Reprising her role as Marion from 2007’s 2 Days in Paris, Julie Delpy directs, stars in, writes, edits, and possibly caters this sequel. Marion’s an artist living in New York with her partner Mingus (Chris Rock) and their two children from previous relationships.
Marion’s family, specifically her father Jeannot (played by Delpy’s actual father Albert), her sister Rose (Alexia Landeau), and Rose’s uninvited and unwelcome boyfriend Manu (Alexandre Nahon) come to visit for what quickly devolves into an endless weekend, made unbearable for Marion thanks to their numerous quirks.
Jeannot, for example, wanders about the big city like a child, keying cars, mistaking a massage for…something else, and getting held up at customs for attempting to smuggle 30 pounds of sausage. Rose cannot open her mouth without making a snide comment to or criticism of her sister, and Manu is simply the kind of person with no qualms about inviting a drug-dealer to Marion’s apartment for a quick score of weed.
Against the screwball antics of her family is the backdrop of Marion’s upcoming art show, where she plans to auction off her soul to the highest bidder. It’s casually referred to throughout the film but drives the final act, and I mention it here mainly because the joke of her soul not fetching much and the person buying it were my favorites.
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