What do Will Ferrell, Danny McBride, Elijah Wood, Jack Black, John C. Reilly, Will Arnett, Susan Sarandon, Rainn Wilson, Seth Rogan, Ted Dansen, Stanley Tucci, and a whole bunch of other named celebrities have in common?

They’re all in a brand new semi-biographical, semi-science fictional short film by The Beastie Boys, about The Beastie Boys, titled Fight For Your Right-Revisited.

The film is done in conjunction with the trio’s highly anticipated eighth album, “Hot Sauce Committee Part Two”, and has got Ferrell, McBride, Black, Reilly, Rogan, and Wood playing both the Beastie Boys from the past and the Beastie Boys from the future.

Expect zany, wacky, convoluted awesomeness when the 30-minute film hits DVD (as well as the the web) when Hot Sauce Committee Part Two hits music stores on May 3. In the meantime, check out the star-studded trailer after the jump.

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It’s been 23 years since the original Wall Street, and Michael Douglas reprises his role as corporate raider Gordon Gekko, freshly released from prison and ready to ascend right back to the top from which he fell. The role of Gordon’s protégé, played by Charlie Sheen in the first film, is filled by current hot-property Shia LeBeouf, the kid who’s been popping up in every big-budget production from Transformers to Indiana Jones and the Kingdom of the Crystal Skull. I’m not entirely sure why.

Here he plays Jacob Moore, a clean-air advocate and propriety trader for the crashing firm of Keller Zabel, headed by his mentor Lewis Zabel (Frank Langella). The reason Zabel’s headed down the tubes is because of a bogus rumor spread by hedge-fund manager Bretton James (Josh Brolin), who purportedly also had a hand in bringing Gekko down. James offers to buy the dying firm for a pittance, which leads Zabel to commit suicide and sets Jake out for revenge.

Jake’s also engaged to Winnie (Carey Mulligan), owner of a fledgling environmental blog and Gekko’s daughter, whose relationship with her father has been estranged ever since the suicide of her brother Rudy. At a signing for Gekko’s new book, Jake meets up with his soon-to-be father-in-law and two form a pact: Gekko will help Jake bring down James if Jake helps Gekko reconnect with his daughter. And all the while Jake struggles to get his pet project, a clean, fusion (I believe)-based energy company, off the ground.

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A host of  recent indie films have specialized in caustic characters and unlikable leads.  Greenburg, Mother and Child, and Please Give have all featured some of the most unpleasant fictional characters of recent memory.  However, none of their characters can hold a candle to Ben Kalmen in Solitary Man, played with gleeful abandon by Michael Douglas.

The former movies at least  allowed us to believe that those characters wanted a chance at redemption.  Those characters would have liked nothing more than to assuage their guilt over their toxic actions toward others.  Not Ben.  He gets a couple of opportunities to redeem himself,  he thumbs his nose at said opportunities. He is one of the most narcissistic characters ever brought to life on film.  He’s also a misogynistic pig.

Ben is sixty years old, yet he won’t even look at a woman over twenty.  The lone exception to this disturbing rule is his current girlfriend (Mary-Louise Parker) who he keeps around because she is wealthy and has a well connected family. Ben is trying to rebuild his life and fortune after an embarrassing career-ending swindle he pulled when he was a car-salesman guru.

Disgraced and penniless, Ben tries to make up for his shortcomings by bedding as many women as is physically possible for a man his age. He treats the women with cool disregard and cruel contempt after they succumb to his charms.  He is truly awful. He espouses offensive observations such as, “No one over forty is stick-thin.”

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A long time coming, the definitive bio-pic of Jack Kevorkian, the controversial physician who made headlines in the late ’90s by performing physician-assisted suicides, is here. You Don’t Know Jack covers the main events from Kevorkian’s tenure as “Dr. Death”: His first assisted suicide, his meeting Geoffrey Fieger, the subsequent trials culminating in Kevorkian’s trial for the death of ALS patient Thomas Youk (in which the doctor, with great difficulty, represented himself), and ends with his incarceration.

These scenes and others are obligatory, but the film is less concerned with presenting an argument for assisted suicide or depicting history as it is with understanding Kevorkian the man.

As the doctor, Al Pacino holds the film together with one of his more subtle performances in recent memory. Likewise, it’s been a while since Pacino so immersed himself in a role that you forget you’re watching the actor. He plays Kevorkian as a man so convinced of his own view that he often falls into the same sort of dogmatic stubbornness he attacks.

When he shows up to a courthouse dressed in colonial garb and encased in a prop stock, one can’t help but think of the scene from The People Versus Larry Flynt when Woody Harrelson similarly goes to trial wearing the American flag as a diaper, both men putting aside the furthering of their cause for petty grudges. But Kevorkian at heart is not first and foremost a showman.

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Continuing our recent previews of upcoming SXSW films brings us to our latest, Leaves of Grass. The film, written and directed by Tim Blake Nelson and starring Edward Norton, Kerri Russell, Susan Sarandon, Richard Dreyfuss and Edward Norton, is being released by First Look Studios and we’ve got a trailer and info about the film for you today.

The film concerns Ivy League professor Bill Kincaid who receives news of the murder of his estranged identical twin brother, Brady (both played by Norton), in a pot deal gone bad. He leaves the world of academia to travel back to his home state of Oklahoma. But once he arrives he finds things are not what they seem and reports of his brother’s death are greatly exaggerated.

Soon Bill is caught up in the dangerous and unpredictable world of drug commerce in the Southwest. In the process, he reconnects with his eccentric mother (Sarandon), meets a wise and educated woman who’s chosen the simple life (Russell), and unwittingly helps his brother settle a score with a drug lord (Dreyfuss) who uses Tulsa, Oklahoma’s small Jewish community for cover.

With a cast such as this and under the direction of Nelson, who’s previous films The Grey Zone and Kansas proved his directing talents, Leaves of Grass manages to be at times dangerous, compelling and poignant. It follows a somewhat simple narrative but still provides some potential answers to a complex question: What does it mean to live a happy and constructive life?

Leaves of Grass will be released in New York and LA on April 2nd. Check out the trailer after the jump.

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Things have been pretty quiet for the upcoming sequel to Wall Street since we caught a glimpse of some set photos with Shia LeBeouf and Frank Langella a few months ago. Since then, production has finished up and we finally have a trailer to enjoy.

The film follows almost real-time after the events of the original 1987 film. Gordon Gecko is getting out of prison, and wants back in the game, except everything is different now. Douglas joins in with newcomer LeBeouf, as well as some old friends including Charlie Sheen, Susan Sarandon, and Frank Langella.

Given where the economy and Wall Street is today, compared to 1987, you can expect this film to take an interesting turn and border on didactic. Oliver Stone is returning to helm the sequel, who’s best known for his topical films such as World Trade Center and  W, so expect to see some potshots taken at the financial climate.

Check out the first new trailer after the jump, and catch Wall Street 2: Money Never Sleeps in theaters on April 23rd.

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Peter Jackson has made films that many have considered “instant classics”, such as The Lord of the Rings Trilogy, a bloated and unnecessary remake in the form of King Kong, and some little-seen but great cult classics such as Bad Taste, Heavenly Creatures and The Frighteners. His newest film, The Lovely Bones, adapted from Alice Sebold’s novel of the same name, is kind of a combination of all of the above.

The story focuses on Susie Salmon, a fourteen year-old girl who lives in rural Pennsylvania with her parents and two siblings. She describes to us, via narration, what she wants to be when she grows up, her disliking of a snowglobe with a penguin in it, and even how she normally gets the “skeevies” when she sees someone looking at her weirdly. She didn’t get that last feeling soon enough, which inevitably leads to her murder and time spent in the “in-between” Heaven and Earth.

We see that the Salmons are an idyllic family as they get Susie a camera for her birthday. She is in the throes of her first unrequited love, and even has to suffer through a film club that makes her watch Othello with that guy “who has two first names. Laurence. Oliver.” It’s after this class, and a bold move from the boy that she likes, which leads her into the hands of Mr. Harvey.

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The big screen adaptation of Alice Sebold’s best selling novel The Lovely Bones, which we reviewed right here, finally has a trailer and we’ve to it right here for you. In case you’re not familiar, the story follows the tragically short life and afterlife of Susie Salmon, a young girl who is murdered one day on her way home from school.

After that event, the story followers her family as they attempt to understand and come to terms with Susie’s death and also find her killer. It also follows Susie who, now in her own personal version of heaven, looks down and narrates the story as she watches her family attempt to get on with their lives. While doing this, she’s also consumed with a mission to help track down her killer.

The Lovely Bones, which features Mark Wahlberg, Susan Sarandon, Rachel Weisz and Saoirse Ronan as Susie, hits theaters on December 11. Until then, check out the trailer after the jump.

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