by Douglas Barnett, Nov 8 2010 // 2:30 PM
This week’s pick is the 1979 least known and only comedy from director Steven Spielberg, 1941 which stars Saturday Night Live originals Dan Aykroyd (Sgt. Frank Tree), and the incomparable John Belushi (Capt. “Wild” Bill Kelso, U.S. Army Air Corp.) Other supporting actors include Bobby Di Cicco (Wally Stephens), Ned Beatty (Ward Douglas), Lorraine Gary (Joan Douglas), Murray Hamilton (Claude Crumm), Christopher Lee (Capt. Wolfgang von Kleinschmidt), Tim Matheson (Capt. Loomis Berkhead) and Toshiro Mifune (Cmd. Akiro Mitamura).
Also on hand are Warren Oates (Col. Maddox), Robert Stack (Maj. Gen. Joseph W. Stillwell), Treat Williams (Cpl. Chuck “Stretch” Sitarski), Nancy Allen (Donna Stratton), John Candy (Pvt. Foley), Slim Pickens (Hollis P. Wood), and Count Floyd himself, Joe Flaherty (Raoul Lipschitz).
The opening of the film informs the audience about the infamous Japanese attack on Pearl Harbor on December 7, 1941 which hurtled an unsuspecting America into World War II. The West Coast of the United States was fearful that the Japanese would attack California next. These were actual fears that were quickly realized by its citizens, and that extreme caution and observation was needed to thwart any attempt which made invasion possible. The film is set just six days after the Pearl Harbor attack.
In the first few opening minutes of the film, Spielberg, and writers Bob Gale, John Milius, and future director Robert Zemeckis (Back to the Future trilogy) fantastically lampoon Spielberg’s Jaws opening by using the very same actress to re-create her skinny dip scene in the early morning hours. Veteran Spielberg composer John Williams even re-creates his famous theme music. The female swimmer is instantly caught on the periscope of a Japanese submarine which is prowling the California coastline for a worthy military target.
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Posted in: Academy Awards · Classics · Columbia Pictures · Comedy · Cult Cinema · DVD · DVD Reviews · Universal Pictures · War · War Movie Mondays
Tagged: Bob Gale, Bobby Di Cicco, Christopher Lee, Columbia Pictures, Dan Aykroyd, DVD, Joe Flaherty, John Belushi, John Candy, John Milius, John Williams, Lorraine Gary, Murray Hamilton, Nancy Allen, Ned Beatty, Netflix, Robert Stack, Robert Zemeckis, Slim Pickens, Steven Spielberg, Tim Matheson, Toshiro Mifune, Treat Williams, Universal Pictures, Warren Oates
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by Douglas Barnett, Mar 1 2010 // 1:00 PM

The Big Red One: The Reconstruction is director Samuel Fuller’s (Fixed Bayonets, The Steel Helmet, Merrill’s Marauders) autobiographical account of his experiences with the legendary 1st U.S. infantry division throughout World War II. Lee Marvin leads the cast of raw recruits which include Griff (Mark Hamill, fresh from success in Star Wars), Zab (Robert Carradine, who doubles as Fuller and the film’s narrator), Vinci (Bobby Di Cicco), Kaiser (Perry Lang), and Johnson (Kelly Ward).
This version of the 1980 film was released several years following Fuller’s death, which was in 1997, as a tribute to his lasting work and the version he intended his audiences to see. When this version was released in early 2005, I was overjoyed to see the original forty seven minutes which Fuller was forced to cut by the Warner Bros. executives.
The film opens as the guns fell silent on the Western Front in France during World War I in November of 1918. Lee Marvin begins his military career as a private who outlasts the war only twenty five years later, to fight once again on the battlefields of North Africa, Sicily, and Europe. The film serves as a combat diary of Marvin and his rifle squad of young, inexperienced boys who fast become hardened soldiers.
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Posted in: Movies · Reviews · War · War Movie Mondays
Tagged: Bobby Di Cicco, Kelly Ward, Lee Marvin, Mark Hamill, Movies, Netflix, Robert Carradine, Samuel Fuller, War, Warner Bros, WWII
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