The CW’s pilot Arrow, based on DC property The Green Arrow, just released the first image of star Stephen Amell (Private Practice) as the titular character. The suit was designed by three-time Oscar-winning costume designer and frequent Tim Burton collaborator who most recently worked on Snow White and the Huntsman, Colleen Atwood.

The project centers on former billionaire playboy Oliver Queen (Amell) who, after being marooned for five years on a remote island, returns with a mysterious agenda and a lethal set of new skills that he uses in a war on crime.

David Nutter, who headed up the pilot for the Superman-themed series Smallville, will also be directing Arrow. “When I directed the pilot for Smallville, I knew that making Clark Kent relate-able would be the key to audiences believing in him as a hero,” Nutter said. “Arrow is a different show — darker and harder-edged — but it’s the same core idea. We’re creating a real, believable world in which Oliver Queen can do incredible things. Colleen Atwood’s great work on the Arrow costume reflects that effort.”

Welcome to another edition of The Pull List Comic Reviews! This week we have a shorter list, but as you know, it’s about quality, not quantity. Besides, all of your favorites are here, including a couple of surprises. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Wolverine: Under The Boardwalk one-shot
Marvel Comics – $3.99 US
Writer: Stuart Morre
Artist: Tomm Coker
Score: 8.5

About to board a plane for Alaska, Wolverine receives a mysterious text message asking him to go to Atlantic City instead. Stranger still is the reference to a man Logan hasn’t seen in 40 years, Phil De Blasio, a mafia underboss who tried to kill him last time they met. What transpired on that boardwalk all those years ago has found a way to catch up to him, much to Logan’s chagrin.

In this latest one-shot focusing on Wolverine, writer Stuart Moore crafts a mystery that takes the character from Atlantic City to Coney Island, searching for answers while being reminded that most of his memories contain violence for a reason. Where Moore differed from other recent writers of Wolverine-centric one-shots, however, is what made this issue work, and that is the fact that the writer never lost sight of how a haunted character like Wolverine really shouldn’t experience peace and closure.

Complimenting this wonderful story is the art by Tomm Coker. The artist, hands down, drew the nicest issue I’ve seen this week. A noir vibe that pulsates throughout, the art is every bit as scratchy and slashy as the character’s past has shown, and while the story centers more on inner reflections and whatnot, there’s still the occasional action shot that mirrors Wolverine’s famous savagery. Beautiful in every way, the art within this issue should not be passed up.