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This is the third adaptation of a novel Joe Wright has made with Keira Knightley and the second of a beloved classic. The problem is that most of the belovees have actually read Pride and Prejudice, while the many who approached Anna Karenina got about twenty or so pages into it before throwing up their hands in frustration trying to sort out the -iliaviches from the -oliaviches.
That’s not a problem for the film, however; rather I think it may hurt its chances at the box office. Then again, the novel did find new life due to the Gospel According to Oprah, and this provides what I imagine is an excellent primer.
For one, Russian novels may suit the screen even better than their English counterparts as it’s much easier to keep track of faces than names. And Wright seems aware of this, as the names are totally unimportant. A few are bandied about, but it’s never difficult to tell Anna apart from, say, Princess Myagkaya or Countess Vronskaya or Yppikaya (notably absent from the film).
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