We know you’re excited about all the cool E3 and Apple news this week and don’t worry, there’s more to come. Let’s pause, however, and take a look at some news from Hollywood, shall we?

According to reports, Sony is moving forward with a sequel to the Angelena Jolie action vehicle Salt which came out last year. Writer Kurt Wimmer has begun working on a script and Jolie is reportedly hot to reprise her role as Evelyn Salt, a CIA agent who is accused of being a Russian spy but eventually ends up saving the day.

For those of you who missed Salt the first time around it’s a solid action thriller with some good twists and competent direction from veteran Phillip Noyce, whose previous film include Patriot Games, Clear and Present Danger and The Bone Collector. You can check it out on Netflix Instant if you’re curious.

Sony could do worse making a sequel to Salt. I’m sure they would love to continue the series of films and establish a solid franchise. The company could probably use some good news these days.

This may be the biggest year for the Academy Awards, as some major Hollywood players are going up against some fresh newcomers. Eyeballs everywhere will be glued to ABC on Sunday, February 27th at 8PM E/5PM P when the awards show goes live. But before that, we decided to do some picking of our own with the staff’s predictions for each award.

For a full list of the nominees, check out our previous article on the subject. Now, on to the predictions.

Best Picture

Shannon Hood-The Social Network. It had early and consistent momentum all year, and the Academy appears to be trying to shake up their stodgy image. This would be the perfect film to put their money where their mouth is.

Matt Raub – True Grit. Not only are the Coens a regular in the “I Have an Oscar” club, but this testament to classic western films is definitely one for record books, between its all-star cast and gritty (no pun intended) visual style, this one definitely deserves the golden statue.

Chris Ullrich – True Grit. Even though this was a pretty great year for movies and there are many excellent choices in this category, True Grit stands on its own as my pick. As an example of pure movie storytelling, this Coen Brothers masterpiece excels on every level and delivers a pure entertainment experience you will want to revisit many more times in the future.

Cortney Zamm – The Social Network. There’s a lot of great films in this category, some of them from my favorite directors and starring my favorite people. But the one that combined all of the essential elements of filmmaking into a truly gorgeous, compelling, and memorable film was The Social Network.

Continue Reading →

Well, Stallone and company have still got it. Score one for the aging action geezers, they dominated the box office with over $35 Million for the weekend. Expendables, a testosterone laden action movie, was a big hit with men, particularly those who grew up seeing members of the cast in iconic 80′s action movies.

Most people I know who saw it admitted that it was not a great movie, but thought that it delivered exactly what one would expect-lots of senseless action.  That is more than can be said for the priv-lit drama Eat Pray Love.

As you read in our review here on The Flickcast, the movie failed to capture what many women fell in love with from the book.  The inner turmoil of the protagonist was glossed over, disappointing fans of the book.  Still, Eat Pray Love, starring Julia Roberts managed to make  $23.7 Million.  This is the best opening Julia Roberts has had since 2001, when she co-starred in America’s Sweethearts, with Catherine Zeta Jones and John Cusack.

Sadly, Scott Pilgrim vs The World (one of my favorite films of 2010) didn’t fare very well at all. The film placed fifth, and only made $10.5 Million, far below expectations.  This is very similar to what happened with Kick Ass back in April.

Kick Ass was widely anticipated in film circles, hailed by critics and fanboys  alike as a great, original  movie, yet it failed to muster much at the box office.  Kick-Ass debuted to $19 million its opening weekend, shocking prognosticators.  After its entire run, the film only made $48 Million domestically.

Now, we have a film that has gotten even better reviews (as of this writing, it has an 80% on Rotten Tomatoes), and has had most  industry insiders cheering for its success, yet it barely registers in the top five for the weekend.  *Sigh*

Continue Reading →

Inception performed remarkably well for its third week in release, and won the weekend with over $27.5 Million. For those keeping track at home, that makes it three weeks in a row at the top spot.

That box office take is a big number for any movie, but it’s especially rewarding for everyone who feared intelligent adult fare wouldn’t stand a chance in summertime, which is usually more typical of “popcorn” action movies.  Now standing at about $193 Million, the film is sure to surpass the coveted $200 Million mark this week.

This bodes well for everyone who enjoys adult drama.  Studios should be somewhat energized from the box office results of Inception.  Hopefully they will be  inclined to   green-light more original (non-franchise, non sequel) projects.  Note: the key word here is should.  Who knows if that will really happen, but one can always hope.

New release Dinner For Schmucks took the number two spot with $23.3 Million.  This is slightly better than two of Paul Rudd’s recent movies.  Both Role Models and I Love You Man made just under $20 Million on their opening weekend.  This is probably in line with studio expectations, but I thought it would make a little closer to $30M over the weekend.

Angelina Jolie’s spy-driven action flick Salt came in at number three with $19.7 Million, but it dropped off 46% from last weekend, not a good sign of things to come for the movie. Still,  it has made about $70 Million in its first ten days in release.

Despicable Me came in fourth.  It is now boasting a cumulative total of $190 Million, and will become the first bona fide hit for Universal in 2010. The studio has had a string of box office stinkers thus far, including The Wolfman, Repo Men, Robin Hood, MacGruber, and more.

Continue Reading →

The remake none of us were waiting for, and that has been rumored for a year, has finally been made official today. You will soon once again be seeing Total Recall at a movie theater near you.

Columbia Pictures officially announced Len Wiseman (Live Free or Die Hard, Underworld films) as the director for the project. It has been report that he will be working off a script written by Kurt Wimmer, who recently wrote Salt and Law Abiding Citizen. Doug Belgrad and Matt Tolmach, presidents over at Columbia Pictures, stated that negotiations are almost finalized.

The original Total Recall, was based on the immortal Philip K. Dick’s story We Can Remember It for You Wholesale. The original follows Arnold Schwarzenegger’s Quaid who is a seemingly unsophisticated construction worker, who is haunted by a recurring dream of journeying to Mars.

He buys a literal dream vacation from a company called Rekall Inc., which sells implanted memories. It turns out he is a freedom fighter from Mars who has been relocated to Earth, and he must restore order, and reverse the corrupt influence that commercial powers had over the red planet.

Continue Reading →

Audiences continued to embrace Inception this past weekend, as the Christopher Nolan movie dropped only 30% from its opening weekend, and earned an additional $45 Million at the box office. This bodes very well for the film, which now looks poised to enjoy some staying power at the box office.  The cerebral caper has a ten day total of over $143 Million.

Salt proved to be a solid number two film, earning $36.5 Million, with a per screen average of around $10,000. Despicable Me continues to delight audiences, as the film only dropped 26% in its third week, making over $24 Million.  The movie has now made over $161 Million in its three week run.

The Sorcerer’s Apprentice added almost another $10 Million to its two week total, and came in at number four for the weekend. Holdover Toy Story 3 came in at number five with $9 Million.

Newcomer Ramona and Beezus failed to crack the top five, coming in at number six.  The g-rated flick only made about $8 Million, but it should be noted that it only opened on about 2,700 screens. The film reportedly only cost around $15 Million to make, so it should have no problem making a profit.

Indie film The Kids Are All Right continues to have a strong per screen average.  This week it averaged over $13,000 on just over 200 screens.

Let’s take care of this right away.  If you cannot move beyond a really ridiculous plot in a movie, don’t bother going to see Salt.  If you are the type of person to give such things a pass, you might have a pretty good time at Salt.

It’s common knowledge that the lead role was originally intended for Tom Cruise, but the role was then rewritten for Angelina Jolie, who plays a CIA operative who may or may not be a double agent.

The film opens with Evelyn Salt (played by Jolie) being brutally interrogated in North Korea.  Stripped to her bra and panties Evelyn lies on the ground while being beaten and keeps iterating “I am not a spy,” over and over.  The scene sets up two key points.  Evelyn demonstrates how tough she is, and how well she can lie.

She is finally released to American authorities and tearfully confesses to her boyfriend that she works for the CIA.  He doesn’t care, and the two get married.

Continue Reading →