Unknown, directed by Jaume Collet-Serra, has some interesting elements going for it. Set in Berlin and armed with an attractive and sturdy cast, Unknown is swimming in themes of mistaken identity, murder and espionage – arguably very exciting and entertaining things. Unfortunately those elements are combined with implausibly pat coincidences, clunky dialogue and a few too many plot-lines.

Dr. Martin Harris (Liam Neeson) and his wife Liz (January Jones) arrive in Berlin to attend A Very Important Science Conference, at which Martin is a noted guest of some sort. While checking into the hotel,  Martin realizes that he has left his briefcase (which contains, among other things, his passport) at the airport - so without so much as a word to his wife, he  jumps into a cab to retrieve it. The cab gets into an accident culminating with it running off of a bridge and into a river, rendering Martin comatose.

When Martin wakes from his coma he has no (or at least very little) memory of his own identity. During his stay in the hospital, he gradually begins to recollect certain things – his marriage to Liz and his purpose for being in Berlin. When he remembers where the conference is being held, Martin leaves the hospital to find his wife – who, when he does locate her, fails recognize him. Intrigue ensues.*

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Writer David Leslie Johnson is pretty new to a lot of people, but he plans to be making a name for himself this Friday, as his film Orphan hits theaters across the country. The film is about a married couple who go through an abortion and decide that adoption is their last chance at having a child.

They meet Esther (Isabelle Fuhrman) who, on the outside, seems perfect, but later shows herself to be something “different.” We got a chance to sit down with David right before the hoopla at San Diego Comic-Con and talk about a few things.

The Flickcast: Given the premise of Orphan, would you call it more of a supernatural horror or more like a suspense thriller?

David Johnson: It has horror elements but it plays more like a suspense thriller. My mother actually compared it to films like Fatal Attraction and Cape Fear.

TF: So more of the human condition?

DJ: Yes, absolutely.

TF: A movie like this seems to stem from a history of horror and suspense thrillers, did you pick up a lot of influences from other films for the script?

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