More and more, YouTube is become less of a place to watch cats beat up other cats, and more of a place to watch premium content that you are lucky to get for free on demand. In the past few years, one of those premium content trends has been “supercuts” and “movie mashups” where talented editors take clips from films and put them all together in one splendid masterpiece (if we do say so ourselves).

With that, one talented YouTuber named Kees van Dijkjuizen, an 18 year old films student from the Netherlands, who has been doing two series. One of which is a year-in-review Cinema supercut, that he’s done every year since 2008, and the other is his [the films of] series in which he showcases some of the most critically acclaimed directors of our time, from Christopher Nolan, to Tim Burton, and Ridley Scott.

His latest cut is the finale of the latter series, and it’s is a dedication to Steven Spielberg. This was a big one for him, which he lays out in the description.

Film as we know it today was shaped by thousands of creative minds working together to create something special for the audience to experience. Among those is Steven Spielberg; considered by many to be the true master of modern day cinema, Spielberg’s 26 feature films have each taken us to magical worlds, introduced us to fantastic characters and on adventures we will never forget. [the films of] has honored many filmmakers, but none of them as significant to film history as the genius featured in this final episode.

Take a look at the supercut after the jump, and check out his YouTube channel here.

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Welcome to another edition of On the Radar where we delve into all corners of the entertainment, tech and geek Internets for news, views and whatnot that may have escaped our regular coverage during the week. Let is know if we missed something interesting.

• While things aren’t going so well for the Uncharted or Assassin’s Creed film adaptations, that hasn’t stopped a studio from moving forward on a film based on the classic monster game Rampage.

• The heads of action fans everywhere may just explode when they see the very first poster for The Expendables 2 featuring Norris, Van Damme, and the whole cast.

• Take a jump in a depressing time machine as you see young Tim Burton acting as normal as ever in this footage from Disney Studios circa 1980.

• It looks like the internet is seeping into mainstream media again, as The Annoying Orange was just announced to have a show coming up on Cartoon Network.

• Exactly how many times did The Force get brought up in all 6 Star Wars films? We have no idea, but here they all are.

• You may know the prime Muppets, but here is a list of the best known Muppets from around the world that you may have never heard of. Like Oscar the Grouch’s Israeli cousin.

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This week’s pick is Tim Burton’s Sleepy Hollow (1999), a newer take on Washington Irving’s legendary 1820 novel The Legend of Sleepy Hollow. Johnny Depp stars as Ichabod Crane, a New York City police constable who is sent to the quaint upstate village that is the sight of several grizzly decapitations.

Crane believes in science and deductive reasoning, where as the local inhabitants of the sleepy little hamlet attribute the murders to the slain ghost of a Hessian mercenary killed during the American Revolution.

Crane believes that the killer is flesh and blood, and not a demonic spirit as told to him by the town’s elders. Using his powers of deduction and a bag of scientific/forensic tools to discover traces which will lead him to the killer, Crane is about to discover that in the age of reason, there are still many things that are beyond comprehension in the world of Tim Burton.

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• Alec Baldwin is very excited to be the first host of this season of SNL, so excited he felt the need to hump Bill Heder.

• Netflix had a pretty big week, between splitting off into 2 companies and pissing off their clientele. This song pretty much explains it all.

• What happens when the world’s biggest game of dodgeball starts on a football field? Complete pandemonium.

• One of the wrongest-yet-funniest comedies on TV started back up this week as It’s Always Sunny in Philadelphia returned to FX. In order to prep for the season, here is the blooper reel from last season.

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This comes directly from the “things we would love to have when we’re filthy rich” department. Yes, we have one of those here at The Flickcast. Doesn’t everyone?

To what lust-inducing thing of beauty am I referring? Well, be sure you’re sitting down because this one is pretty impressive. I’m talking, of course, about a turbine powered Keaton-era Batmobile.

Designed and built by Casey Putsch, the car is a hand-made repliaca of the famous vehicle powered by the same Boing engine used in a Navy drone helicopter. Sadly (but good for someone else) Putsch has decided it’s time for his creation to go to someone else.

So, what do you do with your turbine powered Batmobile when you want to sell it? You put it on eBay of course.

The price? Well, as they say, if you have to ask you can’t afford it. Okay, it’s $620,000. Start looking under those sofa cushions.

Also, click through for a video of the car in action.

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Well, there wasn’t much of a box office battle this weekend as Clash of the Titans easily slayed the competition with a total weekend haul of $61.4 Million. Some weekend totals are reflecting Thursday night earnings as well, which brings the total closer to $64 Million.

Despite the fact that most critics were horrified by the look of the post-production 3D of the movie, and practically begged audiences to see the 2D instead, it seems that roughly half of the weekend revenue was from 3D screenings (LA Times.) The 3D money train marches on, at least for another weekend.

It is of interest to note that the movie did drop almost 20% from Friday to Saturday, which can be a direct result of bad word of mouth.

Tyler Perry pulled out yet another surprise as Why Did I Get Married Tooearned $30 Million. Perry has an an unconventional marketing strategy-he never pre-screens his movies for critics. His movies always enjoy an opening day unfettered by any reviews, positive or negative.

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This week On the Radar Michael Bay does his part to help take down the American car industry, MGM loses a bidder as it struggles to stay afloat, and in completely contradictory fashion James Cameron, of all people, advocates against 3D.

Maleficent finds a writer in Wonderland

Long before Alice in Wonderland stormed the box office there were rumblings about director Tim Burton tackling one of Disney‘s best baddies, Maleficent.  Well, the success of Alice has only bolstered this film’s development and Alice in Wonderland writer Linda Woolverton has been tapped to write t script.  While there were some Alice detractors out there, it’s hard to argue the success of the film.

For better or worse I think we’re witnessing the beginning of the fairy tale phase in cinema.  I’m sure the studios couldn’t be happier.  Most fairy tales, in their original iteration, are in the public domain which means the whopping cost of zero to use the stories.  Sorry, Disney, but you couldn’t be the sole exploiter of classic children’s tales forever.

Bryan Singer off X-Men: First Class?

When word came out about Bryan Singer returning to the X-Men franchise fanboys rejoiced.  Well, the excitement certainly didn’t last too long.  It seems Singer has to choose between X-Men: First Class and Jack the Giant Killer.  Unfortunately, he can’t do both:

“Before Singer can dive into casting, he has a rather large problem –  the fact that Warner Bros. has the filmmaker on the hook to direct ‘Jack the Giant Killer.’  Fox, flush with money from ‘Avatar,’ is eager to move forward with its mutant franchise in all of its permutations, so there are negotiations that need to be done.

With Singer contractually obligated to Warner Bros. it means Fox has begun searching for other directors to reignite the X-Men films.

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The offbeat, swirly, Gothic-lite, snow-filled reign of Tim Burton will never let up. According to Deadline Hollywood Daily, Universal’s Illumination Entertainment has snagged the rights to Charles Addams’ original The Addams Family cartoons with an eye to letting Burton direct a stop-motion feature out of them. Why yes, the term “3D” is also being tossed around. Yay.

I love The Addams Family. I was unhealthy obsessed with the Barry Sonnenfeld film as a pre-teen, and I used to hang out at the bookstore reading the original cartoon collections. It was the closest I got to becoming a Goth.  While I’ve enjoyed a lot of Burton films over the years, I’m not sure I want to see the Addams sent through The Burton Factory, and made out to be a family with a penchant for swirls and black and white stripes.

DHD notes that Burton will ignore the previous films and television show, and return straight to the source.  Apparently, he’s quite drawn to the sharp wit of the original comics. And they are funny. Much funnier than Burton’s Addams imitation, The Melancholy Death of Oyster Boy which is just kind of gross and painful to read.

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With The Flickcast’s own Shannon Hood covering all the excitement at SXSW this week yours truly is stepping in to take over box office duty. Don’t worry all you Hood fans, I have no doubt that she’ll be back next week, which means I’m only here for one week. That’s something that can’t be said about Alice in Wonderland, however.

Even with mixed reviews, Alice took the top spot again over the weekend. While it dropped 46% drop from last week, the 3D fantasy took in another $62 Million, bringing its total to $208 Million in only two weeks. As Shannon noted last week, this is Tim Burton’s biggest opening and the film is certainly finding an audience.

One concern from reviewers was whether or not audiences would be somewhat disappointed by the 3D aspect of Alice in comparison to Avatar. While Avatar was quite an immersive experience Alice in Wonderland presented more of your traditional 3D environment. It seems movie goers don’t mind the difference and are eager to see Johnny Depp and cast as they romp through Wonderland.

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Wow, I don’t think anybody predicted the massive opening weekend that Tim Burton’s Alice in Wonderland just had. Audiences scooped up an amazing $116 Million worth of tickets to the film. This is the biggest opening weekend in Tim Burton’s entire career, and despite a critical consensus that this was a very average movie, word of mouth appears to be good.

This also appears to indicate that audiences are embracing the 3D trend. I am very curious if there will be a large drop-off next weekend, because the 3D in Alice was in no way comparable to  the 3D in Avatar. If  Avatar is what people are expecting, they are going to be disappointed.

It is interesting to note that Avatar only opened to $77 Million, but has now grossed over $720 Million. I will be pretty shocked if Alice has any real legs at the the box office, but the totals this morning show me that this movie may be full of surprises.

Brooklyn’s Finest, starring Don Cheadle, Richard Gere, and Ethan Hawke, came in second over the weekend with $13.5 Million.  It played in just under 2,000 theaters, and has a fairly modest budget of $25 Million, so it will likely end up profitable.

Shutter Island made about $13 Million in its 3rd week in release.  It now has exceeded its budget of $80 Million (with $95 Million total), and looks certain to hit $100 Million next weekend.

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Even when he tackles darker subject matter, Tim Burton always manages to bring a touch of whimsy to his films.  On the surface, Alice in Wonderland seems to be the perfect tale for the eccentric filmmaker to put his own spin on. With Alice oscillating wildly between giant and diminutive proportions, two queens vying for control of the land, and anthropomorphic fauna and animals, the tale seems ripe for a wild re-imagining.

Trouble is, Burton leaves the enchantment at home along with warmth and heart. The resulting movie is rather cold, devoid of color and brightness (save for the mad hatter’s shock of orange hair and startling green eyes) and not a lot of fun. I’m not saying that makes it bad, but it was very different from what I was expecting.

In this particular retelling, Alice is a grown woman instead of a little girl. At a large party she learns she is to marry a stodgy bore of a man. She rushes off to be by herself and falls down the rabbit hole into the “underworld.”  There she encounters the characters that we are all familiar with. There is the white rabbit (voiced by Michael Sheen), the Cheshire Cat (Stephen Fry), the stoned-out-of-his-cocoon caterpillar (Alan Rickman), and of course, the Mad Hatter (Johnny Depp.)

This version of the  Mad Hatter is a more tragic character with a brutal back story to explain his madness.  I found Depp’s portrayal of the Hatter annoying and frenetic, crazy for the sake of being crazy. He drifts in and out of a heavy Scottish brogue for reasons not immediately clear.  I wish the character had been toned down a bit as I think it would have made him a little more likable.

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While Tim Burton is getting ready to unleash his interpretation of Alice in Wonderland onto the world this Friday, he’s already planning on sinking his producing teeth into another piece of historical fiction. Seth Grahame-Smith, the author behind the cult classic Pride and Prejudice and Zombies, got his newest historical/horror hybrid released yesterday, in the form of Abraham Lincoln: Vampire Hunter.

The premise is about as black and white as it sounds. In the time during Lincoln’s presidential term, he is forced to wage war against blood-sucking demons before they’re able to bring down the free world. According to Heat Vision, some gentlemen known in the genre have already taken interest.

Tim Burton and Timur Bekmambetov, the producers behind last fall’s 9, will be producing the novel for a big screen adaptation. This fits right into the directors’ current resume, as Bekmambetov got his US popularity from his work on the Russain Night Watch films, and Burton is no stranger to the world of gothic vampire-like scenarios.

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