I just saw Knight and Day and in a summer notably lacking in quality, this one stands out as being the worst film in terms of the script and editing. The 2 and a half minute trailer was better than the entire film. In the film a rogue FBI agent, Roy Millerand the FBi, steals a never-ending battery that looks like the generic D Energizer kind. June, a hapless bystander, gets caught up in the action. Together they must keep the battery safe while on the run from arms dealers and the FBI.

In editing class you’re taught that if a movie is well edited then you won’t question the loopholes until hours later when you’re at home, hence the term refrigerator moment. Quite apropos when you consider Indiana Jones and the Crystal Skull. In Knight and Day, however, I started questioning the flick while it was still playing.

For starters, whenever characters would mention anything of importance, it was never once brought up again or answered in any kind of way. None of the characters had any semblance of a back story. There was no time limit set for the mission, no sense of urgency, and no one saved anything, much less the world. In essence the film lacked discernible goals. This film brings new meaning to the term, “We’ll fix it in post”.

What follows is a list of questions. I would say there are spoilers, but since there are absolutely zero twists, turns, or creativity in the script, there are no spoilers. Anyone who can answer these questions solely based on the film will receive a highly valued, Flickcast Certified No. Prize. Go ahead smarty pants, make my day.

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Diane here and fresh off  the red carpet premiere of Universal Studios’ Hollywood latest attraction, King Kong 360 3D.  If you have a chance to swing on by this summer, it is worth the wait.

Yesterday while walking among a 360lb Bengal Tiger, a 13 foot Python, a feisty monkey, and tribal dancers who kept on telling me to touch their dinosaur bones I became entranced with the world of Skull Island and a gorilla who’s eaten one too many Big Macs.

I was not alone, The Office’s Craig Robinson, Oscar Nunez, and Kate Flannery, along with Kevin Smith, Yvette Nicole Brown of Community, Wayne Brady,Wanted and King Kong’s Thomas Kretschmann, and a very shy Christopher Lloyd were all there sampling the gourmet apps and reveling in a filmed introduction to the experience by none other than a slimmed down Peter Jackson in 3D.

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With Twilight: New Moon making over $500 million worldwide, it only makes sense that production studio Summit Entertainment would try as many gimmicks as possible to help boost the next film’s success. It has been announced that the third film in the series, Eclipse will get a simultaneous IMAX release along with the worldwide theatrical release of the film.

The film is set to open on June 30th of next year, which will make it a linchpin for the summer’s blockbuster season. In a recent article in Variety, Summit is already quite pleased with the plan.

“‘Twilight moviegoers will have a whole new way to experience this next installment of the series, with the enhanced image and sound quality of The IMAX Experience putting them in the movie,’ said Richie Fay, Summit’s president of domestic theatrical distribution.”

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