The offbeat, swirly, Gothic-lite, snow-filled reign of Tim Burton will never let up. According to Deadline Hollywood Daily, Universal’s Illumination Entertainment has snagged the rights to Charles Addams’ original The Addams Family cartoons with an eye to letting Burton direct a stop-motion feature out of them. Why yes, the term “3D” is also being tossed around. Yay.

I love The Addams Family. I was unhealthy obsessed with the Barry Sonnenfeld film as a pre-teen, and I used to hang out at the bookstore reading the original cartoon collections. It was the closest I got to becoming a Goth.  While I’ve enjoyed a lot of Burton films over the years, I’m not sure I want to see the Addams sent through The Burton Factory, and made out to be a family with a penchant for swirls and black and white stripes.

DHD notes that Burton will ignore the previous films and television show, and return straight to the source.  Apparently, he’s quite drawn to the sharp wit of the original comics. And they are funny. Much funnier than Burton’s Addams imitation, The Melancholy Death of Oyster Boy which is just kind of gross and painful to read.

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Ryan Reynolds and Jason Bateman are both very handsome men. Both are very funny men, too.  If you put them together, would the result be a comedy that melts the screen in sheer charisma? We’ll find out, because according to Variety, Bateman and Reynolds are set to star in Universal’s Change-Up.

Directed by David Dobkin and penned by Jon Lucas and Scott Moore, the two nuts behind The Hangover, the film centers on a comedic trope as old as the hills — body swapping. The plot centers on a responsible family man (Bateman, of course) who switches bodies with his best friend.  Naturally, his best friend is the polar opposite of his buttoned-up self, and is lazy, childless, and immature.  There will be lessons learned, and hilarious misunderstandings.

I worry it could be another Role Models (another film that had a pretty good comedy pair at its core, but just didn’t gel), but I’m hoping that The Hangover duo can make this work. I didn’t think that the film was the second coming of comedy, but there’s no doubt that it was nicely balanced between three very funny guys.  Besides, Bateman and Reynolds can sell even the thinnest role and they’ve been the highlight of just about everything they have played in.

The film is set to begin shooting in September.  Sounds like just the thing for the Green Lantern to have some downtime in, and is far enough away that we’ll have forgotten Bateman swapped something else for Jennifer Aniston in Disney’s The Switch.

Green Zone is the third collaboration between director Paul Greengrass and actor Matt Damon.  Previously, the two brought us The Bourne Supremacy and The Bourne Ultimatum.  If you are hoping for another adrenaline laced conspiracy drama, this movie will meet you half way.  There is conspiracy in excess, but the adrenaline-not so much.

The first half hour does a great job of depicting how unstable conditions in Baghdad were early on in the Iraq war. Greengrass ratchets up the tension and dread much like Kathryn Bigelow did in The Hurt Locker, by merely giving us a glimpse into everyday life after the initial destabilization of Iraq.  Soldiers wear heavy uniforms in blistering conditions, and crowded city streets could easily be harboring suicide bombers or other dangers.  Everyone is constantly and understandably on edge.

Unfortunately, during the second half of the movie much of the action takes place at night.  Greengrass elected to film these scenes with his signature hand-cam, and these scenes are grainy, jarring and indecipherable.

I don’t mind watching documentary style film, and fortunately I don’t get sick from shaky cam (heed my warning, if you have any tendency to get nauseous during this type of camera work, this movie will do you in), but it is really annoying when you cannot see anything that is going on.  I found my mind wandering to my mental list of chores during some really crucial chase scenes, because I just kind of gave up on trying to figure out what is going on.

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Though this was one of the weakest years for trailers at the Superbowl, it did give us one of the first HD looks at Russell Crowe’s newest project, playing the leader of the Merry Men in the upcoming Robin Hood. The first trailer looked cool, but a little bit like every other Crowe film. We new get a brand new trailer to snack on that gives us a bit more eye candy.

This incarnation of the classic goes a bit further into the lore than any other story (with the exception of the brilliant BBC series). The film spans over the time of Robin’s parents, his journey to the crusades, and his return to Sherwood Forest where he leads a revolution against the corrupt King John.

The film stars Cate Blanchett, Max von Sydow, and the now ubiquitous Mark Strong. Robin Hood marks the fifth collaboration between director Ridley Scott and Russell Crowe. Check out the newest trailer, courtesy of Yahoo, after the jump, and catch Robin Hood in theaters on May 14th.

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Fans of Pitch Black and The Chronicles of Riddick have wondered for awhile now if a third film was ever going to happen. Rumors about a new installment have been circulating for years, most of which never panned out. Well, at long last, a new film is in development.

Variety is reporting that Vin Diesel will reprise the title role of Riddick in a new film simply entitled Riddick:

“Plot details are being kept under wraps. But insiders say the third outing will hew closer in tone to the cult hit “Pitch Black” and will focus on the character of Riddick as opposed to the universe he inhabits…”

While the second film suffered from bad reviews it did  go onto make $116 million at the box office. Personally, I enjoyed the movie and while it was not as unique as its predecessor, Pitch Black, Chronicles of Riddick was a really enjoyable action/sci-fi flick. So good in fact, I wish they would continue that story, but I’ll take whatever they give me at this point.

Riddick will be written by David Twohy who also directed the previous films. Shooting is said to be happening this year and will not impede Diesel’s other franchise, “Fast and Furious.” No release date has been set but we’ll keep you posted.

Remember how much you enjoyed Forgetting Sarah Marshall? That is, if you did. Either way, you’re in luck, because the least entertaining part of that film is back, and this time you get a whole 90 minutes of it!

Basically, director Nicholas Stoller loved the scene from Sarah Marshall where Jonah Hill acts quirky around Russell Brand’s Aldous Snow so much that he felt the need to work that into an entire movie. And here it is. The premise follows music label assistant Hill, who needs to get Brand’s “Snow” to L.A.’s Greek Theater, while learning to live life like a rock star along the way.

Even the use of comedians Nick Kroll and Aziz Ansari are instantly quashed when Sean “P. Diddy” Combs takes up a good half of the trailer. This looks to be Universal’s big attempt at comedy this year, which will go up against others like Date Night starring Steve Carrell and Tina Fey, the Death At a Funeral remake, and Katherine Heigl’s Killers.

It’s up to MacGruber, Tucker & Dale Vs. Evil, and Hot Tub Time Machine to save us in 2010. No matter what happens, check out the first trailer for Get Him To The Greek after the jump, which hits theaters on June 4th.

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I had some major reservations going into the screening of The Wolfman. For those of us who followed the film’s production, there were frequent rumors of strife on the set, and then there was an ominous release date switch at the last moment. However, once the film began, those reservations were put to rest. I had a blast seeing this new vision of the classic movie monster brought to life.

Director Joe Johnston manages to deliver an atmospheric Gothic thriller, full of foggy London moors, mythical beasts, and buckets and buckets of blood and gore. When all was said and done, I was willing to forgive some story flaws, because this was just so much fun for the horror fan in me. The film is a nice throwback to the monster movies of the 40’s, and has a distinctly nostalgic feel.

A perfectly cast Benicio Del Torro (who has a very feral look in real life) plays Lawrence, who has been living in America, but has been summoned to return to London because his brother has gone missing.  By the time Lawrence reaches his family’s dilapidated mansion, his brother’s mutilated body has been found in a ditch.  Lawrence’s father (a diabolical Anthony Hopkins) seems curiously nonplussed by the whole ordeal, and clearly harbors a deep-rooted dislike of his remaining son.

Lawrence makes a promise to his brother’s grieving fiancé Gwen (Emily Blunt) that he will solve the mystery of what happened to his brother.  His quest takes him to a nearby gypsy camp that has fallen under the suspician of the townspeople. While he is talking to some of the gypsies, a creature attacks the camp with undiscriminating zeal.  Sheer mayhem occurs as decapitations, amputations, and slashed throats lay in the wake of the beast’s assault.

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According to Heat Vision Blog, Mary Elizabeth Winstead (Grindhouse) and Joel Edgerton (Attack of the Clones) are set to star in the latest incarnation of The Thing, Universal’s take on “the shape-shifting alien who terrorizes a group of people in a remote facility.” Oh yeah, that one.

Winstead will play a Ph.D. candidate who joins a Norwegian research team in Antarctica after it discovers an alien ship frozen in the ice. When a trapped organism is freed and begins to kill, she is forced to team with a mercenary helicopter pilot (Edgerton) to stop the rampage. Matthijs Van Heijningen is directing the movie, which was written by Ronald D. Moore and Eric Heisserer.

Sadly, Van Heijningen has never directed a big budget feature film before, so he’s probably the best choice for this one. Yes, that was sarcasm.

The Thing has, of course, been made into a film at least twice before. The best (and best-known) of these is probably the John Carpenter version from 1982 which featured Kurt Russell as the titular “mercenary helicopter pilot.” That film was a contemporary remake of 1951’s The Thing From Another World, directed by Howard Hawks and featuring pre-Gunsmoke James Arness as the creature.

A March 15 start date in Toronto is planned with a very short theatrical run and swift trip to your local video store probably soon to follow.

While more than half of the people gearing up for this weekend’s Super Bowl XLIV will be more excited for the commercials, we unfortunately won’t be getting as many movie trailers as we are hoping to see. It’s been reported that Paramount, Disney, and Universal are the only studios buying time to promote their upcoming films during Sunday’s broadcast.

During the last two Super Bowl games, studios amped up their marketing and promoted 9 films over the course of the game, while we’ll only be seeing ads for 7 films this Sunday. Paramount will be buying ads to promote Shutter Island, and The Last Airbender, leaving Iron Man 2 out in the cold.

Disney, who promoted films like Up and Race to Witch Mountain last year will be focusing more on Toy Story 3, Alice In Wonderland, and Prince of Persia: The Sands of Time. Meanwhile, Universal will be setting up promotion for The Wolfman, Robin Hood, and their 3D animated pic Despicable Me.

While it’s still mostly speculation that these films will get Super Bowl spots, it’s been confirmed that Overture bought time to promote The Crazies and Sony bought time for Bounty Hunter. Warner Bros and Fox will sit this one out, as they have since 2008.

Though we may be getting less movie trailers than previous games, this will be a big year for commercials. There are more than 60 spots that have been slotted for this year’s game, where last year’s telecast fell just short. This Sunday will be an entertaining show, for sports fans and entertainment fans alike.

Many people speculated that MacGruber, an upcoming film based on a series of 60-second spoofs on Saturday Night Live, would be a terrible idea. Then we saw the first two trailers for the film and realized it may actually turn out to be pretty funny. Now that the rest of the world is in agreement, there seems to be trouble ahead for the filmmakers.

According to The Hollywood Reporter, the creator of the original MacGyver, Lee Zlotoff, had a deal with New Line back in March of 2009 to produce a film based on his 1985 series. The idea sat on a shelf for other projects like Friday The 13th and Ghosts of Girlfriends Past could come to fruition. Months later, Relativity Media went forward with their MacGruber production, which was basically a script mocking Zlotoff’s original premise.

Zlotoff was not happy about this, and began drafting cease-and-desist letters to Relativity. From THR:

“We feel they’re infringing our rights,” Zlotoff lawyer Paul Mayersohn told us Tuesday. As the film’s April 23 release date approaches, Mayersohn says he’s meeting with litigators to determine a course of action, which might include filing a copyright and/or trademark lawsuit and attempting to get an injunction against the film’s release.

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