The final season of Spartacus: War of the Damned begins January 25^th on Starz.  That’s tonight! We left off last season with Spartacus and his merry band of rebels facing the full might of the Roman legion, which are not against pulling shenanigans.

I was more than happy to sit down with Manu Bennett, who plays the undefeated Gaul and Spartacus BFF, Crixus.  Manu was passionate, assured, and especially candid as he spoke about his former co-star Andy Whitfield and what awaits Crixus in the new season. Generous to a fault, he also shared some spoils of war. (Note: This interview contains spoilers.)

The Flickcast: “Be Here Now” is emblazoned on your shirt.  Can you talk about why the phrase “Be Here Now” is important to you?

Manu Bennett: “Be Here Now” was a tattoo Andy [Whitfield] had on his forearm when he was going through his cancer treatment.  There’s a documentary that’s going to be coming out soon.

Rather than not being in the know about what happened to Andy, this documentary is for people who are really interested in the show and really fell in love with Andy and I know there’s so many people out there who did. I’m sure Andy would have liked everyone to go and watch this documentary to see what cancer can destroy in this life.

In honor of Memorial Day and to all our members of the Armed Forces past and present, this week’s War Movie Monday pick is the MGM World War II classic Thirty Seconds Over Tokyo (1944) which depicts the exploits of the Doolittle Raiders who bombed Japan just four months after Pearl Harbor. The film stars Van Johnson (Lieutenant Ted Lawson), Robert Walker (Corporal David Thatcher), Robert Mitchum (Lt. Bob Gray) and Spencer Tracy as Lt. Col. James Doolittle.

The film opens in February 1942 just two months after the attack on Pearl Harbor. The United States and its allies have met a series of crushing defeats against the Japanese in Malaya, Indo China, and the Philippines. The Japanese blitzkrieg across the Far East seems almost impossible to stop.

Samuel Fuller’s The Steel Helmet (1951) is one of the most honest, unflinching, in your face war films ever made. Set during the opening stages of the Korean War, the film follows a small squad of Americans who face off against an unseen enemy. Gene Evans makes his big screen debut as Sergeant Zack, a World War II veteran who finds himself in a new kind of war.

The film opens with a tight close-up shot of a steel helmet that has been punctured by a bullet. It’s shortly revealed to be Sgt. Zack who is the lone survivor of an enemy attack that has massacred his outfit. With his hands bound behind his back, Zack tries to free himself. A young South Korean boy (William Chun) comes to Zack’s aid and frees him. The boy is nicknamed “Short Round” by Zack who allows the kid to tag along with him until he can find another American outfit to join up with.

As Zack and Short Round are making their way through a wooded area Zack hears a noise and tells Short Round to “Eat rice”. They’ve come across another American, a medic who is also a survivor from an enemy attack. Corporal Thompson (James Edwards) joins up with Zack and Short Round. It is also revealed that Thompson is a World War II vet and his experiences during the last war mirror that of Fuller’s own combat diaries with the First Infantry Division.

Shortly after, Zack and the others encounter an American patrol led by the green, inexperienced Lt. Driscoll (Steve Brodie) who commands the quintessential, stereotypical squad from most war films. Fuller handpicked most of the actors that represented the different types of service men who were serving in Korea.

Albeit a Sci-Fi classic, The War of the Worlds (1953) is a multi genre film. Based on H.G. Well’s classic novel about a Martian invasion of Earth, the film represents America’s fear of Bolshevik communism in the 1950s. The film opens with a narration sequence which tells the audience why the Martians began looking across the vast sea of space looking for a new world in order to colonize. Of all the planets that were examined by the Martians, Earth was the only suitable planet for their needs.

Screenwriter Barre Lyndon substitutes Well’s England for southern California where the opening stages of the invasion begin. Dr. Clayton Forrester (Gene Barry) is a scientist who is called in to examine a meteorite that has made an unusual landing in the hills outside a small town. At the crash site, he meets a young woman who is familiar with his work. Sylvia Van Buren (Ann Robinson) and her pastor uncle invite Dr. Forester to stay with them for the time being while the meteorite cools off and can be examined.

Keeping an eye on the meteorite and insuring that it doesn’t start any more fires, three men discover that the meteorite is in fact a Martian ship that emerges from the crash site. The three men are quickly vaporized from the heat ray of the Martian war machine.

Lawrence of Arabia (1962) is one of the greatest films ever made and a tie for my number one favorite film alongside Dr. Strangelove (1964). It is one of director David Lean’s most lasting legacies in Hollywood and a truly epic one-of-a-kind film. It was a film that was the inspiration to future filmmakers Steven Spielberg, Sam Peckinpah, Martin Scorsese, and George Lucas.

I first saw the film at the age of twelve when my father took me to the Ziegfeld Theater in New York City in 1989 for the film’s restored re-release. My father told me that it was his most favorite film and that I was very privileged to see it on the big screen. I will never forget when the lights dimmed and Maurice Jarre’s score played before the opening credits of the film. It was the first film that I can remember where my eyes were completely fixed to the screen in fear that if I turned away for a spilt second that I might miss a pivotal moment.

As I began rummaging through the popcorn bag, I looked over to my father who smiled and gave me a wink. My experience seeing the film on the big screen was like for so many others, a film, which made me want to become a director and it solidified my love of cinema from that moment forward.