Welcome to another edition of The Pull List Comic Reviews! The fall of the Hulks begins, Mogo dishes out his brand of justice and both Geo-Force and the Sentry lose their marbles. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Dark Avengers #13
Marvel Comics – $3.99 US
Writer: Brian Michael Bendis
Artist: Mike Deodato
Score: 8.5/10

The Marvel Universe has seen better days. While the disassembling of Earth’s mightiest heroes led to the breakout of a civil war, a secret invasion became the catalyst to Norman Osborn’s dark reign, and with the siege of Asgard on the horizon, surely things couldn’t get worse (see what I did there?), could it? The Sentry’s true origin is revealed, answering once and for all that, yes, things can get worse…much worse.

Just when I thought all the pieces were on the table, Brian Michael Bendis takes the much-maligned Sentry and turns him loose. With this latest revelation of how the Sentry came to be – not to mention how he’s more unstable than anyone thought – Bendis has taken a tragic figure and made him the definitive x-factor for the Siege event. Whether or not the character winds up saving the day or becoming the most dangerous player is still up in the air, and that’s just a tad frightening.

This issue is all about the eyes. Artist Mike Deodato nailed every beat of this issue by letting the eyes of the characters tell the story, which really focused on the horror of what resides within the Sentry’s mind. From the Sentry, the Sentry’s wife, Lindy and even Osborn himself, the eyes served notice that something wicked this way comes. For even more justification, take a gander at that last page.

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Welcome to another edition of The Pull List Comic Reviews! The latest mutant milestone issue gets top billing, Spidey winds up in the wrong sandbox and Guy Gardner sees a whole lot more than just red. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

X-Factor #200
Marvel Comics – $4.99 US
Writer: Peter David
Artists: Bing Cansino, Marco Santucci, Karl Moline
Score: 9.5/10

X-Factor Investigations makes the move from Detroit to New York in hopes of wrangling some new clients of the super-hero variety, but when their first client winds up being Franklin and Valeria Richards – the children to Reed and Sue Richards of the Fantastic Four – the team realizes that all is not what it seems.

Long-time X-Factor scribe Peter David continues to mix jaw-dropping plot bombs with great characterizations and intelligent humor in this over-sized anniversary special. The mystery of the missing Invisible Woman, on it’s own, is a great story, but throw in Monet’s father being abducted by terrorists, Siryn’s shocking rendezvous with an old flame (hint: he’s nuts) and Layla Miller’s surprising allegiance to Latveria, and you’ve got one hell of a jump-on issue.

The art team of Bing Cansino and Marco Santucci do a great job of pacing this mammoth story, and their takes on the characters are both familiar and fresh. With a title that relies heavily on many speaking scenes, which should come as no surprise to current readers, their art is right on the money, but they also flex their proverbial muscle in the action scenes, especially where the Thing is involved.

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Welcome to another edition of The Pull List Comic Reviews! An incredibly solid week as we’ve got three Blackest Night tie-ins, some speedster action and a particularly “horrible” tale, but only one issue each week tops the “list.” Be sure to let us know what you thought of these issues, we’re always interested to hear from you, the readers. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Dark Reign: The List – Amazing Spider-Man One-Shot – Marvel Comics – $3.99 US
Writer: Dan Slott
Artist: Adam Kubert
Score: 9.5

Norman Osborn made a list and he’s checking it more than twice as certain thorns in his side have gotten his full attention. Everyone from the X-Men to the Avengers have had to deal with him, and by now you’ve heard of how the Punisher went to pieces over his clash with the H.A.M.M.E.R. Director, so how will Spider-Man do? Hint: Spidey doesn’t win this one.

I’ll start with Dan Slott’s writing in this issue, and simply state that he crushed it. There’s no other way to say it, really. Sure, an argument could be made that Spidey should have done something by now, especially considering his history with Stormin’ Norman. Put that aside, if you ever wanted to see Peter Parker triumph at anything – he’s had a ridiculously long losing streak since “Brand New Day” – then this is the issue for you.

It’s been a few months since artist Adam Kubert penciled some pages, but with that amount of lead-time you knew this issue would be stunning. He failed to disappoint. Crammed with gorgeous visuals, the entire one-shot was a treat, even when the action had decidedly died down for the last act. One look at the very first page is all you need to know in regards to how good the art is.

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Welcome to The Pull List Comic Reviews! Get comfy as a few titles elected to go with short stories this week, meaning we’ve got a lot to cover. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Deadpool #900 – Marvel Comics – $4.99 US
Writers: Jason Aaron, Fred Van Lente, Mike Benson, Joe Kelly, Duane Swierczynski, Victor Gischler, Charlie Huston Artists: Chris Staggs, Dalibor Talajic, Damion Scott, Rob Liefeld, Shawn Crystal, Sanford Greene, Kyle Baker
Score: 9.0

Has there been a hotter commodity in recent times than Deadpool? Hard to argue, but looking back you’ll find that the first issue of this title was launched last year amid much fanfare. Fast-forward twelve months and the character has starred in a one-shot (Deadpool: Games of Death), a mini-series (Deadpool: Suicide Kings), a second ongoing series (Deadpool: Merc With a Mouth) and an upcoming third ongoing (Deadpool Team-Up). What better way to hammer home his arrival in the spotlight – yeah, there was a Marvel Spotlight issue, too – than to give him a #900 issue, a first for comics?

The line-up of creators that contributed to this issue is ridiculous, so it’s no surprise that these seven short stories completely shine in their own right. Not a single dud in the mix. How could there be? He fights mimes in one short while staging a Vegas CSI scene in another, both with cataclysmic results. He gets abducted by aliens (poor aliens!) and spends quality time with his shrink (poor shrink!). He even puts the blinders on as he aims to collect on a childhood bet! Obviously, there’s no limits where ‘Pool is concerned.

Fourth walls be damned, in one memorable short he has a philosophical debate with his other inner-voices to determine which came first, the chicken or the egg. Accompanied by Kyle Baker’s visually trippy art, said short doesn’t end well for one reader, and bodes nothing but ill tidings to the rest of the readers out there, yourself included. But fear not as Deadpool embarks on a vacation cruise, systematically infuriating the entire crew and guests, and ultimately settling his differences with a fierce battle against Doc Ock… in ping pong.

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