For all the hit and miss of DC’s theatrical features in the last decade, their animated features have been mostly top-notch. The wealth of quality has evolved from the team that brought us the classic DC animated shows of the ’90s and early 2000’s.

No doubt to capitalize on the recent Batman movie the next direct to DVD animated feature is a two-part adaptation of the seminal Bat-tale, The Dark Knight Returns. There is little doubt that the film will be a visual marvel, Frank Miller’s work translates very well to moving images, but we have yet to see anything real to give us a sense of how it ‘feels’. Until Now.

MTV has debuted the first real trailer for part 1 of the animated epic, and for the uninitiated lets start with the synopsis:

Batman has not been seen for ten years. A new breed of criminal ravages Gotham City, forcing 55-year-old Bruce Wayne back into the cape and cowl. But, does he still have what it takes to fight crime in a new era?

What is interesting is how the trailer seems to emphasis the elements of the story that parallel the recent Christopher Nolan movie, and it kinda reminds us how much Nolan has been pulling from Miller’s work for his whole franchise. Which does kind of put a kibosh on the wild fan-boy theories that Nolan and Bale will return in twenty years to actually make a live action The Dark Knight Returns, it would be treading on some very familiar ground.

Check out the full new trailer after the jump.

E.T. is a film that was massively influential in its time. In the early 80’s this film transcended genres to become one of the most beloved movie experiences of a generation. It still resonates today as an important coming of age tale for all ages.

This year is the 30th anniversary of the original release of this classic tale, and Universal decided now would be the perfect time to finally bring one of Spielberg’s most beloved masterpieces to the world of High Definition.

The anniversary edition is centered around the original theatrical version of the movie, which means those menacing guns will be intact. It is good to see Spielberg reconsider some of his Lucas-esque mistakes during the 20th anniversary window. That said, because leaving anything out on a Blu-Ray seems rather silly, you can still see the added scenes from 2002 in deleted scene format.

The Blu-Ray will be hitting store shelves on October 9th, and will include the Blu-Ray disc, a DVD and an ultra-violet digital copy. You can check out the full list of features for the upcoming Blu-Ray release after the jump.

This week’s pick is the 1979 Roger Corman cult classic Rock ‘N’ Roll High School which features the legendary NYC punk rock band The Ramones in their first ever feature film. Corman alumni Allan Arkush who began his career with Roger Corman’s New World Pictures in the mid 1970s directed the film. Corman’s company helped launch numerous careers for many directors like Joe Dante, Martin Scorsese, Francis Ford Coppola, Peter Bogdanovitch, Jonathan Demme, Ron Howard and the Zucker brothers.

P.J. Soles stars as Riff Randall, a rebellious teenager who challenges the authority of Vince Lombardi High School’s newest principle, Evelyn Togar (Mary Woronov) who rules over the school with an overwhelming hatred of rock ‘n’ roll music and will stop at nothing to keep it from disrupting the students. When Riff learns that The Ramones are coming to town to play a concert, she plans to get backstage and deliver to Joey Ramone a song she wrote titled “Rock ‘N’ Roll High School”.

Soon after learning that many of the school’s students will be attending the concert, principal Togar confiscates Riff and her best friend Kate’s tickets thwarting any attempt Riff has at getting her song to The Ramones. At the same time, High school jock Tom Roberts (played by tennis player turned actor Vince Van Patten) hires the school’s business guru Eaglebauer (Clint Howard) to be his dating consultant in an attempt to get a date with Riff Randall.

Jaws (1975) is the first summer blockbuster and is considered by critics and fans alike as one of the greatest films ever made. After success with the TV thriller Duel (1972) and his first theatrical release of The Sugarland Express (1974), director Steven Spielberg set out to adapt Peter Benchley’s novel about a Great White shark which terrorizes a small New England beach community. The screenplay was co-written by Benchley, actor-writer Carl Gottlieb (M*A*S*H*), and an un-credited John Milius who helped with some of the film’s most memorable dialogue like “You’re gonna need a bigger boat” and the legendary U.S.S. Indianapolis speech.

The film opens with one of the greatest sequences ever shot. A young woman leaves a bonfire beach gathering to go skinny-dipping in the ocean while being chased by an inebriated young man. The young man ends up passing out in the surf while the woman swims out to the middle of the channel. An underwater low angle shot represents the point of view of the shark as it begins to stalk its prey. John William’s haunting score builds as the young woman is thrashed around and is pulled under by the shark. This scene did to ocean night swimming, what Psycho (1960) did for women’s showering.

This week’s pick is Death Wish (1974) which stars Charles Bronson as a vigilante who cleans up the seedy streets of New York in this classic tale of revenge. The film was based on the novel written by Brian Garfield and boasts a great score from famed musician Herbie Hancock.

Bronson stars as Paul Kersey an architect whose family is brutally attacked by vicious hoodlums. His wife is murdered and his daughter is raped and left for dead in their own apartment. Without any leads and the inability of his daughter to make a positive ID due to her catatonic state, the police are powerless to do anything. Paul is devastated and begins to adopt a new sense of self-preservation.

The film takes a while to build up momentum but when it does, it really gets going. Trying to put the incident behind him and get on with his life and his work, Paul is sent to Arizona by his boss to oversee a new land development deal. Paul arrives in Tucson, Arizona and is met by Ames Jainchill (Stuart Margolin) who shows Paul the land where he wants to develop property. After witnessing a mock gunfight at an old movie set in Tucson, Ames takes Paul to a gun club where Ames is impressed with Paul’s deadeye shooting.

In honor of Memorial Day and to all our members of the Armed Forces past and present, this week’s War Movie Monday pick is the MGM World War II classic Thirty Seconds Over Tokyo (1944) which depicts the exploits of the Doolittle Raiders who bombed Japan just four months after Pearl Harbor. The film stars Van Johnson (Lieutenant Ted Lawson), Robert Walker (Corporal David Thatcher), Robert Mitchum (Lt. Bob Gray) and Spencer Tracy as Lt. Col. James Doolittle.

The film opens in February 1942 just two months after the attack on Pearl Harbor. The United States and its allies have met a series of crushing defeats against the Japanese in Malaya, Indo China, and the Philippines. The Japanese blitzkrieg across the Far East seems almost impossible to stop.

Director Walter Hill’s The Warriors (1979) is a contemporary urban drama with all the traits of a western. Hill adapted the screenplay from the novel written by Sol Yurick in 1965. The film follows a group of nine gang members from Coney Island who trek up to the Bronx where thousands of other rival gang members have gathered for a summit held by a man known as Cyrus, the head of the most powerful gang in the city who plans to unite all the New York City gangs together as a crime syndicate.

The opening of the film is a series of montages that follow the Warriors as they take numerous subways from Coney Island to the Bronx. Other gangs are also shown as they too make their way to the meeting. Once the Warriors arrive at Van Cortlandt Park, the Warriors make their way to the front where Cyrus delivers a speech where he plans to unite all the gangs in an attempt to control New York. Cyrus demands that all the gangs put aside their differences and secure each city borough, and then create a collective organization that can battle not only the police, but the mafia as well.

Samuel Fuller’s The Steel Helmet (1951) is one of the most honest, unflinching, in your face war films ever made. Set during the opening stages of the Korean War, the film follows a small squad of Americans who face off against an unseen enemy. Gene Evans makes his big screen debut as Sergeant Zack, a World War II veteran who finds himself in a new kind of war.

The film opens with a tight close-up shot of a steel helmet that has been punctured by a bullet. It’s shortly revealed to be Sgt. Zack who is the lone survivor of an enemy attack that has massacred his outfit. With his hands bound behind his back, Zack tries to free himself. A young South Korean boy (William Chun) comes to Zack’s aid and frees him. The boy is nicknamed “Short Round” by Zack who allows the kid to tag along with him until he can find another American outfit to join up with.

As Zack and Short Round are making their way through a wooded area Zack hears a noise and tells Short Round to “Eat rice”. They’ve come across another American, a medic who is also a survivor from an enemy attack. Corporal Thompson (James Edwards) joins up with Zack and Short Round. It is also revealed that Thompson is a World War II vet and his experiences during the last war mirror that of Fuller’s own combat diaries with the First Infantry Division.

Shortly after, Zack and the others encounter an American patrol led by the green, inexperienced Lt. Driscoll (Steve Brodie) who commands the quintessential, stereotypical squad from most war films. Fuller handpicked most of the actors that represented the different types of service men who were serving in Korea.

In salute of this weekend’s debut of Marvel Comic’s The Avengers, it’s time to rediscover another Marvel character who’s had three different film versions and hopefully one of these days, they’ll get it right. Dolph Lundgren stars in the first adaptation of The Punisher (1989).

The Punisher was always my favorite Marvel character because he didn’t have superhuman strength, he couldn’t shoot webs out of his wrists, or defeat evildoers with a metal alloy suit; he was nothing more than a badass vigilante who went out and wasted criminal scumbags left and right. He was one of the darkest characters that ever came out of the Marvel universe. So with this first film version, the writers decided to take some extra crappy liberties and change the story around.

In the comics, Captain Frank Castle was a decorated U.S. Marine whose family was killed by gangsters. Broken, disillusioned by the corrupt justice system, Castle decided to take the law into his own hands and became the Punisher who over the years forged some uneasy alliances with other Marvel heroes like Spiderman, Daredevil, and many others.

Albeit a Sci-Fi classic, The War of the Worlds (1953) is a multi genre film. Based on H.G. Well’s classic novel about a Martian invasion of Earth, the film represents America’s fear of Bolshevik communism in the 1950s. The film opens with a narration sequence which tells the audience why the Martians began looking across the vast sea of space looking for a new world in order to colonize. Of all the planets that were examined by the Martians, Earth was the only suitable planet for their needs.

Screenwriter Barre Lyndon substitutes Well’s England for southern California where the opening stages of the invasion begin. Dr. Clayton Forrester (Gene Barry) is a scientist who is called in to examine a meteorite that has made an unusual landing in the hills outside a small town. At the crash site, he meets a young woman who is familiar with his work. Sylvia Van Buren (Ann Robinson) and her pastor uncle invite Dr. Forester to stay with them for the time being while the meteorite cools off and can be examined.

Keeping an eye on the meteorite and insuring that it doesn’t start any more fires, three men discover that the meteorite is in fact a Martian ship that emerges from the crash site. The three men are quickly vaporized from the heat ray of the Martian war machine.