So far as I’ve seen, the kerfuffle surrounding the funding and production of Promised Land has received more attention than the film itself. So in case you haven’t heard, the film portrays the process of hydraulic fracturing or “fracking” in a negative light. People such as Phelim MacAleer, director of the documentary FrackNation, and residents of Armstrong County, Pennsylvania, where much of the movie was filmed, have accused the producers of exaggerating if not totally fabricating the dangers of fracking.

However, the biggest bombshell came when the Heritage Foundation revealed that one of the film’s backers is connected to OPEC, sparking outcries that there’s a conflict of interest. OPEC, of course, being a supplier of oil would have a lot to gain if the U.S. outlawed fracking altogether or at least had a good amount of public resentment.

Though anyone actually interested in following the story will see that the connection is dubious, and even if it were ironclad, so what? As much faith as I have in people not to get their information from a fictional film, I’m more confident that not many will see it. For that matter and despite all the hoopla, fracking really isn’t that big of a plot point. It’s discussed, and some dangers are touched on, but the larger villain is the old standby, Big Business.

I’ve got to give it to Spike Jonze. He took on the Herculean task of adapting one of the most beloved children’s books of all time, and mostly got it right. I remember the book vividly, and seeing the creatures in the movie brought to life is a spectacle to behold. It is absolutely breathtaking. They are exactly as you remember them, but real.

When Jonze decided to forgo the usual CGI, film followers exhaled a sigh of relief. Instead, a combination of puppetry, live action and CGI (for the facial expressions) was employed. Jonze said that he felt a physical presence was necessary for the actor (Max Richards) to interact with. I agree. However, at times I felt the creatures tread a little too close to H.R. Pufnstuf territory, and I would be jarred out of the movie.

The film begins with the hero Max displaying the typical antics of a boy his age. He’s hyper as hell as he dashes about the house, partakes in a snowball fight in his yard, and terrorizes the family dog. He tries to get the attention of his harried mom (Catherine Keener) and is upset when his sister leaves with her friends.