Since we heard the announcement, WallE and I have eagerly anticipated the release of Ducktales Remastered. We didn’t want to get our hopes up because we have seen HD versions of games screw it up, like Teenage Mutant Ninja Turtles: Turtles in Time. But with Capcom, we had a little more faith as they have shown us they can do retro right. Whether it was updates on retro titles or making retro styled games like the most recent Mega Man titles, Capcom had figured out the formula. Don’t change stuff. Just make it look better when possible.

Today after a war with a PSN ID, WallE purchased and downloaded Ducktales Remastered. And as fun as it was to see the new fully animated sprites in the 2.5 D world, I just don’t feel comfortable reviewing the game. Not because it is a bad game by any means but because I can’t tell how much of what I love about it is based off the game itself or just my memory of both the game and the franchise. The mechanics and challenge are still there but if I had not had the level of investment in Ducktales, would I care about Ducktales Remastered as much as I do?

Saturday was Carl Barks’s birthday. Had he not died in 2000 at the age of 99, he’d be 109. Anyone else who grew up loving Ducktales has him to thank: For nearly 65 years he was involved with Disney, most famously as author and illustrator of the “Duck” comic books, and among his creations are Gyro Gearloose, Gladstone Gander, Flintheart Glomgold, Magica DeSpell, the Beagle Boys, and, of course, Uncle $crooge.

Born in Merrill, Oregon, in 1901, Barks grew up on a small farm his parents owned and purportedly took up a number of odd jobs (that would later be reflected in Donald Duck’s vocational transcience) before deciding, on a whim, that he should go into cartooning, taking up a job at Disney in 1935. In 1942, he began his celebrated tenure working on Donald Duck comics, his first effort being the comic adaptation of an unproduced feature animation film showcasing Mickey, Goofy, and Donald seeking some lost treasure of the pirate Henry Morgan.

The book, plotline heavily lifted from Robert Louis Stevenson’s Treasure Island; incorporating Mickey Mouse’s primary antagonist Black Pete; and entitled Donald Duck Finds Pirate Gold, was a collaboration between Barks and another Disney artist Jack Hannah. With Pirate Gold, Barks made somewhat of a name for himself and went on to write and illustrate around 500 stories featuring the ducks, until his retirement in 1966. Disney comic-book artists were never given credit in those days, but the quality of Barks’ art and stories was so distinct that fans were able to identify his work and those among the knowing would refer to him as “The Good Duck Artist.”