Whatever happened to The Man of Tomorrow? In the late ’70s, when Richard Donner and Mario Puzo were making their Superman movie, they realized that the lead character, when in costume, lacked a personality. He’s tough, he’s fast, he can fly, and those abilities define him. It may be impressive as spectacle, but it’s a hard lead for an audience to connect with, and so they chose to focus on Clark Kent — in short and in a bad pun, theirs was a classic because it was more Man than Super. Now, with Man of Steel, Snyder, and his writers David S. Goyer and Christopher Nolan, do precisely the opposite.
The film opens with the usual prologue, though seeming far more extended here, on Krypton. Jor-El (Russell Crowe) is arguing with the planet’s elders about mining the core of their world — he warns them that the planet has only weeks left before it implodes, and as soon as he’s dismissed, General Zod (Michael Shannon) appears and starts blowing the elder’s palace up. Jor-El escapes to his wife Lara (Ayelet Zurer), who has just given birth to their son, Kal-El, Knowing the planet is doomed, they place him in a shuttle and shoot him off to earth, but not before Jor implants a whatsit codex into the ship.
Zod attempts to intercept the shuttle, killing Jor-El in the process, but is overpowered, tried, and sentenced to the Phantom Zone, a kind of black-hole prison. Krypton implodes, and Kal makes his way to earth, specifically to the Kansas farm of Jonathan and Martha Kent (Kevin Costner and Diane Lane), who adopt the boy and impart to him the lessons of compassion and anonymity. I will say that it’s clever of Goyer and Nolan to handle Kal-El’s childhood in flashback, lest we sit through another hour or so of an origin story whose end we already know.
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