Friends with Kids is one of those high concept romantic comedies that posits a Big Life Question—in this case: can a couple have a baby together and keep the romance?—and then spends the next 90 minutes trying to answer it. Think of it as the No Strings Attached—can friends sleep together without emotional complications?—of the ticking biological clock set.

Julie (Jennifer Westfeldt, best known for 2002’s Kissing Jessica Stein) and Jason (Adam Scott) are good college friends who live on different floors of the same apartment building on Riverside Drive. They watch in alarm as their coupled friends Leslie and Alex (Maya Rudolph and Chris O’Dowd) and Missy and Ben (Kristen Wiig and Jon Hamm, Westerfeldt’s real-life partner) conceive and bear children, and proceed to ruin their lives and relationships. At every point the parents are haggard, distraught and argumentative. Fathers are irresponsible and immature. Mothers depressed and resentful. Their looks are sunk. So are their libidos and marriages.

Julie and Jason vow the same will not happen to them, whenever they should each happen to find the mate of their dreams. Problem is: Julie’s not getting younger. There’s no man in sight and she wants a baby. So Jason, a commitment-phobe who’s known for never sleeping with the same woman for longer than a week, hatches a plan, the kind of conceit they come up with in movies and then build the next two acts on, even though it wouldn’t fly for five seconds in real life: he and Julie will have a baby together, totally without ties. Just as parenting partners. Call it Parents Without Benefits.

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Week 3 into this year’s epic summer blockbuster season and it looks like established franchises seem to still be more of a draw than original comedies or futuristic thrillers. In its second week of release, Thor has maintained the coveted #1 spot over new releases Bridesmaids and Priest.

Last weekend, Thor opened to 3,955 theaters in the US and had a solid pull of $65.7 million. This weekend, the film opened up in a few more theaters but lost a little bit of steam and about 50% of the original weekend’s domestic take, in making an estimated $34.5 million domestic, and over $300 million worldwide.

In the new releases, Bridesmaids, starring Kristen Wiig and marketed as the “female Hangover” came in at the #2 spot with $24.4 million. Not a terrible opening weekend, as the film only cost $32 million to make. It will be a nice companion film to Hangover 2, which hits in 2 weeks.

The only other big release this weekend was Priest, starring Paul Bettany and Karl Urban. In remaining consistent with less than positive reviews, the film opened at #4 with a measly $14.5 million. This is definitely one film that was hurt by the 3D conversion, as it pushed the release back from over a year ago, when it had a chance to stand strong in a dead weekend.

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If you dismiss Bridesmaids as an estrogen laden raunch fest, you’d be selling it short. Not only is the film wickedly funny, but it has a surprising amount of heart to boot. How refreshing to see a talented ensemble of women deliver the goods on every level.

Kristen Wiig really gets to strut her stuff as Annie, an adorable underachiever who just can’t catch a break since she lost her bakery during the recession. She occasionally beds down with a handsome prick (John Hamm) who kicks her out of the sack the minute he has done the dirty deed. A real charmer, there. Adding to her misery is her boring job selling jewelry.

When Annie’s best friend Lillian (Maya Rudolph) becomes engaged, she asks Annie to be her maid of honor. However, their friendship is tested when Lillian’s new (and obscenely wealthy) friend Helen (Rose Byrne) starts honing in on the wedding planning.

A jealous rivalry begins escalating between the two as the events leading up to the wedding unfold. Poor Annie is roped into buying an expensive designer bridesmaid dress she can’t afford and is subjected to the most over-the-top bridal shower ever.

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I’m a shameful(less?) Anglophile, which in turn makes me an unabashed(ful) Francophobe, and some of the tenderest English patches of my otherwise iron heart are reserved for Simon Pegg, Nick Frost, and, of course, Edgar Wright, the three gents who, through their collaborations in such fine works as the sitcom Spaced, and the films, Shaun of the Dead and Hot Fuzz, demonstrated a mutual respect, appreciation, love for American pop-culture—something I’ve seen very seldomly outside of America.

In fact, it’s so rare, I don’t think there’s actually a term for it (Americaphile? Colonialphile? Washingtonian-a-philia?). So when there’s a project featuring at least two of three, I take notice.

And now we have Paul wherein another favorite, Seth Rogen, voices the titular Paul, an alien who came crashing to earth some 60 years ago and was immediately kidnapped by the US and taken to mysterious Area 51, never to be heard from again…

…until 60 years later, specifically while two British, alien-obsessed Americaphiles Graeme (Pegg) and Clive (Frost) are making a tour across the US on their way to Comic-Con, simultaneously hitting every E.T.-related point of interest along the way.

Naturally that leads them through the (evidently) lone highway toward Area 51, with the only other car on the road being piloted by the freshly escaped Paul. Crashes ensue, and the boys meet Paul, who explains he’s fleeing from government agents and asks, his ride being totaled, to tag along.

He does, of course, and farther along the way they attracted the attention/pick up a collection of equally strange and terrible characters, including flighty Bible-thumper Ruth (Kristen Wiig), her truck-driving, shotgun-wielding father (John Carroll Lynch), and a handful of spooky government agents (Jason Bateman, Bill Hader among them), the collection of which all builds up for the big cameo at the end.

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Who would have thought that two of the best movies of the summer would be animated family fare?  First we had Pixar’s wonderful Toy Story 3, and now we are treated to Despicable Me, the debut film by production company Illumination Entertainment.

By the looks of this fledgling feature, we have a lot to look forward to with this company. Despicable Me is simply adorable, that truly is the best word to describe it. Gru (voiced by Steve Carell), is a villian who has fallen to the lower ranks of  the bad-guy pecking order in recent years.  He longs to rise to the top once again.

An enthusiastic new schemer named Vector (Jason Segel) has stolen the villain spotlight because he successfully swiped a Pyramid landmark in Egypt.  While media outlets frantically report that there is  a new villain in their midst, Gru seethes, and hatches a plan.  He will obtain a top secret machine that can shrink objects, travel to the moon, shrink it to a manageable size, and steal it.  Surely this will be the most dastardly deed ever!

Gru assembles his army of minions (those adorable yellow creatures you’ve seen in the trailers) to help him erect a spaceship and steal the device. Vector thwarts Gru once again by stealing the shrinking device from him after he successfully acquires it.

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I had a great time at Date Night. You would be hard pressed to find more likable leads than Tina Fey and Steve Carrell, who have great chemistry together as boring New Jersey couple Claire and Phil Foster. Stuck in a serious domestic rut that many of you will recognize all too well, the two decide to shake up their usual date night of frequenting the same restaurant and ordering the same dishes on the same night every week.

They get dolled up and head to Manhattan to the über trendy seafood restaurant, “Claws.”  A rude host scoffs at their hopes for getting a table, and the two head to the bar.  Just as they are getting ready to leave, another hostess goes through the bar, calling out for “Tripplehorn, party of two.”

Phil decides to seize the moment and do something spontaneous for once in his life, and he says that they are the Tripplehorns. The two enjoy a fancy dinner with wine, delight over a Will.i am celebrity sighting and make fun of stuffy restaurant patrons.

They are approached by two strange men who approach the table and tell the couple that they have something to discuss with them.  Outside the restaurant, Claire and Phil immediately discover that the real Tripplehorns are messed up with some bad people, and those bad people want a flash drive that belongs to them back.  Guns are drawn, and the Fosters try to explain that it’s a case of mistaken identity, but the thugs don’t believe them, and the Fosters have to improvise their way out of the predicament.

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Though our vote may have already been cast for Hot Tub Time Machine to go down as the “Comedy of the Year”, we are still early in the running, and by the looks of it, MacGruber may put up quite a fight.

We got our first look at the film back in January, with matching green and red band trailers. Since then, things have been a bit quiet while the film debuted at SXSW last month. Nothing but rave reviews have come from that screening, and we’re all pretty excited to hear more.

Before we get closer to the film’s release date, however, we’ve got some great new marketing for the film on the way. Starting with an awesome new iPhone app which comes with some great tools like The Mullet Generator, Bomb Defuser Challenge, a cool soundboard, and more.

MacGruber is also now trolling around on Twitter, being outrageous, and only a little inappropriate. Finally, there’s a brand new red band trailer, this time focusing more on Val Kilmer’s “Von Cunth” character.

Check that out after the jump, and be sure to catch MacGruber in theaters on May 21. By clicking through you certify you are eighteen years of age or older.

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While most of the internet community got to bask in the glory which was the MacGruber red-band trailer earlier this week, some people wouldn’t mind it with a little less profanity, and a little more action. Luckily, the first official green-band trailer recently hit the net for all of those folks.

The new trailer doesn’t give us a whole lot more, with the exception of a few more great lines like “I was talking to the missile”, a few more explosions, and way more WWE wrestlers. MacGruber’s “team” consists of WWE’s Kane, Christ Jericho, Great Khali, Mark Henry, and The Big Show. It’s surprising that Vince McMahon himself isn’t producing the film.

The film, for those not “in the know”, stars Will Forte as he reprises his character from Saturday Night Live, which is basically one big MacGuyver spoof. The film also features fellow SNL cast member Kristen Wiig, Powers Boothe, Ryan Phillippe, and Val Kilmer as Dieter Von Cunth.

Check out the official green-band trailer after the jump, and expect to see MacGruber blow stuff up on the silver screen starting April 23rd.

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Fans of Saturday Night Live and Will Forte rejoice! The very first trailer for the upcoming MacGruber, based on the Will Forte SNL skit, has finally hit the web, and it looks pretty damned funny.

Penned by Forte, along with other SNL writers Jorma Taccone (Hot Rod) and John Solomon, the script adapts the 30-second MacGuyver spoofs in which MacGruber must disarm a ticking bomb, which never happens due to the ensuing antics. The film was stretched and fluffed into a almost spy-like plot in which MacGruber must take down international terrorist Deiter von Cunth (Val Kilmer), all while sporting a blond mullet and looking cool.

This is the first SNL alum-starring, Lorne Michaels-produced film since 2008′s Baby Mama starring Tina Fey and Amy Pohler. Expect this film to do better than the aforementioned film, given the talent involved. MacGruber also stars Kristen Wiig, Bill Hader, Maya Rudolph, Ryan Phillippe, and others.

Check out the very first trailer (Red Band, so NSFW due to language) after the jump, and expect to see MacGruber blowing stuff up on screen on April 23rd.

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Drew Barrymore makes an impressive directorial debut with this coming of age story set in the world of Roller Derby. This is a sports movie for women, by women, starring women.  I suspect men will have little trouble enjoying it as well. Adorable Ellen Page (Juno) plays Bliss, a socially awkward teenager from Bodeen, Texas, who is thrust into the world of pageants by her mother (Marcia Gay Harden). One day while shopping in a thrift store, she sees three women skate into the store  and leave some fliers about an upcoming Roller Derby.

Intrigued, she recruits her best friend Pash (Alia Shawkat of Arrested Development) to venture into Austin for the event. She is immediately captivated by the sport. She dusts off her old Barbie skates and tries out for the team. After making the team, she becomes an unlikely hero, using her small stature to weave in, out, and around her competitors. The title refers to a move the team uses when they grab her by the hand and catapult her ahead of the pack “whipping” her into position.

This movie is a blast, despite having all the sport movie clichés. Shauna Cross’s screenplay is not exactly brimming with originality. Underdog, check. Disapproving parents, check.  First love, check. Climatic final match, check.  However, the dynamic cast and the unusual sporting event breathe new life into the genre.  Ellen Page is fantastic, and captures the insecurities of her character perfectly.  A scene where she gets her heart broken takes your breath away.  I actually felt like someone had punched me in the gut.  You see her character harden a bit with steely resolve as she climbs the next rung on the ladder of life.  The mother/daughter scenes hold a lot of emotional resonance, and were very believable.

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To many people, myself included, Mike Judge’s film Office Space makes me so happy I never had to get a “real” job and work in a soul-sucking office environment. Granted, I doubt my office experience would have ended quite the way the fictional one in the movie did, but I’m still glad never to have been the victim of an overbearing boss (who may have had sex with my girlfriend), a couple of so-called “efficiency experts” and corporate downsizing.

Office Space remains to this day one of the greatest tributes to the power of the individual striving against his (or her) corporate oppressors. And now, after some detours into other territory, Judge is back where he belongs and is bringing eager fans a brand new chapter in the struggle with his new film Extract — which also has a brand new website devoted to too.

For his new film, Judge returns to the workplace and turns his focus on a small business owner “who employs an odd cast of losers, loners and misfits in his flavor extract factory.” Judge is particularly excited to be back in the office. Says the director: “When Office Space tanked at the box office, I thought, ‘Okay, I was born to do something that nobody wants to see,’ and then as it became popular, it was more and more gratifying. So I think I’m finally back doing what I think I was born to do.”

Extract, which stars Jason Bateman, Mila Kunis, Kristen Wiig and Ben Affleck, hits theaters on September 4th. Meantime, be sure to check out all the info on the film and its unusual cast of characters at the film’s official site.

We haven’t posted much about the film adaptation of SNL’s recurring MacGruber skit here at the site, frankly because none of us think it’s a good idea. There’s now word coming in that Ryan Phillippe and Val Kilmer may be joining the cast as well, which may actually add to the film’s credibility. From the Hollywood Reporter,

Ryan Phillippe is in negotiations to star in the feature, with Val Kilmer in negotiations to also join the Relativity Media production. Will Forte and Kristen Wiig are reprising their roles from the skits. Jorma Taccone, who created the character and directed most of the skits, is helming; “SNL” producer and creator Lorne Michaels is producing.

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