The Tribeca Film Festival, which takes place in New York from May 5 to May 18, has announced the winners of it’s prestigious event. And without further to do, here’s all the info you need to know from the official press release:

The ninth annual Tribeca Film Festival, co-founded by Robert De Niro, Jane Rosenthal and Craig Hatkoff, and presented by founding sponsor American Express, announced the winners of its world competition categories tonight at a ceremony hosted at the W Union Square in New York City.

The world competition winners for narrative and documentary films were chosen from 12 narrative and 12 documentary features from 20 countries. Two awards were given to honor New York films, which were chosen from seven narrative and six documentary features. Awards were also given for the best narrative, best documentary and student visionary films in the short film competitions. This year’s Festival included 85 features and 47 short films from 38 countries.

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Welcome to the second part of my look at the duplicity that is the Hollywood we know and love (or love to hate in some cases).   Yesterday I delved into the mainstream films, such as Transformers, which get little to no recognition by the Academy.  These are movies that represent the very monetary foundation of which Hollywood is built.

Today I’m going to slide the other way and talk about the performance side of Hollywood.  Films with limited budgets, little to no marketing and have to fight tooth-and-nail in some instances for distribution as well as theater screens.  They are the darlings of Hollywood, praised for often dramatic portrayal of characters and deeply emotional stories.  Yet, even with all the attention they receive when nominated for an Oscar, only a select group of viewers end up seeing these films.

In contrast to their mainstream counterparts, performance films have always been the underdog.  It starts from the very point the script is completed all the way to getting onto the screen.  It’s the latter which ultimately proves the most critical because without theaters to show it, what good is a movie?

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