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  • Indie Review: ‘Anton Chekhov’s The Duel’

    Obviously the title leaves much to be desired, but in every other possible way, Anton Chekhov’s The Duel is everything a costume drama should be—filled with stellar acting by winsome British…

  • Review: ‘Going the Distance’

    Real life on again/off again couple Drew Barrymore and Justin Long team up in this sweet romantic comedy that realistically depicts the good, the bad, and the ugly about long distance…

  • Review: ‘Machete’

    Grindhouse is a term used to describe a movie theater that specialized in showing Exploitation movies, primarily in the 1970s.  That type of movie was often made on the cheap, and…

  • Review: ‘The American’

    Hit men and assassins are a dime a dozen in Hollywood.  They are primarily used as an incidental plot device. The assassin’s lifestyle is typically portrayed as being glamorous. There are…

  • Review: ‘The Last Exorcism’

    I pretty much watch any horror movie I can get my hands on, and have been doing so for most of my adult life.  I can only recall a handful of…

  • Indie Review: ‘Get Low’

    As writing students learn in Fiction 101, Rule #1 (well, maybe it’s rule #2 or #16) of crafting a good story is never to build a story around the revelation of…

  • Indie Review: ‘Wild Grass’

    The 88-year-old Alain Resnais’s latest film, WILD GRASS, shows him remaining true, all these decades later, to the principles of the French “Nouvelle Vague” of which he was a leading proponent: …