In what will surely come as a surprise to many people who don’t follow the Internets (also, most likely to mainstream audiences), Terrence Malick’s The Tree Of Life was the top film at the 15h annual Online Film Critics Society Awards. The awards are given out by the Online Film Critics Society, an organization made up of film reviewers, journalists and scholars based in the U.S., Canada, Europe, Latin America and the Asia/Pacific Rim region.

Malick’s film took the top prize for best picture as well as director, supporting actress (Jessica Chastain), editing and cinematography. No other film won more than one award.

Michael Fassbender took best actor for Shame and Tilda Swinton was best actress for We Need To Talk About Kevin. Best supporting actor went to Christopher Plummer for Beginners.

Click through for the full list of winners:

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How do you even begin to describe a film like Tree of Life? Words such as “art-house film,” “sweeping,” and “transcendent” are accurate, but misleading in their connotation. Typically they evoke the image of a self-important, storyless mess, mired in ambiguity and bereft of substance.

In its defense, the tone is humble. The story is of a son recalling childhood memories of his father and reconciling the differences between them. The clarity is in the simplicity and beauty of its scenes. And the substance is in the detailed moments it creates to evoke our own similar experiences.

With an opening shot of the universe itself, director Terence Malick (Badlands, The Thin Red Line) implies mammoth importance, but he avoids pretension by never forcing a message. This shot and others show an awe and respect (to say nothing of their magnificence) for the subject matter that ask us to appreciate rather than tell us what to think.

Similarly, Tree of Life has a message, but it doesn’t preclude the audience from appreciating its scenes on their own terms. A small sequence accompanied by Gorecki’s Symphony number 3 had a very deep impact on me. Other audience members laughed and were then were quiet when one of the boys tries to accompany his father on the guitar.

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Breathtaking.  Profound.  Beautiful.

I can see why this film got mixed reactions at the Cannes Film Festival this year, yet still managed to win the Palm d’Or, the most prestigious award of the festival.  To some, this film might seem a bit melodramatic and abstract for their taste.  But to others, like myself, I found Terrence Malick’s The Tree of Life to have a rare and honest beauty to it that can only be described as fine art.

What you have to realize going in is that this feels more like a visual poem than a film.  A cinematic ballet that brings together stunning imagery with powerful storytelling.  Writer and director Terrence Malick is only one of the few remaining auteurs left in filmmaking, meaning that all his films consistently reflect his personal creative vision.

Sure, some could argue that a little more dialogue added to the film could have made it more relatable to a wider audience, but that is not the film Malick wanted to make.  His film is elegant and sophisticated, told both with expertise and creativity.

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Normally we would spend some time setting up a trailer or otherwise telling you what the relevant parts of it are. Or, we might tell you that the trailer helps you understand the film and provides insight into its story or characters.

Sometimes, however, you get a trailer for a film that just makes you stop and say “Wow.” This new trailer for Terrence Malick’s The Tree of Life is one of those.

It’s almost impossible to describe it so really, I won’t even bother to try. It’s better if you just take a look. You can do so after the jump.

The Tree of Life, featuring Brad Pitt, Sean Penn, Joanna Going and Fiona Shaw, is written and Directed by Terrence Malick. His previous films include The Thin Red Line, Days of Heaven and Badlands — which are all worth checking out.

It hits theaters next May. See this movie, you won’t be sorry.

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In 2003, Valerie Plame looked the part of any successful working mother.  She ran a household, reared a set of twins, and had a typical office job. Or so it would seem. In reality, she was a covert CIA operative who was in charge of various operations overseas.

After years of cultivating contacts and relationships, her entire life was exposed when Washington Post scribe Robert Novak outed her as a CIA operative in an article in the publication. The incident was thought to be a retaliatory action against her family after her husband, ex-diplomat Joe Wilson,  wrote a series of scathing op-ed pieces indicting the Bush administration and their assertion that Iraq had acquired uranium from Niger. Wilson maintained that the administration was manipulating the evidence to justify the Iraq invasion.

Ultimately, White House aide Scooter Libby was revealed as the source for Novak’s piece. He was tried and found guilty of obstruction of justice, making false statements, and perjury.  His sentence was commuted by George Bush in 2007.

Fair Game brings to life a fictionalized account of the story behind the story.  If you are a newshound, you already know the details of the case, but what the movie does a great job of is illuminating the far reaching consequences of the administration’s decision to out her.

It wasn’t just Plame and her family who suffered, the administration has the blood of foreigners on their hands as well.  Many of Plame’s contacts suffered or died as a direct result of her being outed.  That makes the whole ugly mess more difficult to swallow.

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The Thin Red Line (1998) marks the triumphant return of American film maker Terrence Malick’s return after a twenty year hiatus from the studio system. Anyone who was anyone in Hollywood circles jumped on the production of the film, even if it was just a brief walk on role. In fact, many A -list talents like Robert De Niro, Robert Duvall, Bill Pullman, Leonardo Dicaprio, Brad Pitt, Peter Berg, Dermot Mulroney, Edward Burns, William Baldwin, Edward Norton, Matthew McConaughey, Nicolas Cage, and Johnny Depp were very interested in joining the cast or were either cut from the film due to editing and budget constraints.

Malick was best known for two films in the 1970s which were Badlands (1973) and Days of Heaven (1978) which were renowned for their breathtaking cinematography and for Malick’s ability to capture magnificent exterior shots much like John Ford’s sweeping westerns Stagecoach (1939), and The Searchers (1956). The beautiful cinematography of the film is credited to John Toll who is an absolute genius.

Malick wrote the screenplay based on author James Jones 1962 novel which chronicles his experiences during the campaign. Pvt. Fife (Brody) is actually Jones who serves as the main character in the book, yet in the film is reduced to a minor character.

The film stars some of Hollywood’s most celebrated actors such as Sean Penn (1st Sgt. Edward Welsh), Adrien Brody (Pvt. Geoffrey Fife), Jim Caviezel (Pvt. Robert Witt), Ben Chaplin (Pvt. John Bell), George Clooney (Capt. Charles Bosche), John Cusack (Capt. John Graff), John Savage (Sgt. McCron), John Travolta (Brig. Gen. Quintard), Arie Vereen (Pfc. Charlie Dale), Kirk Acevedo (Pvt. Tella), Mark Boone Junior (Pvt. Peale), Woody Harrelson (Sgt. Keck), Elias Koteas (Capt. James Staros), Tim Blake Nelson (Pvt. Tills), John C. Reilly (Sgt. Storm), and Nick Nolte (Lt. Col. Gordon Tall).

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There has been a lot of talk about Terrence Malick’s Tree of Life film of late, and Fox Searchlight has announced that it has acquired the U.S. rights to the highly anticipated film. Tree of Life is written and directed by Malick, who’s past credits include Badlands with Martin Sheen and Sissy Spacek back in 1973.

That film went on to become a respected and iconic film about the true life Starkweather-Fugate killing spree in the 1950′s. More recently, Malick directed such films as The Thin Red Line (1998) and The New World (2005.)

Tree of Life stars Brad Pitt and Sean Penn and has been finished for a while (it was first announced back in 2005.) It was originally supposed to appear at the Cannes film festival earlier this year, but was not ready.  Some people were hoping it would debut at Telluride last week since Brad Pitt attended the festival, but it did not.

Now there are some hopes/rumors (unsubstantiated) that it could sneak into Fantastic Fest. Guess we’ll find out in a few weeks.

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Welcome to this week’s On the Radar where we delve into all corners of the entertainment, tech and geek Internets for news, views and whatnot that may have escaped our regular coverage this week. Let is know if we missed something interesting. Otherwise, on to the links!

• Remember that guy who reviewed the Star Wars movies? Well, he’s back and reviewing Star Trek now. Still funny.

• Old Spice spokesman Isaiah Mustafa wants to be Luke Cage so badly that he even did a photo shoot to show to studio executives. We think this needs to happen.

• Like fights? Of course you do. So, here’s five classic action hero fights that need to happen.

• Love Glee? Hate Glee? Seriously don’t give a crap either way? If you’re that first one, here’s a preview of next season. The rest of you go watch something else.

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Remember Valerie Plame?  She was the CIA agent who was outed by White House Staffers when her husband wrote an op-ed for the New York Times that condemned the Bush administration for fabricating intelligence that led us into the Iraq war.

In the upcoming movie Fair Game, Plame is played by Aussie actress Naomi Watts. Her husband, Joe Wilson, is played by Sean Penn. The film is directed by Doug Liman, who previously directed The Bourne Identity, and Mr. and Mrs. Smith, so he obviously knows his way around a spy thriller.

If I might editorialize briefly, what do you think of casting Sean Penn in a politically charged role?  He did star in Milk, but he has been so outspoken about the Iraq war that it seems a little off-putting to me. He is a wonderful actor, and Watts is always solid, so I am sure the movie will be intriguing.

You can catch the trailer after the jump. Fair Game opens in theaters November 5.

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