Tonight sees the end of Chuck, a quirky show that never seemed to connected with the mainstream, but managed to carve out enough of a fan base to stay alive for an impressive five season run.

The Friday night time slot the show has inhabited is often referred to as the ‘Firday Night Death Slot’, a moniker that has made sense this season as it has been no secret this would be Chuck‘s last season.  That said, death is not always a sorrowful event, sometimes it can be a celebration. A celebration of the life of a show that against most odds lived long enough to give its fans a satisfying run.

Check out a whole slew of videos clips in anticipation on tonight’s finale. In the first few videos you get series stars Zachary Levi, Yvonne Strahovski, and Joshua Gomez remembering the show, thanking the fans and saying goodbye to the show.

Following those we have several clips from tonight’s finale to get you all jazzed for the, hopefully, fond farewell to one of our favorite nerd/super spies.

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You might not know the name H. Jon Benjamin, though you should, but you have probably heard his voice. The star of the FX animated series Archer has been a staple of primetime and late night animation for years. From Adult Swim to FX and even Fox, Benjamin has been almost anywhere animation is aimed at teens and adults.

TheFlickcast recently had the opportunity to hear insights on all things H. Jon Benjamin from the man himself. He discusses the process of Archer as well as the new season, how he is just like Sterling Archer and even the fate of his Comedy Central show.

On ad-libbing in the Archer recording booth 

Very little.  There is not a lot of room.  The scripts are tightly written and he encourages sometimes on occasion, he’ll be like do you want to add anything, and I’ll say no.  So it’s not the same kind of production as Bob’s Burgers, which is a lot improvising all the time, but the scripts don’t really require it.

On Archer‘s popularity with the masses

Well, the masses are idiots, so they don’t know any better.  They’re too busy just staring at the light and cartoons are colorful.  So don’t get me started about the masses.  I’m really not a fan.

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Sometimes the first official image from a movie can drastically change the public’s perspective of an upcoming film. It can show you an exciting new look from a main character, or it can give you hints to the story or plot. Then some times the first official still is just a man sitting by a pool in the dark.

Empire has debuted the first official image from Skyfall. A lonely and sullen looking Bond playing footsie with a swimming pool after hours. Maybe that watch is a new Q gadget, or perhaps there are sharks with laser beam head gear just out of frame!

Yeah, not exactly the most exciting first still in the history of movies, but it is still notable for a few reasons. One, it is James Bond, and with the recent strife with MGM, seeing him officially in Skyfall is nice to see. There was real concern that the movie would never get made, but it is really happening.

Also this is the 5oth anniversary of James Bond, which is a huge deal. The Golden Anniversary for a cinematic icon is important to recognize, and any opportunity this year to talk about Britain’s most dashing spy will be used. Hopefully they will be more meaty in the future.

Alberto Iglesias is a fantastic composer. He has two Oscar nominations under his belt, and now that he is getting higher profile work it wont be long before this Spanish composer gets a win. His most recent score is for the spy drama Tinker, Tailor, Solider, Spy, starring a who’s who of the best British actors working today.

The music for a thriller like this is essential in selling the mood and tension. A great score can be all the difference a movie like this needs to really breakout. So it is with great excitement that I take a listen to the Iglesias’ music, knowing that if he nails it this could be one of the best scores of the year.

My first reaction to this score is that it’s simple, piano heavy tones are perfect for a hard boiled spy thriller. I appreciate the minimalist approach which really heightens the moments of suspense in the score. The music is also not afraid to get big and exciting, most notably on the titular final track. There is a great since of intrigue in this music, really capturing the vibe you what to hear in a movie such as this.

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Well, here we are, a couple of episodes into the final season of Chuck. I predict this season there will be a lot of Subway sandwiches eaten, a choice Jeffster performance, and a plethora of geeky references. The training wheels are off, as Chuck has lost the intersect and Morgan is the new ace in the hole. The spy in tennis shoes and his team of rogue spies aren’t out for the count yet, though.

Read on, as the cast gives some parting words on their super secret missions on the mean streets of Burbank.

The Flickast: Chuck’s brother-in-law, Devon, has the nickname “Captain Awesome”. On a scale of 1 to 10, how awesome are you?

Ryan McPartlin: 10 being the most awesome? We have to clarify. (TF: Yes, 10 being the most awesome). It depends on what we’re talking about, like I feel I’m a really awesome dad and husband, so I’m a 10 at that area. But, there’s a lot of things that I can’t dedicate my time to that I think I could be really awesome at, like for instance, golf.

TF: What does Casey think of teaching the spy tricks of the trade all over again, this time to Morgan?

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A lot of movies these days manage to have one or two interesting actors in them with the rest of the cast being so-so. However, once in a while a movie comes along that had way more than that.

In the case of the upcoming adaptation of the John Le Carre espionage novel Tinker, Tailor, Soldier, Spy each and every actor in the film is not only interesting, but a major talent who brings a great deal to every role they play. The cast of this film includes Gary Oldman, Colin Firth, Tom Hardy, Mark Strong, Benedict Cumberbatch, and Ciaran Hinds — so you can see what I mean.

We’ve got a trailer for the film to sharer with you today. In it you get a good idea of the story and the amazing ensamble that’s been assembled for the film. Apparently, a clip of the movie and the screenplay were shared with audiences at the Berlin Film Festival in early February where Gary Oldman’s performance as George Smiley was particularly praised.

Who knows, perhaps it’s time for Oldman to finally be recognized for his body of work? Perhaps an Oscar is in his future? We’ll see.

Focus Features releases the film in the US on November 18th. Check out the trailer after the break.

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I just saw Knight and Day and in a summer notably lacking in quality, this one stands out as being the worst film in terms of the script and editing. The 2 and a half minute trailer was better than the entire film. In the film a rogue FBI agent, Roy Millerand the FBi, steals a never-ending battery that looks like the generic D Energizer kind. June, a hapless bystander, gets caught up in the action. Together they must keep the battery safe while on the run from arms dealers and the FBI.

In editing class you’re taught that if a movie is well edited then you won’t question the loopholes until hours later when you’re at home, hence the term refrigerator moment. Quite apropos when you consider Indiana Jones and the Crystal Skull. In Knight and Day, however, I started questioning the flick while it was still playing.

For starters, whenever characters would mention anything of importance, it was never once brought up again or answered in any kind of way. None of the characters had any semblance of a back story. There was no time limit set for the mission, no sense of urgency, and no one saved anything, much less the world. In essence the film lacked discernible goals. This film brings new meaning to the term, “We’ll fix it in post”.

What follows is a list of questions. I would say there are spoilers, but since there are absolutely zero twists, turns, or creativity in the script, there are no spoilers. Anyone who can answer these questions solely based on the film will receive a highly valued, Flickcast Certified No. Prize. Go ahead smarty pants, make my day.

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My unwavering love of NBC’s geeky spy show with a heart of a Pentium chip, Chuck, began one cramped and overly air-conditioned afternoon at the San Diego Comic-Con. Many of the straight-laced network honchos had their doubts, until that one fateful day at Comic-Con changed everything.

I sat in one of the smaller rooms surrounded by geeks of all ages and gender as the cast of Chuck impatiently stood to the side awaiting our response to the debut of NBC’s latest pilot. As the first scene began, the entire audience was hooked. They erupted in sounds ranging from fits of laughter to surprised exclamations. After the credits rolled, the audience roared in rapturous applause and took to their feet in a standing ovation. The cast then ran onto the stage like rock stars playing to a sold-out crowd.

Since that day I have been an avid Chuck supporter. Chuck sky-rocketed geeky spy splendor into the new millennium by fearlessly ripping pre-conceived molds to shreds. Chuck is a computer geek who seeks to prove he can also be a super secret spy. Agent Sarah Walker is a super secret spy pretending to be his girlfriend while working at a yogurt shop. It’s as refreshing as a vanilla scoop of Pinkberry goodness that Sarah wasn’t strictly relegated to the girlfriend role.

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