As with writers, Directors are pretty high on our list of important pieces of the film and TV making puzzle. If writers are the initial creative force that takes an idea from nothing and makes it into something, directors are the force that shapes that something into a clear vision and fulfills its potential for greatness. Or, they get it as close as it’s ever going to get.

With that in mind, the Directors Guild of America President Taylor Hackford today announced the five nominees for the DGA Award for Outstanding Directorial Achievement in Feature Film for 2011.

“The directors nominated this year for the Outstanding Directorial Achievement in Feature Film Award have each demonstrated an inspired command of the medium. The fact that their prodigious talents have been recognized by their peers is the highest honor a director can achieve,” said Hackford. “I offer my most sincere congratulations to each of the nominees.”

The winner will be named at the 64th Annual DGA Awards Dinner on Saturday, January 28, 2012, at the Grand Ballroom at Hollywood & Highland.

The nominees are (in alphabetical order):

WOODY ALLEN
Midnight in Paris
(Sony Pictures Classics)
Mr. Allen’s Directorial Team:
Unit Production Managers: Matthieu Rubin, Helen Robin
First Assistant Director: Gil Kenny
Second Assistant Director: Delphine Bertrand

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Last year Trent Reznor lead a resurgence of main stream musicians turning to film scores. The 80′s saw a lot of this trend, most notably Danny Elfman, of Oingo Boingo fame and Christopher Franke of Tangerine Dream. The best two scores from 2010 came from popular musicians in Reznor’s The Social Network and Daft Punk’s Tron: Legacy. 2011 might be shaping up the same with one notable score by The Chemical Bros. already released.

Reznor is back again, with compatriot Atticus Ross, for another David Fincher score. This time writing the music for a film that seems much more up the ally of the Nine Inch Nails artist. The Girl With The Dragon Tattoo is a dark, thrilling murder mystery that seems a [perfect fit for they style of music Ross and Reznor have made previously.

Much like The Social Network, this score is deceptively complex, with subtle tracks that wash over your mind like the blankets of snow that define the movie. The music is not overly orchestral, but that works to the advantage of the film, helping cement a ton of tension and keeping everything feeling a bit off.

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Today, Sony released the second trailer for David Fincher’s Americanization of the Stieg Larsson novel and Swedish movie The Girl with the Dragon Tattoo. Yes, I know, we don’t usually like remakes around here, especially of perfectly good movies that only came out a coupler years ago.

Let Me In I’m talking to you. However, when we take into consideration the people involved in this production, we have to give it a chance.

After all, the film is directed by David Fincher, written by Steve Zallian and has music by Trent Reznor. Plus, it stars Daniel Craig and the talented Rooney Mara who was terrific in Fincher’s The Social Network.

And then we’ve got this new trailer. If you have any doubts this movie is going to be very good indeed, this new trailer should put those to rest.

Check out the trailer after the break. The Girl with the Dragon Tattoo arrives in theaters on December 21.

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Guys see movies for a lot of different reasons. Most will only admit to getting excited for the newest raunchy comedies or fast paced action movies, but how many of them are secretly enjoying themselves when they get dragged to a date movie and are forced to see something a little more “girly”? Everyone has a few guilty pleasures hiding in their DVD collection, and it takes a real man to admit that he’s popped in Love Actually just as many times as the Bourne Trilogy.

This week’s theme is both a literal and figurative.  We have one crazy movie about a girl, two movies to see with the girlfriend, and a documentary to check out when she’s not around.

The Girl with a Dragon Tattoo

Click to see the trailer

Stop the presses!  Here it is, this is the movie to watch for in 2011.  Based on the literary phenomenon The Millennium Trilogy, this film is a remake of the 2009 Swedish film of the same name.  Already dubbed “The feel bad movie of Christmas”, I think this film has a lot more in store for us than even this exciting teaser shows us.

Director David Fincher has been pumping out masterpiece after masterpiece the past few years, sending him on the fast track to becoming one of the most legendary filmmakers of our generation.  With an early track record including such film school favorites as Se7en and Fight Club, he has since settled into a core group of creative collaborators that he has worked with on The Curious Case of Benjamin Button and, most recently, The Social Network, which has propelled him to the front of critical acclaim, box office success, and Oscar recognition.

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The idea of viral marketing is an illusive and mysterious beast to master. Disney has been vying for the attention of the masses with their viral campaign to promote the upcoming Muppet movie, and we have a sneaking suspicion MGM and Columbia are trying to do the same with an alleged “leaked” red band trailer for David Fincher’s remake of The Girl with the Dragon Tattoo.

The film is the beginning of a series of films based on Stieg Larsson‘s Millenium Series which were adapted into successful Swedish films. Fincher is now taking a swing at the source material with his own adaptation. Here’s the breakdown of the film’s synopsis.

Forty years ago, Harriet Vanger disappeared from a family gathering on the island owned and inhabited by the powerful Vanger clan. Her body was never found, yet her uncle is convinced it was murder and that the killer is a member of his own tightly knit but dysfunctional family. He employs disgraced financial journalist Mikael Blomkvist and the tattooed, ruthless computer hacker Lisbeth Salander to investigate.

When the pair link Harriet’s disappearance to a number of grotesque murders from almost forty years ago, they begin to unravel a dark and appalling family history. But the Vangers are a secretive clan, and Blomkvist and Salander are about to find out just how far they are prepared to go to protect themselves.

Fincher’s film stars Rooney Mara, who is expected to skyrocket into stardom with this franchise. Check out the trailer after the jump.

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Say what you will about Apple CEO Steve Jobs, but one thing is for certain, he’s never boring. However, he is extremely private and keeps most of his thoughts and feelings well hidden. That is, until now.

Well, at least until 2012 when the first, official authorized biography about Mr. Jobs is set to launch from publisher Simon and Schuster, who announced the book over the weekend. The book, titled “iSteve: The Book of Jobs,” was written by Walter Isaacson, who began writing it in 2009.

According to reports, Isaacson worked closely with Jobs and also interviewed his family members, co-workers at Apple, and even those at Apple’s competitors. Previously, Isaacson has written books about Albert Einstein and Benjamin Franklin, served as CEO at CNN, and worked for TIME. So, he’s no slouch either.

“This is the perfect match of subject and author, and it is certain to be a landmark book about one of the world’s greatest innovators,” said Simon & Schuster publisher Jonathan Karp. “Just as he did with Einstein and Benjamin Franklin, Walter Isaacson is telling a unique story of revolutionary genius.”

I agree, Although, not sure I’m in love with the title. After all, Steve Wozniak’s biography was called ‘iWoz” and this one is pretty close to that. Surprised Mr. Jobs let that one go.

No matter what, though, with the unprecedented access Isaacson has had for this book and the huge amount of interest in Mr. Jobs and Apple, I expect it to be one of the biggest biographies ever. I know I’ll be reading. How about you?

Of course, now that the book is on the way, the other thing we have to think about is who’s going to play Jobs in the movie based on this book? Whoever it is I sure hope they can get David Fincher to direct and Aaron Sorkin to write the screenplay. Now that’s a movie I would see.

This may be the biggest year for the Academy Awards, as some major Hollywood players are going up against some fresh newcomers. Eyeballs everywhere will be glued to ABC on Sunday, February 27th at 8PM E/5PM P when the awards show goes live. But before that, we decided to do some picking of our own with the staff’s predictions for each award.

For a full list of the nominees, check out our previous article on the subject. Now, on to the predictions.

Best Picture

Shannon Hood-The Social Network. It had early and consistent momentum all year, and the Academy appears to be trying to shake up their stodgy image. This would be the perfect film to put their money where their mouth is.

Matt Raub – True Grit. Not only are the Coens a regular in the “I Have an Oscar” club, but this testament to classic western films is definitely one for record books, between its all-star cast and gritty (no pun intended) visual style, this one definitely deserves the golden statue.

Chris Ullrich – True Grit. Even though this was a pretty great year for movies and there are many excellent choices in this category, True Grit stands on its own as my pick. As an example of pure movie storytelling, this Coen Brothers masterpiece excels on every level and delivers a pure entertainment experience you will want to revisit many more times in the future.

Cortney Zamm – The Social Network. There’s a lot of great films in this category, some of them from my favorite directors and starring my favorite people. But the one that combined all of the essential elements of filmmaking into a truly gorgeous, compelling, and memorable film was The Social Network.

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The Academy of Motion Picture Arts and Sciences announced the  nominees for the 83rd annual award ceremony this morning. The King’s Speech was the front-runner with 12 nominations. Overall, there weren’t too many surprises.

Many were disappointed  that Christopher Nolan did not receive a best director nod, but as a consolation prize, Inception was nominated as a contender for best picture.
True Grit did quite well, with Hailee Steinfeld nabbing a best supporting actress nod, and nominations for best picture, best director(s), best actor, and best adapted screenplay. Winter’s Bone was recognized for best actress, best picture, and best adapted screenplay. Dogtooth, Jackie Weaver, and Javier Bardem were nice surprises.

Here are the nominees in the order that they were announced.

Best Supporting Actress

Amy Adams The Fighter
Helena Bonham Carter The King’s Speech
Melissa Leo The Fighter
Hailee Steinfeld True Grit
Jackie Weaver Animal Kingdom

Best Supporting Actor

Christian Bale The Fighter
John Hawkes Winter’s Bone
Jeremy Renner The Town
Mark Ruffalo The Kids Are All Right
Jeffrey Rush The King’s Speech

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Today the Director’s Guild of America announced its nominations for Outstanding Directorial Achievement in feature films 2010. As the DGA nominations are traditionally considered an indicator of who might end up with the Oscar in the same category, these nominations, and the winner, are watched pretty closely.

The nominations are :

Darren Aronofsky, Black Swan
David Fincher, The Social Network
Tom Hooper, The King’s Speech
Christopher Nolan, Inception
David O. Russell, The Fighter

I’m a little surprised that the Coen brothers were not nominated for True Grit. They’ve won the award before three years ago, for No Country for Old Men, so I thought they may be nominated again this year. I would bet they were choice number six on the list and just didn’t make the cut. Besides, I think Fincher is a lock for this, and probably the Oscar as well, so it’s not such a bad thing.

The winner will be announced at the DGA’s annual awards dinner Jan. 29 at the Grand Ballroom at Hollywood & Highland. Who do you think will win, and who do you want to win?

So yesterday, we ran part one of this post.  In case you missed it, here were my picks:

• Waiting for Superman
• Winter’s Bone
• The Company Men
• Rabbit Hole/Blue Valentine (tie)
• The Fighter

Now, without further ado, are the rest of my picks for best movies of the year.

5. The Kids Are All Right

This quirky drama won me over in no time. Annette Bening and Julianne Moore play a lesbian couple raising two children who were the product of an anonymous sperm donor. When the kids are old enough, they seek out and find their donor, who is played by Mark Ruffalo.

His character Paul is a perpetually laid-back restaurateur who drives a motorcycle and lives a bohemian lifestyle. The kids are instantly captivated, and develop a relationship with the guy, much to the chagrin of their uptight mom Nic (Bening).

I admire writer/director Lisa Cholodenko for her sensitive handling of the subject matter. A lesser director could have turned this into a slapstick farce, but ultimately the film is funny, touching, and wholly original.  It is also universally relatable.  Bening is a standout in the film for her performance.

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I was surprised at how much trouble I had narrowing down my top ten movies this year.  My top 20 were all very close, but here are the movies that I ultimately enjoyed the most. I readily admit that I did not see near as many foreign films as I would have liked, but by the time I cover most of the mainstream fare, there is simply no time left.

Honorable Mentions: Fair Game, Tiny Furniture, Greenberg, Cyrus, The Tillman Story, The American, Mother and Child, Scott Pilgrim.

10. Waiting for Superman
This Documentary was equal parts frustrating, inspirational, and heartbreaking. Director Davis Guggenheim (No End in Sight) sheds light on the dismal state of our public school system. He follows the plight of several children who live in various geographic regions who are placing all of their hope for an decent education into lottery systems for charter or private schools. Guggenheim relies on their compelling stories for a narrative, while interspersing lots of graphics and cartoons illuminating some pretty harrowing statistics.

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Indeed it is the time of year when inevitability the lists appear and people pick their favorites of 2010. Some have already done their lists and some, like me, like to wait a bit. That said and since I don’t want to be accused of not following trends, I will also be making a list (or two) of my picks of the best of 2010. However, in the interest of clarity and brevity (or neither), I’m going to pick my top 5 (or so) things in the main categories we cover here at The Flickcast.

Although, as our own John Carle covered the best of 2010 in games so well already, I won’t make much (if any) a list of those and will just mention my two favorites. In case you’re not familiar with those main categories we cover, they are as follows: Movies, TV, Comics, Games, Tech and all things Geek.

So, to that end, here’s my list (or lists really) of my picks of the top stuff of 2010.

Movies

Inception – I love smart movies and this one is pretty damn smart. Featuring great performances, a mind-bending plot and twists galore, director Christopher Nolan delivers with one entertaining ride I was talking about for weeks (and months) afterward. And with all the ways I can get distracted by other things, to still be taking about this movie now is a testament to just how great it is.

True Grit – I love Westerns and this one will go down as truly one of the best I’ve seen in a long time. Jeff Bridges, Matt Damon and the rest of the cast are superb and newcomer Hailee Steinfeld owns the screen. She is definitely one to watch. Plus, the Coen brothers have a genuine love and reverence for the classic Western conventions, even when they twist and turn them into new and even more compelling shapes.

The Social Network – When I first heard of this movie I was skeptical, as probably most were, about how interesting a movie about Facebook really could be. I had nothing to worry about. This brilliant film, directed by David Fincher and written by Aaron Sorkin, delivers on all levels and tells a compelling story of one of the most impressive success stories in history. Along the way it also shows us a little something about the nature of greed, friendship and the real cost of success.

Winter’s Bone - This tale of a real heroes journey to find out what happened to her father before the bank forecloses on her home resonated with me for quite some time after watching this film. Jennifer Lawrence as the young mother and John Hawkes as her meth-snorting uncle really deliver top performances. Part crime movie, part thriller and part coming-of-age-story this film’s stark realism takes you into a world you didn’t know existed and holds you there until the lights come up.

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