen Princess, but people I’ve talked to really liked the look of the movie, and said it looked like the older Disney movies. The Blind Side also continues to impress, and came in at number two with $15.4 Million.

In its fourth week of release, it only dropped 22% from last week. It now has a domestic gross of over $150 Million. With a budget of around $30M, this movie is shaping up to be one of the biggest hits this year.

Invictus made a paltry $9 Million over the weekend. Considering the star power (Matt Damon, Morgan Freeman) and the director (Clint Eastwood), I think everyone expected this movie to perform better. Critical and audience feedback has been positive, so perhaps it will pick up a bit.

The Twilight Saga: New Moon placed fourth, with about $8 Million, bringing its domestic total to over $267 Million. In fifth place, A Christmas Carol only dropped 11% from last weekend, and made about $6.8 Milion. Now in its sixth week of release, the movie continues to perform , but it has not yet recouped its budget of $200 Million.

Holdovers Brothers, 2012, Old Dogs, Armored, and Ninja Assasin rounded out the top ten. Outside of the top ten, Up In The Air also did very well, making $2.4 Million on only 72 screens for an average of $34,000 per screen. The film will roll out more theaters next weekend.

The Blind Side pulled off a pretty nifty feat this weekend. After three weeks in wide release, it finally nabbed the top spot at the weekend box office, making about $20 Million and standing at about a $129 Million cumulative total. It is on track to become the highest grossing movie of Sandra Bullock’s career.

In second place, New Moon looks like it is finally cooling off a bit. In its third week, the movie made about $15.7 Million, and dropped another 63% (after a steep drop off of 70% last week.) Domestically, it crossed the $250 Million mark.

Newcomer Brothers made a modest $9.7 Million. Starring Natalie Portman, Jake Gyllenhal, and Tobey Maguire, I thought the movie about an Iraq War veteran returning home would fare better. Holdover A Christmas Carol hung in for the number four spot, and made an additional $7.2 Million.  Its cumulative take now stands at about $115 Million. Old Dogs managed to land the fifth spot in the top  five.

Star-laden Everybody’s Fine (Robert De Niro, Sam Rockwell, Drew Barrymore, and Kate Beckinsdale star) failed to find an audience, and brought in an anemic $4 Million. George Clooney’s critically hailed Up In The Air only played on 15 screens. but made over $1.1 Million, for an impressive $79,000 per screen average.

As far as I know, Paramount is testing the waters for this film, and they should be pleased with the weekend performance. Hopefully they will go ahead and open wide now rather than roll it out slowly. Overall, it was a soft weekend, which is typical of the after-Thanksgiving weekend box office.

This week we will be looking at the weekend box office as well as the 5-day holiday, which includes totals for Wednesday through Sunday. There were some interesting developments regarding the international box office scene as well, so this will be a jumbo sized report. New releases barely made a blip, it was the holdovers that led this weekend to the highest grossing Thanksgiving weekend ever.

The Twilight Saga:  New Moon continued to dominate on the domestic and international side. Playing on over 4,000 screens, it grossed $42.5 Million domestically. Over the five day stretch, it grossed $66 Million. No matter your thoughts on the movie, you have to admit we are witnessing a cultural phenomenon unfold in real-time.  Its domestic cumulative take for 10 days now stands at $230.7 Million.

Nipping at the heels of New Moon was The Blind Side. The movie grossed $40.1 Million for the weekend, and $57.5 Million for the five day, with that weekend total being higher than its opening weekend total of $34 Million. Wide releases rarely see an increase in ticket sales from one weekend to the next so this is unusual. This movie is getting exceptionally positive word of mouth, which is bringing more people into the theaters — a topic we discussed on the most recent edition of The Flickcast podcast.

The Blind Side drove over the $100 Million mark as well. Not too shabby for a family friendly film made for around $30 Million. I’m also starting to hear the “O” word casually mentioned regarding this film, as in Oscar. Sandra Bullock seems to be edging her way into consideration for best actress.

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Last week I mentally predicted that New Moon would come in around the $80 Million mark. Obviously, there is a reason that I am not in the business of box office predictions. New Moon grossed over $140 Million during its opening weekend, and broke a few records along the way. Fangirls (and a few fanboys) showed that they are an emerging force to be reckoned with, as New Moon ($72.7 Million) broke the opening day record previously held by The Dark Knight ($67.2 Million.)

According to Entertainment Weekly, over 80% of the ticket sales were from women, a truly rare occurrence. Although the film was critically drummed, (currently 29% on Rotten Tomatoes) audiences gave it an A- cinemascore, indicating that they were very happy with the film. The film opened on a massive 4,000+ screens, and averaged over $34,900 per screen. There was a drop off from Friday to Saturday of about 40%.

Also of note: New Moon now has the 3rd biggest opening weekend ever behind The Dark Knight and Spiderman 3. Its midnight screening averages on Friday morning garnered over $26M, setting a new record for that. The world box office take was over $258 Million. Director Chris Weitz must feel vindicated after the disastrous box office performance of The Golden Compass, his last directorial effort.

Early estimates show that The Blind Side had an opening weekend gross of $34.5 Million, which is nothing to sneeze at. This marks the best opening ever for Sandra Bullock, just behind last summer’s The Proposal. The film also got a remarkable A+ cinemascore, which means it will start getting some seriously good word of mouth. Expect it to remain in the top ten for a long time.

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