It’s that time again. Time for a brand new episode of The Flickcast. This week we’re doing our “Being Thankful” episode just in time for the Monday following Thanksgiving.

Better late than never, right? Plus, it is Cyber Monday, after all. So . . . On this week’s episode Chris and Joe talk about, you guessed it, what they’re thankful for this year and in general. Naturally, the talk turns to various films, television and pop culture and, sadly, spills over onto COVID a bit too. What did you expect?

So of these non-covid topics include Star Wars, Star Trek, The Mandalorian, Netflix movies and series such as Enola Holmes and The Queen’s Gambit and lots of music and more. And, of course the usual even more.

It’s a packed episode chock full of thankful goodness and positive positivity. Hope you enjoy it.

Thanks for listening.

WARNING: This episode may contain discussions about COVID-19, mental health and quarantine. We understand not everyone is in a place to talk about or hear discussions surrounding these issues. Please do what’s best for you. Stay safe everyone.

As always, if you have comments, questions, critiques, offers of sponsorship or whatever, feel free to hit us up in the comments, on Twitter, Instagram or, yes, even Facebook. Or shoot us an email. We don’t mind.

Photo: Lucasfilm/TOR.com

Opening and end music by Kevin MacLeod under Creative Commons License

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This week’s episode is another Deep Dive where we go, well, deep into the body of work and life of a particular creator. This week’s subject is Director and Producer Ridley Scott. whose career has been quite interesting, to say the least. 

His somewhat eclectic roster of films including Alien, Blade Runner, Legend, Back Hawk Down, Thelma and Louise, Gladiator and The Martian demonstrate his keen sense of style and storytelling prowess. His films have been lauded as groundbreaking and stylistically influential to a generation of filmmakers that followed. He’s also won numbers awards, including the Academy Award for Best Picture for Gladiator. In short, he’s pretty badass. 

As with our previous Deep Dive, this episode was recorded and released first for our Patrons, but now we want all of you to hear it too. It’s just that good. 

If we’re being totally honest (which we try to be), we weren’t going to release this episode this week, but due to unforeseen circumstances, here it is. It’s better this way, really, the actual episode we were going to do for this week would probably have been shit. So, consider yourselves lucky.

Thanks for listening!

WARNING: This episode may contain discussions about COVID-19, mental health and quarantine. We understand not everyone is in a place to talk about or hear discussions surrounding these issues. Please do what’s best for you. Stay safe everyone.

As always, if you have comments, questions, critiques, offers of sponsorship or whatever, feel free to hit us up in the comments, on Twitter, Instagram or, yes, even Facebook. Or shoot us an email. We don’t mind.

Photo: 20th Century Fox/Alamy Photo/Screen Prod

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It’s a brand new episode of The Flickcast and on this one Chris and Joe move into a different dimension: time. That’s right, time. As in they go back in time . . . back to the beginning.

If you’ve ever wondered how it all started and what shaped and created our intrepid hosts, then you’re in for a treat. This is that story.

But don’t worry. There’s no radioactive spiders, fleeing far away planets right before they explode or parents being killed in an alley next to a movie theater. And absolutely no pearl necklaces falling to the ground in excruciating slo-mo. Not this time, anyway.

Instead, the boys take it all the way back and talk about the things that made them they way they are today. Movies, television, music, games, comics and many of the other influences that shaped their impressionable young minds. In other words: This is their origin story.

It’s pretty epic. Thanks for listening.

WARNING: This episode may contain discussions about COVID-19, mental health and quarantine. We understand not everyone is in a place to talk about or hear discussions surrounding these issues. Please do what’s best for you. Stay safe everyone.

As always, if you have comments, questions, critiques, offers of sponsorship or whatever, feel free to hit us up in the comments, on Twitter, Instagram or, yes, even Facebook. Or shoot us an email. We don’t mind.

Photo: NBC/Universal

Opening and end music by Kevin MacLeod under Creative Commons License

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On this episode Chris and Joe move on from development hell into the virtual Hell-on-Earth often created by visionary director David Lynch. This is the first of a new series where the boys go deep into the work and career of a specific artist and discuss their style, technique and what makes their work resonate with audiences.

Lynch’s films and television achievements include Eraserhead, Dune, Blue Velvet, Mulholland Drive and the groundbreaking television series Twin Peaks. All of these, and the rest of his work, are characterized by stunning visuals, complex characters, outrageous situations and often stark brutality. He’s been praised as a genius visionary by fans and critics alike and he’s won numerous awards.

His work has been discussed and studied for years with the director himself offering rare information as to what his work means and why he’s presented it the way he has. So what does it all mean, really? Chris and Joe think they’re up to the challenge of explaining it all so, in this first in a series of Deep Dives, they wade in on the films, television and career of David Lynch.

It’s pretty great. Thanks for listening.

WARNING: This episode may contain discussions about COVID-19, mental health and quarantine. We understand not everyone is in a place to talk about or hear discussions surrounding these issues. Please do what’s best for you. Stay safe everyone.

As always, if you have comments, questions, critiques, offers of sponsorship or whatever, feel free to hit us up in the comments, on Twitter, Instagram or, yes, even Facebook. Or shoot us an email. We don’t mind.

Photo: Bloody Disgusting/Brad Miska

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On this episode Chris and Joe move on from Horror and Halloween into a hell of a different kind: development. That’s right, this week the boys go deep into the filmmaking process and discuss how the sausage is made. In fact, they even talk about what’s inside the sausage before it gets stuffed into those tasty tubes.

Damn, now we want sausage. Or donuts. That metaphor works too. Anyway, this week’s episode gets into all the aspects of filmmaking including the development and pre-production process, production and a bit about post and distribution as well.

Believe us, it’s way more interesting than it sounds. No, really. And yes, they also discuss a lot, well, you know, more. It’s another great episode. Thanks for listening.

WARNING: This episode contains discussions about COVID-19, mental health and quarantine. We understand not everyone is in a place to talk about or hear discussions surrounding these issues. Please do what’s best for you. Stay safe everyone.

As always, if you have comments, questions, critiques, offers of sponsorship or whatever, feel free to hit us up in the comments, on Twitter, Instagram or, yes, even Facebook. Or shoot us an email. We don’t mind.

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