The Western genre has plenty of subgenres. There’s deconstructionist Westerns, post apocalyptic Westerns, spaghetti Westerns, classic Westerns, and so on. I’ve found you can also split the entire genres into two character categories — the young gunfighter, or the aging lawman / gunfighter. It seems to me that you don’t see a lot of the latter in the heydays of the classic Western — the 1940s and ’50s — but as the stalwarts of the era aged, we started seeing more elegiac tales come into vogue.
While John Wayne and Gary Cooper still maintained their crackling or saintly demeanor in movies like The Train Robbers or Vera Cruz, the stories still reflected that they were a little older, a little slower, and much grayer. Movies such The Professionals and Lonesome Dove or even the recent Appaloosa spend a fair amount of plot wistfully thinking about the good old days.
Sam Peckinpah’s Ride the High Country falls in the same vein. Aging lawman Steve Judd (Joel McCrea) is hired to escort a shipment of gold from a mining camp. The film gently pokes fun at his age (he’s utterly bewildered by the modernizing town) and the townsfolk are pretty blunt about it. He has a great reputation, but is he too old for the job?
By chance, Judd meets up with his pal Gil Westrum (Randolph Scott) who works for dimes as a gunfighter in a circus sideshow. Westrum agrees to lend his gun to the mission, and brings in a young partner named Heck Longtree (Ron Starr) to assist. What Judd doesn’t know, however, is that old age and circus living have changed Westrum for the worse.
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