So yesterday, we ran part one of this post.  In case you missed it, here were my picks:

• Waiting for Superman
• Winter’s Bone
• The Company Men
• Rabbit Hole/Blue Valentine (tie)
• The Fighter

Now, without further ado, are the rest of my picks for best movies of the year.

5. The Kids Are All Right

This quirky drama won me over in no time. Annette Bening and Julianne Moore play a lesbian couple raising two children who were the product of an anonymous sperm donor. When the kids are old enough, they seek out and find their donor, who is played by Mark Ruffalo.

His character Paul is a perpetually laid-back restaurateur who drives a motorcycle and lives a bohemian lifestyle. The kids are instantly captivated, and develop a relationship with the guy, much to the chagrin of their uptight mom Nic (Bening).

I admire writer/director Lisa Cholodenko for her sensitive handling of the subject matter. A lesser director could have turned this into a slapstick farce, but ultimately the film is funny, touching, and wholly original.  It is also universally relatable.  Bening is a standout in the film for her performance.

I was surprised at how much trouble I had narrowing down my top ten movies this year.  My top 20 were all very close, but here are the movies that I ultimately enjoyed the most. I readily admit that I did not see near as many foreign films as I would have liked, but by the time I cover most of the mainstream fare, there is simply no time left.

Honorable Mentions: Fair Game, Tiny Furniture, Greenberg, Cyrus, The Tillman Story, The American, Mother and Child, Scott Pilgrim.

10. Waiting for Superman
This Documentary was equal parts frustrating, inspirational, and heartbreaking. Director Davis Guggenheim (No End in Sight) sheds light on the dismal state of our public school system. He follows the plight of several children who live in various geographic regions who are placing all of their hope for an decent education into lottery systems for charter or private schools. Guggenheim relies on their compelling stories for a narrative, while interspersing lots of graphics and cartoons illuminating some pretty harrowing statistics.

When director Danny Boyle announced that he was going to take on the true story of mountain climber Aron Ralston, I thought he had gone crazy.  Boyle’s last film, Slumdog Millionaire, won eight Oscars, including Best Motion Picture and Best Director, and grossed over $350M worldwide.

The world was his oyster, so why would he squander his opportunity by tackling an unfilmable story?  If you recall, Aron Ralston was the hiker who survived a nasty fall while he was hiking in Utah.  His arm was pinned beneath an 800-pound boulder, and Ralston faced starvation, dehydration, and exposure to the elements.

After five days he made the decision to amputate his own arm in order to escape.  As if that weren’t bad enough, he then had to hike an additional eight miles to reach help.  Against insurmountable odds, Ralston triumphed, and became a poster boy for the strength of the human spirit. Sure, it’s a compelling story, but who wants to see a movie about a guy pinned under a rock for five days?