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Posts Tagged ‘Chris Weitz’


First Arrest Made For Online Leak Of ‘X-Men Origins: Wolverine’

by John Muth, Dec 17 2009 // 3:15 PM

x_men_origins_wolverine_ver2C-Net News recently reported that the FBI has made an arrest in the case of the work-print of X-Men Origins: Wolverine, that was leaked and available for download a month before the movie was to be released theatrically. There apparently was nothing saying whether Gilberto Sanchez, 47, the man arrested, was responsible for the initial upload of the film, or how he might have acquired a copy to upload.

FBI Spokesperson Linda Eimiller said that the Bureau has not ruled out the possibility of more arrests, but didn’t comment further. If convicted, Sanchez could face up to three years in prison and/or a $250,000 fine.

The workprint that was released, as most will remember, was an unfinished version of the movie with wires still shown on performers and unfinished, or not-yet inserted effects. By the time Wolverine was released in theaters, it had been estimated that the pirated version had been downloaded over 4 million times. This didn’t seem to hurt the box office too badly, as it still opened to a nice $85 Million domestically and has earned nearly $375 Million since it’s release in May.

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Posted in: 20th Century Fox · Action · Legal · Marvel · Movies · News
Tagged: 20th Century Fox, arrest, Chris Weitz, FBI, Gilberto Sanchez, Piracy, Twilight: New Moon, X-Men Origins: Wolverine
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Box Office: Fangirls Fuel A Record Breaking Weekend For ‘New Moon’

by Shannon Hood, Nov 23 2009 // 8:00 AM

Picture 3Last week I mentally predicted that New Moon would come in around the $80 Million mark. Obviously, there is a reason that I am not in the business of box office predictions. New Moon grossed over $140 Million during its opening weekend, and broke a few records along the way. Fangirls (and a few fanboys) showed that they are an emerging force to be reckoned with, as New Moon ($72.7 Million) broke the opening day record previously held by The Dark Knight ($67.2 Million.)

According to Entertainment Weekly, over 80% of the ticket sales were from women, a truly rare occurrence. Although the film was critically drummed, (currently 29% on Rotten Tomatoes) audiences gave it an A- cinemascore, indicating that they were very happy with the film. The film opened on a massive 4,000+ screens, and averaged over $34,900 per screen. There was a drop off from Friday to Saturday of about 40%.

Also of note: New Moon now has the 3rd biggest opening weekend ever behind The Dark Knight and Spiderman 3. Its midnight screening averages on Friday morning garnered over $26M, setting a new record for that. The world box office take was over $258 Million. Director Chris Weitz must feel vindicated after the disastrous box office performance of The Golden Compass, his last directorial effort.

Early estimates show that The Blind Side had an opening weekend gross of $34.5 Million, which is nothing to sneeze at. This marks the best opening ever for Sandra Bullock, just behind last summer’s The Proposal. The film also got a remarkable A+ cinemascore, which means it will start getting some seriously good word of mouth. Expect it to remain in the top ten for a long time.

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Posted in: Box Office · Movies · News
Tagged: 2012, A Christmas Carol, Box Office, box office records, Chris Weitz, Kristen Stewart, New Moon, Precious, Robert Pattinson, Sanda Bullock, The Blind Side, The Dark Knight
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Review: ‘The Twilight Saga: New Moon’

by Shannon Hood, Nov 19 2009 // 6:15 PM

Edward, Bella and Jacob from New Moon

While Twilight was a guilty pleasure, its sequel New Moon just made me feel guilty. Guilty for paying a sitter, guilty for the gas I wasted, and guilty for buying into the Twilight phenomenon to begin with. A wretched excursion into franchise baiting, New Moon is flat out an embarrassment for everyone involved.

Briefly, if you don’t know the story of the sequel, Bella Swan is a mortal in love with a vampire, Edward Cullen. Towards the beginning of New Moon, Edward realises that it is too dangerous for Bella to continue seeing him, so he pretends that he doesn’t love her anymore and disappears. Bella behaves like a petulant infant and doesn’t leave her room for months because she is a narcissistic, co-dependent teenager.

When she finally emerges after months of alienating friends and family, she sidles up to Jacob, a local boy of Native American descent, who also is a werewolf. Bella then becomes co-dependent on Jacob, because that is what she does. She also becomes a thrill seeker, because whenever she endangers her life (via cliff diving, motorcycling, etc) she sees a floating spectre of Edward pleading for her to quit engaging in said risky behavior. In her melodramatic mind, this is how she can be close to her beloved Edward, if only for a second. That’s a healthy depiction of true love, right?

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Posted in: Action · Movies · Reviews · Romance · Summit Entertainment
Tagged: Ashley Greene, Chris Weitz, Dakota Fanning, Kristen Stewart, Michael Sheen, New Moon, Peter Facinelli, Robert Pattinson, Taylor Lautner, The Twilight Saga: New Moon, Twilight Saga, Vampires, werewolves
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