As with most every week, this week sees the release of more new movies and TV shows on Blu-ray and DVD. Of the titles dropping this week we’re most interested in Edge of Darkness, Legion, Daybreakers, the first time Blu-ray release of Karate Kid I and II, the release of the Kurosawa collection and the debut of Mel Brook’s History of the World Part One on Blu-ray (pictured above with Mel Brooks and Harvey Korman).

Check them out.

Movies

Daybreakers ~ Ethan Hawke, Willem Dafoe (Blu-ray and DVD)

Edge of Darkness ~ Mel Gibson, Ray Winstone, Danny Huston (Blu-ray and DVD)

Essential Art House: Kurosawa Collection (Hidden Fortress/Ikiru/Throne of Blood) (Blu-ray and DVD)

Father of the Bride 1 & 2 ~ Steve Martin (Blu-ray and DVD)

Hang Em High (Two-Disc Blu-ray/DVD Combo) [Blu-ray] ~ Clint Eastwood, Ed Begley, Bruce Dern, and Dennis Hopper (Blu-ray – 2010)

History of the World Part 1 ~ Mel Brooks, Dom Deluise, Harvey Korman (Blu-ray)

This week on The Flickcast Chris is back and the duo get right to it with a whole bunch of new topics. Some of these topics include the success and relative merits of Iron Man 2, Captain America in 3D rumors, Logan Lermann potentially as the new Spider-Man, J.J. Abrams upcoming sci-fi thriller Super 8, other upcoming 3D titles and Betty White hosting Saturday Night Live.

The boys also made some picks again this week including Matt’s pick of the movie Legion and Chris pick of the Mel Gibson film Edge of Darkness.

As always, if you have comments, questions, critiques, offers of sponsorship or whatever, feel free to hit us up in the comments, on Twitter, at Facebook and MySpace or via email.

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When this Mel Gibson starrer came to theaters, I didn’t get a chance to see it so my first exposure to it was on Blu-ray. I won’t go into a full review of the film here (I’ll leave that to our own Shannon Hood) but suffice it to say I liked director Martin Campbell’s mix of cop procedural, revenge tale and conspiracy thriller. Gibson plays Boston Detective Thomas Craven who’s daughter is brutally murdered right in front of his eyes after a rather brief homecoming.

This horrific act spurs Gibson’s character on a path of revenge and a quest for justice that takes him in many different directions as he crosses paths with all manner of characters. Of course, things are not as they seem and the crime is not s simple assassination gone wrong, nor was Craven the target as everyone, except him, suspect.

During the course of his investigation Craven discovers a wider conspiracy that leads to the power corridors of the highest levels of government. Into this mix comes Ray Winstone’s Jedburg, a shadow operative who ‘s motivations and loyalties are unclear.

Is he a friend or foe and who does he work for? These questions arise as the film progresses and as Craven and Jedburg have several scenes together. Even though the other actors in the film, including Danny Huston, Shawn Roberts and Bojana Novakovic, are quite good, Gibson and Winstone elevate their scenes together and make this movie, at times, a real pleasure to watch.

Doh! Women flexed their box office muscles once again and helped boost the bland Valentines Day to a record breaking weekend.  Silly Hollywood, when will you learn?

First we had New Moon, then last weekend Dear John, and now Valentine’s Day. Each time a movie that has a largely female demographic wins the weekend, all the trades are SHOCKED to find out that women go to the movies.

Each time, I read that there will be a onslaught of female centric movies green lit by the studios.  And, it never happens.  I must say I am not completely proud of what my sisters choose to spend their box office dollars on (before you boys snicker, might I remind you of G.I. Joe, and Transformers), but it is interesting to note  this possible shift in marketing.

Three day totals for Valentine’s Day are around $52 Million, making it the highest grossing movie ever for a President’s Day weekend. Women weren’t the only ones in the mood for movies this weekend. Percy Jackson and the Olympians: The Lightning Thief made a very respectable $31 Million over the weekend, and Benicio Del Toro’s The Wolfman took a bite out of the box office to the tune of $30 Million (sorry, that was a terrible pun.)

Avatar took a tumble to the number four position this weekend, but a $22 Million gross is still quite astonishing for its ninth week in release.  Dear John dropped about 50% from its opening weekend, which is average, and earned an additional $15 Million.

The action movies Edge of Darkness, and From Paris, With Love both are shaping up to be box office disappointments.  Edge of Darkness has only made $36 Million in three weeks (with a budget of $80 Million), and From Paris now stands at $15 Million after two weeks.

Avatar only dropped 14% from last weekend, and is still putting up huge numbers after seven weeks in release.  Once again, it maintained the top spot at the box office with $30 Million. Only six million to go before it breaks $600 Million domestically. At this rate it will hit that number this week for sure.

Mel Gibson’s revenge thriller Edge of Darkness managed a lukewarm $17 Million on just over 3,000 screens, which was a little lower than expectations. Kristen Bell’s romantic comedy When in Rome placed third, with $12 Million. The Tooth Fairy only dropped 29% for fourth place with an additional $10 Million.

The Book of Eli came in at number 5 with $8.7 Million.  It has almost earned  back its $80 Million budget. Outside of the top five, things were not so rosy. In its second week in release, Harrison Ford’s Extraordinary Measures tumbled completely out of the top ten into 13th place for the weekend.

That’s gotta be painful for Ford, and for the fledgling CBS films. Legion also dove about 60%, but a low budget probably ensures that it will still be profitable.

Mel Gibson returns to the big screen after a personal and professional hiatus of over seven years. His last starring role was in 2002’s We Were Soldiers. Many are hailing Edge Of Darkness as Gibson’s “comeback.”  So is it?  Meh. He is fine as a grief stricken Boston Detective, but he won’t be winning an award any time soon. There are a dozen actors that could have navigated this role equally well. That’s not knocking Gibson, but it’s a pretty  generic role.

Edge of Darkness veers into spoiler territory early, and often, and I don’t like to spoil movies, so here is a spoiler-free synopsis. Gibson plays Craven,  a single dad who goes to pick up his grown daughter from the train station. It is obvious he loves her very much. She seems slightly distant. Sensing something is wrong, he implores her to tell him what it is.  Shortly after they get home, she becomes seriously ill. Craven takes her to the hospital, but as soon as they reach the front door, his daughter is violently gunned down in front of him.

The rest of the movie concerns Craven trying to uncover the mystery behind his daughter’s death. It involves government conspiracies, shady political types, evil corporations, and unconscionable greed. Because Craven has no family left, his vengeance is of the reckless variety, which too often translates into over the top.