Welcome to another edition of The Pull List Comic Reviews! This week Jonah Hex takes top billing, a couple more Blackest Night mini-series debuts and a slew of over-sized annuals and one-shots invade your pull list. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Jonah Hex #50
DC Comics – $3.99 US
Writers: Justin Gray, Jimmy Palmiotti
Artist: Darwyn Cooke
Score: 9.5

The landmark 50th issue of Jonah Hex hits the stands, featuring a done-in-one tale of the scarred bounty hunter’s latest task: to locate and dispose of 50 various bad guys. The cost of victory, however, may prove to be too much to bear…

Jonah Hex is no stranger to violence. We’ve been exposed to his brand of “justice” for decades now, so it’s very easy to forget that, under all of that hatred, this killing machine does have a heart. Thankfully, writing team Justin Gray and Jimmy Palmiotti weave a story that is sure to please the loyal Hex fans with plenty of merciless vengeance, while injecting a tragedy that goes to great lengths to humanize the central character.

Darwyn Cooke handles the art chores on this commemorative issue, further cementing how incredible a read this was. Gorgeous pencils accompany the artist’s usual cinematic flair, with numerous examples of how to kill a man mixed in with a few touching moments, and a final page that speaks volumes without the aid of dialogue. With the holidays around the corner, I’d gladly accept this final page in all of its original glory as a nifty Christmas gift.

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Welcome to another edition of The Pull List Comic Reviews! This week, the Blackest Night event takes center stage, Bendis and Oeming make a triumphant comeback and Archie gets married (again). As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Blackest Night #5 [of 8]
DC Comics – $3.99 US
Writer: Geoff Johns
Artist: Ivan Reis
Score: 9.0

The mastermind behind the dead rising stands revealed as the Blackest Night prophecy inches towards becoming true, but will the unified heroes of the world have enough to stop it? Not if a late dinner guest bearing gifts has anything to say about it.

Geoff Johns welcomes you all to hell. How could he not? In the thirty plus years that I’ve been reading comics, I can’t remember a time when things looked so grim in a story thanks to this issue. The big guns of the Justice League arrive in time to assist the Flashes – Barry Allen and Wally West – in confronting Nekron as the Black Lanterns’ power battery reaches full charge. Fast forward to the end of the issue and only two heroes remain standing while the rest are chomping at the bit, dying to feast on some good, old fashioned heart muscle. And this is only the fifth issue in an eight-issue series?!? Wow.

Johns, along with artist Ivan Reis, are obviously toying with us and giggling madly along the way. The re-emergence of “Bruce Wayne” – his name was in quotations in the issue as well – signaled that the next phase was about to begin, but what he did to heroes like Superman, Wonder Woman, Green Arrow, etc I don’t think anyone saw coming, characters and readers alike. The sixth issue cannot get here fast enough, if you ask me.

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Welcome to another edition of The Pull List Comic Reviews! An incredibly solid week as we’ve got three Blackest Night tie-ins, some speedster action and a particularly “horrible” tale, but only one issue each week tops the “list.” Be sure to let us know what you thought of these issues, we’re always interested to hear from you, the readers. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Dark Reign: The List – Amazing Spider-Man One-Shot – Marvel Comics – $3.99 US
Writer: Dan Slott
Artist: Adam Kubert
Score: 9.5

Norman Osborn made a list and he’s checking it more than twice as certain thorns in his side have gotten his full attention. Everyone from the X-Men to the Avengers have had to deal with him, and by now you’ve heard of how the Punisher went to pieces over his clash with the H.A.M.M.E.R. Director, so how will Spider-Man do? Hint: Spidey doesn’t win this one.

I’ll start with Dan Slott’s writing in this issue, and simply state that he crushed it. There’s no other way to say it, really. Sure, an argument could be made that Spidey should have done something by now, especially considering his history with Stormin’ Norman. Put that aside, if you ever wanted to see Peter Parker triumph at anything – he’s had a ridiculously long losing streak since “Brand New Day” – then this is the issue for you.

It’s been a few months since artist Adam Kubert penciled some pages, but with that amount of lead-time you knew this issue would be stunning. He failed to disappoint. Crammed with gorgeous visuals, the entire one-shot was a treat, even when the action had decidedly died down for the last act. One look at the very first page is all you need to know in regards to how good the art is.

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Welcome to another edition of The Pull List Comic Reviews! We’ve got a lot off good issues to get through, so let’s get to it. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

S.W.O.R.D. #1 – Marvel Comics – $3.99 US
Writer: Kieron Gillen
Artists: Steven Sanders, Jamie McKelvie
Score: 9.0

Spinning out of Joss Whedon and John Cassaday’s seminal Astonishing X-Men run, S.W.O.R.D. is the new title focusing on the organization entrusted to ensure that alien invasions are kept to a minimum. The Sentient World Observation and Response Department’s co-commander, Abigail Brand, has enough on her plate as it is, but having Henry Peter Gyrich – yes, THAT guy – as your co-commander simply can’t be a good thing.

After making a name for himself with the critically acclaimed Phonogram series, Marvel thought that writer Kieron Gillen would be able to handle the launch of a new, ongoing series that has a lot of ties to it, and boy were they right. The juggling parallels between what Agent Brand must endure and the various plot threads that Gillen must keep going wasn’t lost on me; in fact, I’d say it only added to the story’s flow. Imagine Men In Black done up right.

So new that he could be considered a rookie, artist Steven Sanders is anything but. Sharp, clean pencils fill this issue from cover to cover, and while his interpretation of how Beast looks takes a little getting used to, ultimately it’s nit picking on an otherwise near-perfect comic. His rendition of Gyrich, especially, should be noted, as the character has never looked more dick-ish.

About as entertaining as an issue can be, this first issue manages to draw you in with quirky moments – Beast’s lovesick commentary, Lockheed’s binge drinking – and stunning revelations – hello, Kitty! – made this an incredibly easy selection for our Pull of the Week.

OTHER PULLS:

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Welcome to The Pull List Comic Reviews! First off, a huge thanks to John Carle for covering the column last week, he did a fantastic job. Make sure you check out The Flickcast’s podcast this week where he was also a guest-host! The dude’s everywhere. Okay, on with the comics. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Lobo: Highway to Hell #1 (of 2) – DC Comics – $6.99 US
Writer: Scott Ian Artist: Sam Keith
Score: 8.5

You’re sitting there, asking yourself “How in all that is holy is Lobo: Highway to Hell the Pull of the Week?” Believe me, I’m asking myself that very same question. You see I’ve never dug Lobo. I’ve read a good chunk of his various issues over the years and I’ve never seen the attraction to the character, but seeing as variety is the spice of life, I figured I’d give this a shot. The premise sounded interesting enough…

Lobo’s chillin’ at home when he receives a message – in the form of slain dolphins – from the big bad himself: the Devil. Even though the Main Man has been banished from Hell for quite awhile now, he figures it’s time to go on a road trip and pay a not-so-friendly visit to his old pal, Beelzebub. Along the way everyone’s favorite Czarnian runs into more violence, mayhem, booze and floozy “women” than he can shake a stick at, but what happens when he finally comes face to face with the cutest evil… waitaminute… CUTE?!?

He hasn’t had a starring role since 2007’s Batman/Lobo: Deadly Serious, so when DC Comics dusted the mothballs off of the character, they decided to get a fresh take on him. Enter Scott Ian, the guitarist for the band Anthrax. Ian’s first foray into comic writing is pretty decent, but it’s how he handles the title character that blew me away. There was just enough here to add weight to the usual aloofness that the character normally projects, which clicked beautifully. While the big payoff will be next issue’s finale, so far this has been a very enjoyable ride.

The Maxx creator Sam Keith, who had both writing and artistic duties on the aforementioned 2007 mini-series, makes his return to the character. Bringing his distinctive style that is every bit as manic as Lobo is, the art looks great, even while juggling different levels of detail throughout the issue. From what I could tell, the creative team looked like they catered to each other’s strengths, culminating in a fun romp that became our Pull of the Week.

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Everything’s coming up Marvel this week as John Carle returns with his special edition of The Pull List. Sal Loria is back next week so be sure and check in then, and every week, for brand new installments of The Pull List Comic Reviews. – Ed.

Pull Of the Week

X-Factor #50 – Marvel – $3.99
Writer: Peter David Artist: Valentine De Landro
Score: 8.5

X-Factor #50 is the issue where everything finally comes full circle for the events of this entire volume of X-Factor. Ever since the House of M, Layla Miller has been a question mark in the Marvel U. Is her mutant power really that she just “knows stuff”? This issue finally answers the question as Peter David concludes his story arc revolving around Jamie and Layla eighty years in the future dealing with the Summers Rebellion against a corrupt man trying to destroy all mutants using the technology of Doctor Doom and employing a corrupted dupe of Multiple Man who had been misplaced in time during the “Messiah Complex”.

How Peter David did it definitely took some planning as all of the events that spun out of the House of M and created Layla Miller tied up perfectly in this issue and how it happened is something this reviewer never would have guessed when the series first launched with X-Factor #1.

The issue also ends with a short story where X-Factor Investigations picks up a case in New York after finally deciding to leave Detroit. Their first case which will be tackled in the renumbered X-Factor #200 next month is given to them by Franklin and Valeria Richards, children of Mr. Fantastic and the Invisible Woman, the latter of which has gone missing.

It is certainly an interesting coincidence that Marvel let X-Factor hit issue #50 before letting the next milestone number of issue #200 happen in next month’s renumbering the same way they did with Captain America #50 and Captain America #600. But much like Cap issues #50 and #600 were great issues, X-Factor is already going gangbusters so we can let it slide this time.

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Welcome to The Pull List Comic Reviews! It was a great week for comics as every issue got a really good score, including a surprising (for me, anyway) Pull of the Week. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Sugarshock – Dark Horse Comics – $3.50 US
Writer: Joss Whedon Artist: Fábio Moon
Score: 9.5

Being the lead singer and guitarist of a band can require quite the juggling act, but what if one of those tasks involved saving the Earth? Luckily for us Earthlings, Dandelion has it all under control… somewhat. You see, her band, Sugarshock, has been requested in a battle of the bands, except there are no bands, and they’ll be battling to the death with the planet’s future on the line. Will they save the day or fall between the cracks into obscurity, or worse?

This isn’t your ordinary band, however. The drummer goes by Wade, who also happens to be an alien princess who looks human and can’t say “no” to groupies. Her “mystically enhanced bodyguard,” L’lihdra, doubles as the band’s other guitarist and the bassist is Robot Phil, which pretty much says it all. If there ever was a more rag-tag team of misfits, I’ve yet to see it.

I don’t know where to even begin with this issue. Originally appearing on MySpace’s Dark Horse Presents anthology in 2007, the three-part story is collected here along with Fábio Moon’s sketchbook and Editor Scott Allie’s notations, making for a nice, complete package. In other words, this is as close to perfect as I’ve seen since I started writing the Pull List Comic Reviews. Joss Whedon, who has always had a firm grip on female leads, inflects his usual witty banter but ups it to a whole new level. His characters are, in some cases, out of this world, and you can’t help but fall in love with every single one of them.

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Welcome to The Pull List Comic Reviews! Get comfy as a few titles elected to go with short stories this week, meaning we’ve got a lot to cover. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Deadpool #900 – Marvel Comics – $4.99 US
Writers: Jason Aaron, Fred Van Lente, Mike Benson, Joe Kelly, Duane Swierczynski, Victor Gischler, Charlie Huston Artists: Chris Staggs, Dalibor Talajic, Damion Scott, Rob Liefeld, Shawn Crystal, Sanford Greene, Kyle Baker
Score: 9.0

Has there been a hotter commodity in recent times than Deadpool? Hard to argue, but looking back you’ll find that the first issue of this title was launched last year amid much fanfare. Fast-forward twelve months and the character has starred in a one-shot (Deadpool: Games of Death), a mini-series (Deadpool: Suicide Kings), a second ongoing series (Deadpool: Merc With a Mouth) and an upcoming third ongoing (Deadpool Team-Up). What better way to hammer home his arrival in the spotlight – yeah, there was a Marvel Spotlight issue, too – than to give him a #900 issue, a first for comics?

The line-up of creators that contributed to this issue is ridiculous, so it’s no surprise that these seven short stories completely shine in their own right. Not a single dud in the mix. How could there be? He fights mimes in one short while staging a Vegas CSI scene in another, both with cataclysmic results. He gets abducted by aliens (poor aliens!) and spends quality time with his shrink (poor shrink!). He even puts the blinders on as he aims to collect on a childhood bet! Obviously, there’s no limits where ‘Pool is concerned.

Fourth walls be damned, in one memorable short he has a philosophical debate with his other inner-voices to determine which came first, the chicken or the egg. Accompanied by Kyle Baker’s visually trippy art, said short doesn’t end well for one reader, and bodes nothing but ill tidings to the rest of the readers out there, yourself included. But fear not as Deadpool embarks on a vacation cruise, systematically infuriating the entire crew and guests, and ultimately settling his differences with a fierce battle against Doc Ock… in ping pong.

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Welcome to the new The Pull List Comic Reviews! We’ve expanded our weekly offering of comic reviews to a whopping 10 issues each week, so kick back, enjoy and let us know what caught your eye this week! Also, the prerequisite WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Daredevil #501 – Marvel Comics – $2.99 US
Writer: Andy Diggle Artist: Roberto De La Torre
Score: 9.5

Following the events of Daredevil #500 and the Dark Reign – The List: Daredevil one-shot, Matt Murdock is now in control of The Hand. But what he doesn’t know is that other players are moving their chess pieces into position, and Matt doesn’t like surprises. Meanwhile, Foggy and Dakota try to figure out what Matt’s up to over a box of doughnuts.

Writer Andy Diggle has really amped up the playing field for Daredevil and his little corner of the Marvel Universe, so much so that you might not recognize your favorite horned-hero once you get to the end of this issue. Diggle has managed to dramatically shift the title character into new, uncharted territory, and admittedly it’s a great ride. Sacrifices aside, this is definitely not your daddy’s Daredevil…

I think one of the keys to making a Daredevil story great is the choice of artist. Many artists have come and gone with a few making significant contributions to the character – Frank Miller, Bill Sienkiewicz, David Mack and Alex Maleev come to mind – so it’s no wonder that artist Roberto De La Torre fits right in with some really beautiful work. This could be the run that puts him firmly in the public’s eye.

Overall, a near-perfect issue that’s also suited for newcomers to jump on board. Even if you missed the aforementioned issues leading into this new arc, do yourself a favor and enjoy what most people will be talking about this week.

OTHER PULLS:

Astonishing X-Men #31 – Marvel Comics – $2.99 US
Writer: Warren Ellis Artist: Phil Jimenez
Score: 9.0

When S.W.O.R.D. Agent Abigail Brand has a run-in with The Brood, narrowly escapes and is on a collision course for San Francisco, who’re you going to call? That’s right, the Astonishing X-Men! Naturally, Abby’s boyfriend Beast jumps at the rescue mission to save his sweety, but what really raises eyebrows here is the return of Laurie Collins, also known as Wallflower. Not all is how it seems, however…

Superstar writer Warren Ellis has proven that he’s not perfect, if the last arc is any indication. He’s not a superstar for the hell of it, though, as he bounces back in a big way with this first installment. Full of action and those X-Men moments we know and love, this issue’s got everything we could possibly want. But how does new-to-the-title artist Phil Jimenez compare to the previous arc’s Simone Bianchi? It’s a step up, no question about that. Jimenez’ art is dynamic in every sense of the word, which makes it a no-brainer for this title, especially if Ellis continues to make this story as fun as the first chapter was.

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Pull of the Week:

Green Lantern #46 – DC – $2.99
Score: 7.5

As Blackest Night continues, as does the rest of the saga of Hal Jordan and the other Lantern Corps. This issue picks up immediately following the Indigo Lantern teleporting Hal away from the Flash in Blackest Night #3, Hal finds himself in the middle of the Star Sapphires battle with the Sinestro Corps as well as the Black Lanterns.

In the process of the attack from the Black Lanterns, the Star Sapphires must also worry about the threat of the Predator being released. Sharing the secret of how to destroy the Black Lanterns with Star Sapphire, Indigo-1 quickly transports away Hal, Sinestro and Star Sapphire as they try to gather bearers of the various lights. But to unite the various Corps, the split within the Sinestro Corps must be mended and only have one leader. Hal, Sinestro and Star Sapphire quickly realize that the Indigo Lantern has transported them to face off against Mongul, the Yellow Lantern who has tried usurping Sinestro’s power.

Green Lantern #46 is a great addition to the “Blackest Night” story. In many ways, it has a touch of the epic galactic storytelling that made War of Kings such a good story as well. The encounters of this book don’t just affect those on planet earth. This story is one that feels like it has the potential behind it to change everything. But even as this monstrously large storyline takes place, Geoff Johns makes sure to include some quality character building on top of the story. There are tons of callbacks to Sinestro’s past, especially focusing on Abin Sur, the Green Lantern who passed his ring on to Hal Jordan and had always spoke openly of the prophecies surrounding the Blackest Night.

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First off I just wanted to thank Dave and John for handling last week’s The Pull List as special guest reviewers. They did a great job, and I’m glad I’ve got backup when I need it!

Pull of the Week:

Giant-Size Wolverine: Old Man Logan One-Shot – Marvel – $4.99

Score: 9.0

Anyone who has read the Pull List knows I am not a huge fan of high priced comics, especially when that higher price only comes with a sketchbook or a reprint of an old issue. But this issue, the conclusion to Millar and McNiven’s “Old Man Logan” eight part story was beyond worth it and easily the best $4.99 issue of the entire year. If you hadn’t been following this story, shame on you.

Fifty years in the future and unlike any other seen in Marvel like “Days of the Future Past” or the time-line Bishop traveled from, the villains have won. In one fell swoop, the villains of the world under the leadership of the Red Skull came together and wiped out all the heroes of the world with only a few survivors, most notably Hawkeye and Logan, who is no longer calling himself Wolverine. After a cross country journey to earn the money he owes the Hulk Gang, the descendants of Bruce Banner, Logan returns to find out he was too late to save his family.

This issue gives what looks to be the final showdown between these age old foes. With nothing left to lose, Logan decides that if Banner is responsible for taking away his family, he will return the favor in kind.

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Because we want to keep things fresh, we’ve decided to bring you an edition of The Pull List by guest reviewer Dave Press today. Keep it here tomorrow for another guest reviewer! –Ed

EX MACHINA #45
Rating: 7.5

My favorite series of the last couple of years is beginning to wind down and I’m getting quite sad about it. This issue picks up where we left off with New York City Mayor Mitchell Hundred discussing the effects of the previous arc and how Village Voice reporter Suzanne Padilla may be on to the White Box.

Our Mayor who can talk and control machines created The White Box around his election night.  Padilla was convinced that it helped elect Hundred as Mayor.  What happened was the White Box went off and implanted itself in Padilla’s brain, in a similar manner that the device that gave Hundred his powers.

Ex Machina is essentially The West Wing mixed in with some super heroics and tracks a retired super hero during his first and only term as New York City mayor. With five issues left, Padilla possessed by the White Box, she is slowly picking off members of Hundred’s cabinet.  Who knows what she has planned or for that matter Vaughan.

The question we have now is what will Vaughan be doing after Ex Machina concludes? He’s left the writer’s room for Lost and his spec script, Roundtable, is a modern day re-imagining of the Arthur legend.  To say the least his life as a writer is expanding and if he has any time for comics now post-Ex Machina I’ll be quite pleased.

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