The 82nd annual Academy Award nominations were announced this morning. This is the first year that the Best Picture category has been expanded to ten films. Here is a list of the major category nominees.

For a complete list of all nominees, visit the official site of the Oscars. The Awards take place on Sunday, March 7 at 8/5P on ABC.

Best Supporting Actress
Penelope Cruz, Nine
Vera Farmiga, Up in the Air
Maggie Gyllenhal, Crazy Heart
Anna Kendrick, Up in the Air
Mo’nique, Precious

Best Supporting Actor
Matt Damon, Invictus
Woody Harrelson, The Messenger
Christopher Plummer, The Last Station
Stanley Tucci, The Lovely Bones
Christoph Waltz, Inglourious Basterds

Best Actress
Sandra Bullock, The Blind Side
Helen Mirren, The Last Station
Carey Mulligan, An Education
Gabourey Sidibie, Precious
Meryl Streep, Julie and Julia

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New to DVD and Blu-Ray, The Hurt Locker is a look into the world of an elite U.S. Army E.O.D. unit (Explosive Ordinance Disposal) in their last forty days of a one year tour of duty in Baghdad during the second year of the U.S. led coalition occupation. The three man unit consists of Staff Sergeant William James (Jeremy Renner), Sgt. JT Sanborn (Anthony Mackie), and Specialist Owen Eldridge (Brian Geraghty).

Renner’s character is an adrenaline junky who only feels alive when he is in the heat of battle, or when there is the threat of a suicide bomber or roadside bomb detonating. The three men form a strong bond with one another and try to survive their last forty days so they can rotate back home to their wives or loved ones.

Director Kathryn Bigelow who has directed such action films as Point Break and Strange Days gives the film a unique look as if you are a forth member of the unit and are alongside them in the urban combat zones of Baghdad. Cinematographer Barry Ackroyd positions the cameras perfectly, and sets the look of the shots which makes the film a gritty documentary account of the E.O.D. unit and the everyday dangers they encounter.

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The Directors Guild of America announced the nominations for its 62nd annual awards today with Kathryn Bigelow for The Hurt Locker, James Cameron for Avatar, Lee Daniels for Precious, Jason Reitman for Up in the Air and Quentin Tarantino for Inglourious Basterds all as nominees for its top feature directing award.

The DGA will reveal the winner Jan. 30 at an awards gala at the Century Plaza Hotel based on voting by its 14,000 members. Cameron won the DGA trophy in 1997 for Titanic and Tarantino was nominated in 1994 for Pulp Fiction. Bigelow, Daniels and Reitman are first-time nominees.

The DGA’s Award for Outstanding Directorial Achievement in Feature Film has matched the Best Director Academy Award in all but six years since 1948 including last year when Danny Boyle won both trophies for Slumdog Millionaire.

2009 was a great year for films in general, particularly if you’re a fan of the sci-fi genre. The year also saw the return of a beloved franchise to the big screen as well as the latest film by one of our best modern directors. And even with the current condition of the country and the economy, audiences still managed to fill theaters and the movies enjoyed record breaking successes that hopefully will continue on into the new year.

Even with all the great movies in 2009, there were also some not so great ones. Sadly, there will always be some real bombs, but that’s to be expected. Fortunately, there were also quite a few standouts that helped keep us entertained, enthralled and excited about going to the movies in 2009.

As usual with lists of this type, I need to disclaim and say this is my list of what I felt were the best films of 2009. Nobody can see everything and opinions vary. Your list may be different.

Differing opinions and the freedom to express them are one of the things that make this country great. There’s always something new and different to see and do and we all get to choose what’s best for us. What movies we watch and enjoy is no exception.

That said, here then is my list, in no particular order, of the films I feel were the best of 2009.

Inglourious Basterds — 2009 saw the return of director Quentin Tarantino and the release of this amazing film. Some might consider it overlong or self-indulgent, but it showcases Tarantino’s filmmmaking skills at their finest and serves as an example of one filmmaker’s singular vision and immense storytelling craft.

This film provides the audience with something they never got from real life: closure. To finally see the Nazis, and in particular Hitler, get the ending they deserve is a testament to the power of this film and to its creator.

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