Everyone knows that Wednesday is new comic book day. While picking up your new issues consider looking at some of the trade paperbacks and hard covers of past issues and story lines. But which ones should you choose?

That’s why every Tuesday, The Flickcast will recommend a collection of comics that are just as good, if not better, than the issues you are currently buying. Books that deserve to be read, and bought the next time you walk into your local comic book store.

“When I was a kid growing up, I never could decide what I wanted to be when I grew up.”  – Green Lantern #75

Some heroes are born, and others are made.

In the mid-90s, Green Lantern wasn’t selling well. So DC Comics did the unthinkable, they created a storyline where Hal Jordan went crazy, became a super villain named Parallax, and destroyed the Green Lantern Corps. While that story line was pretty bad, the issues that followed were pure gold.

We were introduced to Hal’s replacement, Kyle Rayner, a twenty-something graphic artist who couldn’t hold a steady job, and flirted with all the ladies, a screw-up. Kyle received his ring not because of his ability to overcome fear, but because he was in the right place at the right time. Kyle was more creative with his ring than any other Green Lantern because of his artistic mind. The only trouble was with no Green Lantern Corp around anymore, Kyle had no training. Here was Kyle Rayner, a screw up, in possession of the most powerful weapon in the universe, and he has no idea what to do with it.

Just in time for the weekend and, perhaps, the end of the world as we know it comes this brand new Green Lantern trailer from Warner Bros via Yahoo Movies. In it we get a lot more action and see what that power ring can do in the hands of an expert.

Plus, we get a lot more about the origin of the Green Lantern Corps as well as a bunch more footage not seen yet, at least to the general public. This trailer will be shown in theaters in 3D. Sadly, we only go 2D here (for now).

Check out the brand new trailer after the break. Green Lantern arrives on June 17th.

The cast of DC and Warner Bros. upcoming big screen adaptation of Green Lantern, featuring Ryan Reynolds as the titular hero and with Martin Campbell directing, has just grown by two. According to The Hollywood Reporter, Temuera Morrison, best known as Jango Fett from the Star Wars movies, has joined the cast as well as filmmaker-actor Taika Waititi.

According to the trade, Morrison will take on the role of Abin Sur, a member of the Green Lantern Corps who gives Hal Jordan his power ring before dying. Waititi will play Hal Jordan’s best friend. They join a cast that, in addition to Reynolds as Jordan, includes Tim Robbins, Blake Lively, Peter Sarsgaard and Mark Strong as Sinestro.

With the addition of Morrison, who I’ve been a fan of since his earlier work in Once Were Warriors, Green Lantern looks to be shaping up as quit a film. Even if it’s being filmed in 3D, which may or may not be a good thing, I’m still getting pretty excited to see it when it’s eventualy released.

Green Lantern begins filming this week in New Orleans with a release scheduled for June 17, 2011.

Welcome to another edition of The Pull List Comic Reviews! The fall of the Hulks begins, Mogo dishes out his brand of justice and both Geo-Force and the Sentry lose their marbles. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

Dark Avengers #13
Marvel Comics – $3.99 US
Writer: Brian Michael Bendis
Artist: Mike Deodato
Score: 8.5/10

The Marvel Universe has seen better days. While the disassembling of Earth’s mightiest heroes led to the breakout of a civil war, a secret invasion became the catalyst to Norman Osborn’s dark reign, and with the siege of Asgard on the horizon, surely things couldn’t get worse (see what I did there?), could it? The Sentry’s true origin is revealed, answering once and for all that, yes, things can get worse…much worse.

Just when I thought all the pieces were on the table, Brian Michael Bendis takes the much-maligned Sentry and turns him loose. With this latest revelation of how the Sentry came to be – not to mention how he’s more unstable than anyone thought – Bendis has taken a tragic figure and made him the definitive x-factor for the Siege event. Whether or not the character winds up saving the day or becoming the most dangerous player is still up in the air, and that’s just a tad frightening.

This issue is all about the eyes. Artist Mike Deodato nailed every beat of this issue by letting the eyes of the characters tell the story, which really focused on the horror of what resides within the Sentry’s mind. From the Sentry, the Sentry’s wife, Lindy and even Osborn himself, the eyes served notice that something wicked this way comes. For even more justification, take a gander at that last page.

Welcome to another edition of The Pull List Comic Reviews! The latest mutant milestone issue gets top billing, Spidey winds up in the wrong sandbox and Guy Gardner sees a whole lot more than just red. As always, WARNING: SPOILERS AHEAD.

PULL OF THE WEEK:

X-Factor #200
Marvel Comics – $4.99 US
Writer: Peter David
Artists: Bing Cansino, Marco Santucci, Karl Moline
Score: 9.5/10

X-Factor Investigations makes the move from Detroit to New York in hopes of wrangling some new clients of the super-hero variety, but when their first client winds up being Franklin and Valeria Richards – the children to Reed and Sue Richards of the Fantastic Four – the team realizes that all is not what it seems.

Long-time X-Factor scribe Peter David continues to mix jaw-dropping plot bombs with great characterizations and intelligent humor in this over-sized anniversary special. The mystery of the missing Invisible Woman, on it’s own, is a great story, but throw in Monet’s father being abducted by terrorists, Siryn’s shocking rendezvous with an old flame (hint: he’s nuts) and Layla Miller’s surprising allegiance to Latveria, and you’ve got one hell of a jump-on issue.

The art team of Bing Cansino and Marco Santucci do a great job of pacing this mammoth story, and their takes on the characters are both familiar and fresh. With a title that relies heavily on many speaking scenes, which should come as no surprise to current readers, their art is right on the money, but they also flex their proverbial muscle in the action scenes, especially where the Thing is involved.