Precious: Based on the Novel Push by Sapphire won Best Feature and a total of 5 awards last night at the 25th Annual Film Independent Spirit Awards. Comedian Eddie Izzard served as Master of Ceremonies at the late-night show at LA Live’s event deck in downtown Los Angeles.

Here are all the winners:

BEST FEATURE
Producers Lee Daniels, Sarah Siegel-Magness, Gary Magness for Precious

BEST DIRECTOR
Lee Daniels for Precious

BEST FIRST FEATURE
Scott Cooper, Robert Duvall, Rob Carliner, Judy Cairo, T Bone Burnett for Crazy Heart

JOHN CASSAVETES AWARD for Best Feature made for under $500,000
Lynn Shelton for Humpday

BEST SCREENPLAY
Scott Neustadter, Michael H. Weber for 500 Days of Summer

BEST FIRST SCREENPLAY
Geoffrey Fletcher for Precious

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I’m a sucker for movies about country singers. Despite the fact that listening to country music makes my ears bleed, I never pass up on a good country drama. The genre traditionally leans toward biopics (Coal Miner’s Daughter, Sweet Dreams, Pure Country, Walk the Line) and Crazy Heart is no exception.

Jeff Bridges plays Bad Blake, a washed up Country/Blues musician who has been relegated to performing in bowling alleys and other undignified venues. Blake is a raging alcoholic who stumbles off the stage mid-performance to go puke, then returns to finish a set.  He drives his pick-up from town to town and beds middle age women who still remember him from his golden days.

He tersely thrusts his show notes to whatever band he happens to be playing with that night, and  can’t be bothered to rehearse. It’s a gamble as to whether he will even show up on a given night, and to what condition he’ll be in.

To make matters worse, his former protégé, Tommy Sweet (Colin Farrell), has become a country music superstar, and regularly plays to packed stadiums. There is clearly some bad blood between the two, because anytime Sweet’s name is brought up, Blake bristles.

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As hard as it may be to believe sometimes, someone (or someones) actually sits down and writes a movie or TV show before you end up seeing it at your local multiplex or on your favorite TV network. The people who do the sitting and the writing are, surprisingly, called writers and, like the Directors, the Golden Globes and the Oscars, they have their own awards show.

This week, the Writers Guild of America, which is the trade group and advocate for writers, announced its nominations for outstanding achievement in feature film and television, radio, news, promotional writing, and graphic animation during the 2009 season to be honored at the upcoming 2010 Writers Guild Awards on February 20, 2010, in Los Angeles and New York.

We realize that these nominations may not be as glamorous as the Golden Globes or the Oscars, but we kinda like writers around here and think they do a pretty important job. So, with that in mind, here’s a complete list of nominees.

Check out these names, these people are pretty important. Without them you wouldn’t get to enjoy your favorite TV show, movie or pretty much any other form of entertainment. The 2010 Writers Guild Awards will be held on Saturday, February 20, 2010, simultaneously at the Hyatt Regency Century Plaza Hotel in Los Angeles and the Hudson Theatre at the Millennium Broadway Hotel in New York City.

FILM NOMINEES

ORIGINAL SCREENPLAY

(500) Days of Summer, Written by Scott Neustadter & Michael H. Weber

Avatar, Written by James Cameron

The Hangover, Written by Jon Lucas & Scott Moore

The Hurt Locker, Written by Mark Boal

A Serious Man, Written by Joel Coen & Ethan Coen

ADAPTED SCREENPLAY

Crazy Heart, Screenplay by Scott Cooper

Based on the novel by Thomas Cobb

Julie & Julia, Screenplay by Nora Ephron Based on the books Julie & Julia by Julie Powell and My Life in France by Julia Child with Alex Prud’homme

Precious: Based on the novel Push by Sapphire, Screenplay by Geoffrey Fletcher Based on the novel Push by Sapphire

Star Trek, Written by Roberto Orci & Alex Kurtzman Based upon Star Trek, Created by Gene Roddenberry

Up in the Air, Screenplay by Jason Reitman and Sheldon TurnerBased upon the novel by Walter Kirn

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