With The Flickcast’s own Shannon Hood covering all the excitement at SXSW this week yours truly is stepping in to take over box office duty. Don’t worry all you Hood fans, I have no doubt that she’ll be back next week, which means I’m only here for one week. That’s something that can’t be said about Alice in Wonderland, however.

Even with mixed reviews, Alice took the top spot again over the weekend. While it dropped 46% drop from last week, the 3D fantasy took in another $62 Million, bringing its total to $208 Million in only two weeks. As Shannon noted last week, this is Tim Burton’s biggest opening and the film is certainly finding an audience.

One concern from reviewers was whether or not audiences would be somewhat disappointed by the 3D aspect of Alice in comparison to Avatar. While Avatar was quite an immersive experience Alice in Wonderland presented more of your traditional 3D environment. It seems movie goers don’t mind the difference and are eager to see Johnny Depp and cast as they romp through Wonderland.

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Wow, I don’t think anybody predicted the massive opening weekend that Tim Burton’s Alice in Wonderland just had. Audiences scooped up an amazing $116 Million worth of tickets to the film. This is the biggest opening weekend in Tim Burton’s entire career, and despite a critical consensus that this was a very average movie, word of mouth appears to be good.

This also appears to indicate that audiences are embracing the 3D trend. I am very curious if there will be a large drop-off next weekend, because the 3D in Alice was in no way comparable to  the 3D in Avatar. If  Avatar is what people are expecting, they are going to be disappointed.

It is interesting to note that Avatar only opened to $77 Million, but has now grossed over $720 Million. I will be pretty shocked if Alice has any real legs at the the box office, but the totals this morning show me that this movie may be full of surprises.

Brooklyn’s Finest, starring Don Cheadle, Richard Gere, and Ethan Hawke, came in second over the weekend with $13.5 Million.  It played in just under 2,000 theaters, and has a fairly modest budget of $25 Million, so it will likely end up profitable.

Shutter Island made about $13 Million in its 3rd week in release.  It now has exceeded its budget of $80 Million (with $95 Million total), and looks certain to hit $100 Million next weekend.

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There was no runaway hit this weekend at the box office, as the top three movies were only separated by a few million dollars. When it was all said and done, Shutter Island managed to hold on to the top spot with $22.2 Million. The movie has managed to gross $75 Million to date.

The Kevin Smith directed Cop Out did not seem to be hindered by horrific reviews. It still came in at the number two spot, and made $18.5 Million. This is the largest opening weekend for a Kevin Smith film. With a $30 Million budget, this movie should be profitable.

Overture films scared up $16.5 Million with the horror flick The Crazies, and it should easily recoup its $20 Million budget.  I was hoping to see a little higher total, but good word of mouth should help this in the next few weeks.

Avatar stuck around yet again, and made $14 Million.  It has now exceeded $700 Million domestically. Next weekend Alice in Wonderland will be taking over a lot of the screens, so there is certain to be a drop in its box office totals.

Holdovers Percy Jackson and Valentine’s Day both brought in about $9M.

Director Martin Scorsese and frequent collaborator Leonardo DiCaprio proved to be a lethal combination at the box office this weekend, as Shutter Island sold the most tickets. The psychological thriller scared up a healthy $40 Million during its first weekend in release, buoyed by mostly favorable reviews. The film piqued the interest of horror fans, DiCaprio fans, and  Scorsese loyalists.

Despite tumbling a massive 69% from its opening weekend, Valentine’s Day still managed to snag an additional $17 Million. Avatar is still comfortably hanging out in the top five, and added $16m to its staggering totals. Ten weeks, people. Unbelievable.

Number four Percy Jackson dropped about 50% for $15 Million. Universal’s worst fears about The Wolfman have come true. The film dropped 68% from last weekend, and made a measly $9.8 Million.  That $150 Million budget looks impossible to make back at this time.

You can’t blame it strictly on bad word of mouth-I have yet to hear of one single person who actually enjoyed Valentine’s Day, yet people still flocked to see the film. Quite frankly, I am scratching my head over this turn of events. There’s a reason I don’t write box office predictions.

Outside of the top five, Dear John is shaping up to be a nice hit for Sony. After 3 weeks in release, the film has more than doubled its budget of $25 Million, and has made a solid $65.9 Million.

While more than half of the people gearing up for this weekend’s Super Bowl XLIV will be more excited for the commercials, we unfortunately won’t be getting as many movie trailers as we are hoping to see. It’s been reported that Paramount, Disney, and Universal are the only studios buying time to promote their upcoming films during Sunday’s broadcast.

During the last two Super Bowl games, studios amped up their marketing and promoted 9 films over the course of the game, while we’ll only be seeing ads for 7 films this Sunday. Paramount will be buying ads to promote Shutter Island, and The Last Airbender, leaving Iron Man 2 out in the cold.

Disney, who promoted films like Up and Race to Witch Mountain last year will be focusing more on Toy Story 3, Alice In Wonderland, and Prince of Persia: The Sands of Time. Meanwhile, Universal will be setting up promotion for The Wolfman, Robin Hood, and their 3D animated pic Despicable Me.

While it’s still mostly speculation that these films will get Super Bowl spots, it’s been confirmed that Overture bought time to promote The Crazies and Sony bought time for Bounty Hunter. Warner Bros and Fox will sit this one out, as they have since 2008.

Though we may be getting less movie trailers than previous games, this will be a big year for commercials. There are more than 60 spots that have been slotted for this year’s game, where last year’s telecast fell just short. This Sunday will be an entertaining show, for sports fans and entertainment fans alike.

With it’s common threads of obsession and neckwear, the Harry Knowles-hosted birthday bash was also host to a number of movie premieres and rare to find films this year. First was the coup of getting Avatar screened in 3-D, which garnered praise from most of the audience of guests and film critics. Knowles was also able to get a copy of Shutter Island, Martin Scorsese’s latest which has been pushed back until next year.

About this film, according to Anne Thompson’s blog, a viewer said: “It’s a version of Angel Heart without The Devil…I figured it out a third of the way through.” I still hold out that it’ll blow me away, much like it seemed to “Head Geek” Knowles, who called it a “brilliant movie.”

But apparently, the movie that overshadowed them all was Matthew Vaughn’s comic book adaptation Kick-Ass, which is about people (mostly kids) who put on superhero costumes, fight crime, get beat up, and a 10 year old that kills lots of people. Knowles compared it to John Woo’s Hard Boiled, only calling it “far more entertaining than that though, creating many iconic and thoroughly mind blowing sequences.”

Some of the other interesting movies to screen at the event were the Scorsese-suggested The Red Shoes, Powell and Pressburger’s classic about ballet; Jean-Pierre Jeunet’s newest, Micmacs, which is labeled as “satire on the world arms trade” and, finally a sneak peak at the Iron Man 2 trailer. The full list, and Knowles’ description of how all the films fit together, can be found on Ain’t It Cool’s website.

Every so often as you begin to read a book, something in the back of your mind starts to whisper, “I’ve been here before.”  The whispering started for me at the beginning of chapter 2 of Dennis Lehane’s Shutter Island and remained a nagging little voice for much of the book’s first half.

It’s 1954 and Deputy U.S. Marshal Teddy Daniels has been dispatched, along with his new partner Chuck Aule, to Ashecliffe, a federal prison hospital for the criminally insane on Shutter Island.  Their mission is to locate a missing murderess, Rachel Solando, who has apparently managed to escape from a locked and carefully guarded cell.  She is homicidally violent and cannot be allowed to reach the mainland.

While most of the patients in Ashecliffe are dangerous, Rachel is off the chart. After landing on the dock, the marshals are disarmed (A mental hospital, remember?) and taken to see Dr. John Cawley, the hospital’s chief of staff.  They are told that the entire island has been searched and Rachel is nowhere to be found.  They are also told that, even if she tried to get to the mainland, she would never be able to make the 11-mile swim without drowning.

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